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Prey (Film Review): Breathing New Life Into a Dead Franchise
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Bullet Train (Film Review): Brad Pitt ‘s Rousing Return to Action
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Why You Should Be Excited For House Of The Dragon
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Bodies Bodies Bodies (SXSW Review): A Madhouse of Fun
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Metronom (Cannes Review): “The Time to Hesitate is Through”
Falcon Lake (Cannes Review): A Ghostly Tale of Young Love
The Green Perfume (Cannes Review): Screwball Cure for Pledged Crimes
Crimes of the Future (Review): Cronenberg’s Cinematic Comeback Divides
El Agua (Cannes Review): Mythology & Naturalism Through the River Creeks
Aftersun (Cannes Review): Sun, Sea & Melancholy
Scarlet (L’Envol) Cannes Review: An Endearing Tale with Magical Realism
One Fine Morning (Cannes Review): Finding Unexpected Love
Enys Men (Cannes Review): The Sounds of Isolation
Triangle of Sadness (Cannes Review): Flawed Super-Rich Satire
Armageddon Time (Cannes Review): A Personal Coming-of-Age Film
Final Cut (Coupez!) Cannes Review: Un Cut of the Dead
2022 Cannes Film Festival: 15 Films to Watch
Red Rocket (Cannes Review): An Unwanted Homecoming
Titane (Cannes Review): Collisions of Flesh and Steel
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