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Burning Hearts (Film Review): Star-Crossed And Loveless
Luxembourg, Luxembourg (Film Review): Daddy (Not So) Cool
Saint Omer (2022) Film Review: Mother’s Guilt
No Bears (Khers Nist) Review: Great Guerrilla Storytelling
Dead for a Dollar (Film Review): Enjoyable, But Puzzling
Argentina, 1985: Interview with Santiago Mitre, Ricardo Darín & Alejandra Flechner - Venice Film Festival
Hanging Gardens (Venice Review): Let’s Talk About Sex(dolls)
Blonde (Film Review): Bold Ambition – Venice Film Festival
Director David Wagner on “Eismayer”: Venice Interview - Venice Film Festival
The Banshees of Inisherin (Film Review): It’s Not Me, It’s You
Dreamin’ Wild (Venice Review): Second Chances Sound Sweet
The Son (Film Review): Superb Storytelling
The Eternal Daughter (Venice Review): In My Mother’s House
“Typeman” Will Make You Feel Alive (Venice Immersive Review)
Don’t Worry Darling (Venice Review): Flawed but Enjoyable
Florent Gouëlou, Pablo Pauly & Romain Eck on Three Nights A Week: Interview
Eismayer (Film Review): Love, Truth, & Masculinity
Bones And All (Film Review): “Let’s Be People.”
Living (Film Review): Storytelling at its Best
TÁR (Venice Review): The Downfall of a Narcissist
Gumball Dreams Review: Vibrant Live Theatre VR Adventure
Three Nights A Week (Film Review): Love, in All Its Forms
Venezia 79: 20 Films to Watch at the 2022 Venice Film Festival
2022 Venice Film Festival: All the Stars Confirmed in Attendance
Venice Immersive: Virtual Reality Line-Up for Venezia 79 (2022)
2022 Venice Film Festival: Venezia 79 Line-Up Announced
Halloween Kills: The Sleep of Reason Produces Michael Myers (Venice Review)
Halloween Kills: il sonno della ragione genera Michael Myers (Recensione)
Old Henry Revives The Western Genre (Venice Film Festival Review)
Spencer: Brief Moments of Freedom (Venice Film Festival Review)
America Latina (Venice Review): Daring & Disarming Character Study
Freaks Out (Venice Review): A Glorious Ode to Outsiders
Ana Lily Amirpour, Craig Robinson & Ed Skrein on Mona Lisa and the Blood Moon (Venice Interview)
The Card Counter (Review): “Someone To Find Your Way Home”
Last Night in Soho Film Review: The Monsters We Create
Dune (2021): Chalamet Shines in Immersive Adaptation (Venice Review)
Land of Dreams: Absurdism & Political Satire (Venice Review)
Venezia78: 20 Films to Watch at the 2021 Venice Film Festival
Nomadland: Frances McDormand Anchors an American Odyssey for the Ages (Review)
Genus Pan (Lahi, Hayop): Looking Back to Find Ourselves (Review)
The Book of Vision (Venice Review): Sincere but Reductive
Mainstream (Review): “No-One-Special” To Fill Up Your Life
Seberg is a well-crafted thriller about human connection (Review)
Le Cri: Edvard Munch’s The Scream comes alive in Virtual Reality (Interview)
An Officer And A Spy (J’Accuse): Jean Dujardin excels in Polanski’s drama (Review)
Loud and Clear Reviews The Laundromat Antonio Banderas Gary Oldman Meryl Streep Netflix
The Laundromat is the Panama Papers drama we didn’t know we needed (Review)
Ad Astra: Brad Pitt’s journey to Neptune is intentionally emotionless (Venice Film Festival Review)
Joker is Pure Cinematic Perfection (Venice Film Festival Review)
Loveseat: The VR Theatre Performance That Helps Us Feel (Interview)
Virtual Reality: our 15 favourite experiences at the 2019 Venice Film Festival
2019 Venice Film Festival: 25 films you need to watch
Charlie Says: Matt Smith is Charles Manson in Powerful Psychological Drama (Review)
Virtual Reality VR Gloomy Eyes Eclipse Horrifically Real Virtuality
Best Virtual Reality at 2019 Sundance & Venice
The Favourite: Human Nature At Its Most Manipulative (Venice Film Festival Review)
Suspiria (2018): A Clever Analysis of Human Nature (Review)
A Star is Born and Vox Lux: the consequences of fame at the Venice Film Festival
Roma: Cuarón’s Memories Come Alive (Review)
Virtual Reality in Competition at 75th Venice Film Festival: full Line-up and guide
75th Venice Film Festival, “In Competition”: full Line-Up
A Star Is Born: official poster (Warner Bros)
Bradley Cooper & Lady Gaga’s A Star is Born will premiere in Venice
Damien Chazelle’s First Man will open the 75th Venice Film Festival
some like it hot
75th Venice Film Festival: Restored Films Line-Up announced
Three Billboards Outside Ebbing, Missouri (Review): the Film you Absolutely Need to Watch
venice virtual reality
Venice Virtual Reality: the new shape of cinema at the 74° International Film Festival
Robert Redford and Jane Fonda in Our Souls At Night Netflix
Our Souls At Night (Netflix Review): Life After Loss
Helen Mirren Donald Sutherland Venice Film Festival
The Leisure Seeker & Loving Pablo: the best and worst on-screen couples at Venezia 74