Toronto
Saint Omer (2022) Film Review: Mother’s Guilt
Stéphane Lafleur on “Viking” (TIFF Interview)
Carmen Jaquier & Lilith Grasmug on “Thunder” (TIFF Interview)
Venus (Film Review): Wake Me Up Before You Go-Go
V/H/S/99 (Film Review): Uneven Found Footage Schlock
Wendell & Wild (Film Review): Stuffed Toy Box of Horrors
The Greatest Beer Run Ever (TIFF 2022): Film Review
Empire of Light (Film Review): A Messy But Gorgeous Romance
The Fabelmans (Movie Review): A Tribute to Film and Family
Women Talking (Film Review): “The Sun is Setting, and Our Light is Fading”
The Wonder (Film Review): The Act of Belief in a World of Deceptions
Pearl (TIFF Review): Mia Goth Shines in a Fitting Prequel
The Whale (Film Review): Fraser Excels In Heartbreaking Tale
All the Beauty and the Bloodshed: Film Review
Broker (Film Review): Replaying the Greatest Hits
Glass Onion: A Knives Out Mystery (TIFF 2022) Film Review
Decision to Leave: Film Review
Moonage Daydream (TIFF Review): The Prettiest Star
Joyland (Film Review): Repressed Desires & Gender Roles
Viking (TIFF Review): An Ambiguous Space Character Study
The Blue Caftan (Film Review): Beautifully Restrained, Delicate & Intimate
Corsage (Film Review): Polished Drama with Fragility & Forte
The Woman King (TIFF Review): An Epic, Emotional Powerhouse
R.M.N. (Film Review): Hatred Slowly Deteriorates the Mind
De Humani Corporis Fabrica (TIFF Review): The Unflinching Wonders of Our Bodies
Weird: The Al Yankovic Story (TIFF 2022): Film Review
Pacifiction (Film Review): Political Paranoia & the Inevitability of Evil
Return to Seoul (Film Review): In Search for a Place to Call Home
TIFF 2022: 20 Films to Watch at the Toronto Film Festival
I’m Your Man (Review): Eggert & Stevens Shine in Smart Relationship Drama
The Electrical Life Of Louis Wain: A Biopic That Breaks Tradition (TIFF Review)
Petite Maman (TIFF Review): Céline Sciamma Stuns Again
The Eyes of Tammy Faye: Chastain Captivates in Charming Biopic (TIFF Review)
The Humans (Review): Jenkins & Houdyshell Deliver in Dark Family Drama
The Worst Person in the World: A Love Letter to Lost Souls (TIFF Review)
The Power of The Dog: Campion’s Cinematic Comeback is a Classic (TIFF Review)
Pieces of a Woman: Vanessa Kirby Shines as the Film Flounders (Review)
Summer of 85 (Été 85): Raw, Wise and Heart-Wrenchingly Good (Review)
The Father (Film Review): Hopkins Ages Like a Nice Chianti
Another Round (Druk): A Boozy Joy Highlighted By A Splendid Mads Mikkelsen (Review)
One Night in Miami (Review): “It’s Been A Long Time Coming, But A Change Is Gonna Come”
Akilla’s Escape: Classic Noir Style Melds Beautifully with Modern Themes (Review)
Penguin Bloom: Naomi Watts elevates a formulaic drama (Review)
Nomadland: Frances McDormand Anchors an American Odyssey for the Ages (Review)
Get the Hell Out: A Riotous, Albeit Unfocused Zombie Comedy (TIFF 2020 Review)
TIFF 2020: 20 Films to Watch at the Toronto International Film Festival