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Our Friend: Affleck, Johnson, and Segel Shine in True Story (Review)
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Identifying Features: Mexican Drama Led by Unique Ambitions (Review)
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Acasa, My Home: Between the City and the Sky (Review)
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Locked Down: A Flawed but Interesting COVID Time Capsule (Review)
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Pieces of a Woman: Vanessa Kirby Shines as the Film Flounders (Review)
Summer of 85 (Été 85): Raw, Wise and Heart-Wrenchingly Good (Review)
The Father: Hopkins Ages Like a Nice Chianti (Review)
Another Round (Druk): A Boozy Joy Highlighted By A Splendid Mads Mikkelsen
(Review)
One Night in Miami: “It’s Been A Long Time Coming, But A Change Is Gonna Come” (Review)
Akilla’s Escape: Classic Noir Style Melds Beautifully with Modern Themes (Review)
Penguin Bloom: Naomi Watts elevates a formulaic drama (Review)
Nomadland: Frances McDormand Anchors an American Odyssey for the Ages (Review)
Get the Hell Out: A Riotous, Albeit Unfocused Zombie Comedy (TIFF 2020 Review)
TIFF 2020: 20 Films to Watch at the Toronto International Film Festival
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