Nanny: Interview with Anna Diop, Michelle Monaghan & Zephani Idoko
Before the screening of psychological horror Nanny at London Film Festival, we interviewed Anna Diop, Michelle Monaghan and Zephani Idoko on the red carpet.
Blue Jean Review: Exceptional Debut Film
Rosy McEwen gives a phenomenal performance in Blue Jean, the Thatcher-era drama that marks the exceptional debut of British director Georgia Oakley.
EO Film Review: Channeling Bresson
The visually striking EO takes in the world around us as it tracks its titular donkey’s trek across Poland, observing some of the greatest beauties and cruelties of humanity.
Bardo, False Chronicle of a Handful of Truths: Film Review
Existentialism cloaks Alejandro G. Iñárritu’s fascinating, intoxicating, and visually resplendent Bardo, False Chronicle of a Handful of Truths.
Causeway (LFF Review): Lawrence & Henry Excel in Indie Drama
Jennifer Lawrence and Brian Tyree Henry are both excellent in Causeway, Lila Neugebauer’s feature debut about an Army vet and mechanic finding solace in each other.
Klokkenluider Film Review: Devious Comedy Drama
Klokkenluider might end up feeling a little shallow and thinly developed, but its inventive cinematography, unique style and devilish wit will leave you suitably satisfied.
Coma (2022) Film Review: Musings of a Locked Down Mind
Bertrand Bonello’s Coma delves into the mind of a teenage girl, bored senseless by France’s Covid lockdown, in a hectic stripped-down time capsule.
Roald Dahl’s Matilda the Musical: Netflix Film Review
Roald Dahl’s Matilda: The Musical lacks the Dahlian menace and flair of its predecessor, though its musical sequences are delightful.
Love Life (Koji Fukada): Film Review
Koji Fukada’s Love Life is a Japanese family melodrama with decent performances but also inconsistent moments that leave you feeling a little cold.
