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John Wick: Chapter 4 – Film Review
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The Mandalorian Season 3 Episode 4 Review
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Air (2023 Film): SXSW Review
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Evil Dead Rise: SXSW Film Review
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Burning Hearts (Film Review): Star-Crossed And Loveless
Luxembourg, Luxembourg (Film Review): Daddy (Not So) Cool
Saint Omer (2022) Film Review: Mother’s Guilt
No Bears (Khers Nist) Review: Great Guerrilla Storytelling
Dead for a Dollar (Film Review): Enjoyable, But Puzzling
Argentina, 1985: Interview with Santiago Mitre, Ricardo Darín & Alejandra Flechner
- Venice Film Festival
Hanging Gardens (Venice Review): Let’s Talk About Sex(dolls)
Blonde (Film Review): Bold Ambition – Venice Film Festival
Director David Wagner on “Eismayer”: Venice Interview
- Venice Film Festival
The Banshees of Inisherin (Film Review): It’s Not Me, It’s You
Dreamin’ Wild (Venice Review): Second Chances Sound Sweet
The Son (Film Review): Superb Storytelling
The Eternal Daughter (Venice Review): In My Mother’s House
“Typeman” Will Make You Feel Alive (Venice Immersive Review)
Don’t Worry Darling (Venice Review): Flawed but Enjoyable
Florent Gouëlou, Pablo Pauly & Romain Eck on Three Nights A Week: Interview
Eismayer (Film Review): Love, Truth, & Masculinity
Bones And All (Film Review): “Let’s Be People.”
Living (Film Review): Storytelling at its Best
TÁR (Venice Review): The Downfall of a Narcissist
Gumball Dreams Review: Vibrant Live Theatre VR Adventure
Three Nights A Week (Film Review): Love, in All Its Forms
Venezia 79: 20 Films to Watch at the 2022 Venice Film Festival
2022 Venice Film Festival: All the Stars Confirmed in Attendance
Venice Immersive: Virtual Reality Line-Up for Venezia 79 (2022)
2022 Venice Film Festival: Venezia 79 Line-Up Announced
Halloween Kills: The Sleep of Reason Produces Michael Myers (Venice Review)
Halloween Kills: il sonno della ragione genera Michael Myers (Recensione)
Old Henry Revives The Western Genre (Venice Film Festival Review)
Spencer: Brief Moments of Freedom (Venice Film Festival Review)
America Latina (Venice Review): Daring & Disarming Character Study
Freaks Out (Venice Review): A Glorious Ode to Outsiders
Ana Lily Amirpour, Craig Robinson & Ed Skrein on Mona Lisa and the Blood Moon
(Venice Interview)
The Card Counter (Review): “Someone To Find Your Way Home”
Last Night in Soho Film Review: The Monsters We Create
Dune (2021): Chalamet Shines in Immersive Adaptation (Venice Review)
Land of Dreams: Absurdism & Political Satire (Venice Review)
Venezia78: 20 Films to Watch at the 2021 Venice Film Festival
Nomadland: Frances McDormand Anchors an American Odyssey for the Ages (Review)
Genus Pan (Lahi, Hayop): Looking Back to Find Ourselves (Review)
The Book of Vision (Venice Review): Sincere but Reductive
Mainstream (Review): “No-One-Special” To Fill Up Your Life
Seberg is a well-crafted thriller about human connection (Review)
Le Cri: Edvard Munch’s The Scream comes alive in Virtual Reality (Interview)
An Officer And A Spy (J’Accuse): Jean Dujardin excels in Polanski’s drama
(Review)
The Laundromat is the Panama Papers drama we didn’t know we needed
(Review)
Ad Astra: Brad Pitt’s journey to Neptune is intentionally emotionless (Venice Film Festival Review)
Joker is Pure Cinematic Perfection (Venice Film Festival Review)
Loveseat: The VR Theatre Performance That Helps Us Feel (Interview)
Virtual Reality: our 15 favourite experiences at the 2019 Venice Film Festival
2019 Venice Film Festival: 25 films you need to watch
Charlie Says: Matt Smith is Charles Manson in Powerful Psychological Drama (Review)
Best Virtual Reality at 2019 Sundance & Venice
The Favourite: Human Nature At Its Most Manipulative (Venice Film Festival Review)
Suspiria (2018): A Clever Analysis of Human Nature (Review)
A Star is Born and Vox Lux: the consequences of fame at the Venice Film Festival
Roma: Cuarón’s Memories Come Alive (Review)
Virtual Reality in Competition at 75th Venice Film Festival: full Line-up and guide
75th Venice Film Festival, “In Competition”: full Line-Up
Bradley Cooper & Lady Gaga’s A Star is Born will premiere in Venice
Damien Chazelle’s First Man will open the 75th Venice Film Festival
75th Venice Film Festival: Restored Films Line-Up announced
Three Billboards Outside Ebbing, Missouri (Review): the Film you Absolutely Need to Watch
Venice Virtual Reality: the new shape of cinema at the 74° International Film Festival
Our Souls At Night (Netflix Review): Life After Loss
The Leisure Seeker & Loving Pablo: the best and worst on-screen couples at Venezia 74
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