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TV
WandaVision: Episodes 1 and 2, A Delightful Beginning (Review)
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Most Anticipated Movies of 2021 (By Month)
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Films
Dr Bird’s Advice for Sad Poets: Psychedelic Mastery (Review)
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Films
News of the World: Tom Hanks Western is Touching and Timely (Review)
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Loud And Clear Reviews
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EDINBURGH FILM FESTIVAL

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Film Festivals
Force of Habit: a Claustrophobic Contour of the Female Gaze (Raindance Review)
by Myrthe Leenders
  • November 11, 2020
Film Festivals
Stardust: A Bowie-Inspired, Bowie-Less Drama (Raindance Review)
by Serena Seghedoni
  • November 8, 2020
Film Festivals
Descent: A Free Dive into the Depth of the Human Mind (Raindance Review)
by Adele Campisi
  • November 7, 2020
Film Festivals
Sublet: The Lessons We Learn From Strangers (Newfest Review)
by Serena Seghedoni
  • November 5, 2020
Film Festivals
The Mystery of the Pink Flamingo: Inorganic Sexiness and How to Give In (Raindance Review)
by Elisa Teneggi
  • November 4, 2020
Film Festivals
Antarctica: a cynically comic high school drama (Raindance Review)
by Myrthe Leenders
  • November 3, 2020
Film Festivals
Materna: a Female Portrait of the True New York Life (Raindance Review)
by Myrthe Leenders
  • November 1, 2020
Film Festivals
Under the Open Sky: A Clouded and Bleak Japanese Drama (AFI Fest Review)
by Joshua Arispe
  • October 28, 2020
Film Festivals
Non Western: Love, Conservatism and Modern Women (Raindance Review) (NewFest Review)
by Myrthe Leenders
  • October 27, 2020
Film Festivals
Apples: New Memories, New Lives (AFI Fest Review)
by Nils Gollersrud
  • October 27, 2020
Films
Smith: Local Crime Mystery is Worth Supporting (Indie Memphis 2020 Review)
by Ethan Hill
  • October 26, 2020
Film Festivals
Monsoon: A Smart Allegory for Vietnam’s Relationship with the West (NewFest Review)
by Bernard Ozarowski
  • October 25, 2020
Films
So Late So Soon: Art in the Face of Death (Indie Memphis 2020 Review)
by Ethan Hill
  • October 24, 2020
Film Festivals
The Intruder: A Little Too Much Is Left to the Imagination (AFI Fest Review)
by Nils Gollersrud
  • October 23, 2020
Film Festivals
Nuevo Orden: Stimulating But Divisive Story of A Dystopian Mexico (AFI Fest Review)
by Joshua Arispe
  • October 22, 2020
Film Festivals
Shadow in the Cloud: Deliriously Dopey Genre Fun (AFI Fest Review)
by Bernard Ozarowski
  • October 21, 2020
Film Festivals
Collective: Timely Documentary Rewards Patient Viewers (AFI Fest Review)
by Ethan Hill
  • October 21, 2020
London Film Festival
After Love: a Film about Love and Revelations Distanced by the Channel (LFF Review)
by Myrthe Leenders
  • October 21, 2020
Film Festivals
American Thief: a Muddled Narrative Overshadows Some Good Ideas (Indie Memphis 2020 Review)
by Bernard Ozarowski
  • October 19, 2020
London Film Festival
Ammonite: A Story Of Opposites Told Best By Hands (LFF Review)
by Kai Coulstock
  • October 18, 2020
London Film Festival
Rose: A Love Story – A Dark and Tender Romance Challenged By Illness (LFF Review)
by Myrthe Leenders
  • October 18, 2020
Films
Belushi: a Moving, Textured Portrait of the Beloved Comedic Actor (AFI Fest Review)
by Bernard Ozarowski
  • October 17, 2020
Films
Nine Days: A Stunning Investigation on Life (AFI Fest Review)
by Serena Seghedoni
  • October 17, 2020
Film Festivals
Sound of Metal: The Beauty of Silence (AFI Fest Review)
by Jake Burbage
  • October 17, 2020
Film Festivals
Shiva Baby: A Short Film’s Evolution Into One of The Year’s Best Indies (Indie Memphis 2020 Review)
by Joshua Arispe
  • October 15, 2020
Film Festivals
Cicada: A Tender Love Story Bolstered by Authentic Performances (NewFest Review)
by Ethan Hill
  • October 15, 2020
London Film Festival
Limbo: An Ode to A Past Identity (LFF Review) (LFF Review)
by Serena Seghedoni
  • October 15, 2020
London Film Festival
Wildfire: a Slightly Allegoric Tale of (Northern) Ireland’s Traumatic Past (LFF Review)
by Myrthe Leenders
  • October 14, 2020
London Film Festival
A Common Crime (Un Crimen Común): a Political Drama Disguised as a Thriller (LFF Review)
by Serena Seghedoni
  • October 13, 2020
London Film Festival
The Reason I Jump: a Sensorial Experience about Non-Verbal Autism (LFF Review)
by Myrthe Leenders
  • October 12, 2020
Film Festivals
Minari: A Beautiful Family Drama Steeped in Detail (Review)
by Bernard Ozarowski
  • October 12, 2020
Film Festivals
French Exit: Michelle Pfeiffer Shines in a Surrealist Comedy (NYFF Review)
by Zach Gilbert
  • October 11, 2020
London Film Festival
Chess of the Wind: Rediscovered Iranian Drama is a Revelation (LFF Review)
by Anthony Bowmer
  • October 11, 2020
London Film Festival
Undine: A Smart and Intoxicating Mythic Romance (LFF Review)
by Bernard Ozarowski
  • October 10, 2020
Film Festivals
I Carry You with Me: a Deeply Moving Immigrant Love Story (Review)
by Bernard Ozarowski
  • October 10, 2020
London Film Festival
Time: Delicately Made Documentary Beautifully Balances Hurting with Hope (LFF Review)
by Zach Gilbert
  • October 10, 2020
London Film Festival
Supernova: Firth and Tucci Shine, But the Fireworks Do Not Go Off (LFF Review)
by Serena Seghedoni
  • October 9, 2020
London Film Festival
Farewell Amor: “So We Danced” (LFF Review)
by Isobel Nutbrown
  • October 9, 2020
London Film Festival
Honeymood: What it Means to Be in Love with Someone, and with Yourself (LFF Review)
by Myrthe Leenders
  • October 8, 2020
London Film Festival
Herself: Dublin’s Heartfelt Story of Emancipation and Humanity (LFF Review)
by Joshua Arispe
  • October 8, 2020
London Film Festival
180 Degree Rule: A Somewhat Predictable Yet Darkly Compelling Debut (LFF Review)
by Anthony Bowmer
  • October 7, 2020
London Film Festival
The Painter and the Thief explores the Strange Places Inspiration Leads Us (LFF Review)
by Michael Carvelli
  • October 7, 2020
Film Festivals
Small Axe: Steve McQueen’s Remarkable Achievement (Review)
by Bernard Ozarowski
  • October 6, 2020
London Film Festival
Mogul Mowgli: Riz Ahmed Excels, but the Film Stumbles (Review)
by Bernard Ozarowski
  • October 6, 2020
Film Festivals
The Town of Headcounts (Ninzu No Machi) is the Best Dystopian Drama You’ll See This Year (VIFF Review)
by Serena Seghedoni
  • October 4, 2020
Must Watch
Wolfwalkers: A Fantastical Folk Tale Full of Heart and Humanity (Review)
by Zach Gilbert
  • October 3, 2020
Focus On
Virtual Film Festivals: A Conversation
by Loud And Clear
  • October 2, 2020
Film Festivals
MLK/FBI: One of the Year’s Best, Most Essential Docs (NYFF58 Review)
by Bernard Ozarowski
  • September 28, 2020
Films
Waikiki: A Psychedelic Exploration of Trauma and Cultural Survival (Review)
by Myrthe Leenders
  • September 26, 2020
Films
On the Rocks: Sofia Coppola’s Caper Comedy is Classically Charming (NYFF Review)
by Zach Gilbert
  • September 24, 2020
TIFF
Pieces of a Woman: Vanessa Kirby Shines as the Film Flounders (Review)
by Bernard Ozarowski
  • September 18, 2020
TIFF
Summer of 85 (Été 85): Raw, Wise and Heart-Wrenchingly Good (Review)
by Serena Seghedoni
  • September 17, 2020
Film Festivals
The Palace on the Sea: A Poignant Look at Life After Death (Taiwan Film Festival Edinburgh)
by Ashleigh Gozy
  • September 17, 2020
TIFF
The Father: Hopkins Ages Like a Nice Chianti (Review)
by Bernard Ozarowski
  • September 16, 2020
Film Festivals
Where the Seagull Flies: Conventional Melodrama Doesn’t Take Off (Taiwan Film Festival Edinburgh)
by Anthony Bowmer
  • September 15, 2020
TIFF
Another Round (Druk): A Boozy Joy Highlighted By A Splendid Mads Mikkelsen (Review)
by Bernard Ozarowski
  • September 15, 2020
TIFF
One Night in Miami: “It’s Been A Long Time Coming, But A Change Is Gonna Come” (Review)
by Serena Seghedoni
  • September 14, 2020
TIFF
Akilla’s Escape: Classic Noir Style Melds Beautifully with Modern Themes (Review)
by Ethan Hill
  • September 13, 2020
TIFF
Penguin Bloom: Naomi Watts elevates a formulaic drama (Review)
by Bernard Ozarowski
  • September 13, 2020
Venice Film Festival
Nomadland: Frances McDormand Anchors an American Odyssey for the Ages (Review)
by Zach Gilbert
  • September 13, 2020
Venice Film Festival
Genus Pan (Lahi, Hayop): Looking Back to Find Ourselves (Review)
by Elisa Teneggi
  • September 12, 2020
Film Festivals
The Bride Who Has Returned From Hell: An Entertaining Yet Flawed Drama (Taiwan Film Festival Edinburgh)
by Ashleigh Gozy
  • September 12, 2020
Film Festivals
Six Suspects: A Melodramatic Murder Mystery that Delivers All the Genre Tropes (Taiwan Film Festival Edinburgh)
by Ethan Hill
  • September 12, 2020
Venice Film Festival
The Book of Vision: Sincere but Reductive (Venice Film Festival Review)
by Morgan Olson
  • September 11, 2020
TIFF
Get the Hell Out: A Riotous, Albeit Unfocused Zombie Comedy (TIFF 2020 Review)
by Anthony Bowmer
  • September 11, 2020
Films
A City Called Dragon: A Solid, Crowd-Pleasing Wuxia Thriller (Taiwan Film Festival Edinburgh)
by Anthony Bowmer
  • September 10, 2020
Venice Film Festival
Mainstream: “No-One-Special” To Fill Up Your Life (Review)
by Susanna Norbiato
  • September 9, 2020
Films
Ice Poison: A Desperate Life on the Edge of Poverty (Taiwan Film Festival Edinburgh)
by Ethan Hill
  • September 8, 2020
TIFF
TIFF 2020: 20 Films to Watch at the Toronto International Film Festival
by Serena Seghedoni
  • August 17, 2020
Films
Rebuilding Paradise: Ron Howard’s Crisp Next Step as a Documentarian (Review)
by Bernard Ozarowski
  • July 16, 2020
Films
Little Girl: This Film Should Not Have Been Made (Review)
by Esther Warren
  • July 5, 2020
Films
Saint Frances: “You Can Have Faith in People Too” (Review)
by Isobel Nutbrown
  • July 2, 2020
Films
A White, White Day: How Ghosts Still Echo (Review)
by Morgan Olson
  • July 1, 2020
Films
Last and First Men: A Chilly Facade and an Intriguing History (Review)
by Esther Warren
  • June 28, 2020
Films
Fanny Lye Deliver’d: Kind of Clever, but Ultimately a Bit Weird (Review)
by Isobel Nutbrown
  • June 24, 2020
Films
Anthropocene: The Human Epoch – How humans are changing the Earth’s face for the worst (Review)
by Adele Campisi
  • June 23, 2020
Film Festivals
We Are Ten Shorts You Should Watch (We Are One Film Festival)
by Nils Gollersrud
  • June 6, 2020
Virtual Reality
Crow: The Legend (VR) is a Shot of Pure Happiness (Review)
by Serena Seghedoni
  • May 30, 2020
Films
Ema: Hypnotic dance scenes cannot save flawed family drama (Review)
by Bernard Ozarowski
  • May 5, 2020
Loud and Clear Reviews Possessor movie Brandon Cronenberg Sundance Film Festival
Films
Possessor: A smart, twisted take on the sci-fi horror hybrid (Review)
by Bernard Ozarowski
  • May 1, 2020
Films
Never Rarely Sometimes Always: a genre-defying movie on the difficulties of adulthood (Review)
by Elisa Teneggi
  • April 16, 2020
Film Festivals
Bombay Rose: a piquant tale of love, magic, and imagination (Review)
by Elisa Teneggi
  • March 7, 2020
Film Festivals
Seeing the Unseen: female autism and how to fall in love with diversity (Review)
by Elisa Teneggi
  • March 5, 2020
Film Festivals
This World Won’t Break: the American Dream at its most real (Review)
by Serena Seghedoni
  • March 5, 2020
Film Festivals
Santiago, Italia: a lesson in history and on the frailty of truth (Review)
by Elisa Teneggi
  • March 1, 2020
Film Festivals
I Want My MTV: a Must-See Slice of Rock N’ Roll History (Review)
by Serena Seghedoni
  • February 29, 2020
Film Festivals
Dive: Rituals in Water: a soothing documentary about swimming and playfulness (Review)
by Elisa Teneggi
  • February 27, 2020
Film Festivals
James Vs His Future Self: time travel, sci-fi and life-changing conversations (Review)
by Serena Seghedoni
  • February 24, 2020
Films
Love, Antosha is the Most Important Film You’ll See This Year (Review)
by Serena Seghedoni
  • December 28, 2019
Films
The Report is Amazon’s Love Letter to Political Dramas (Review)
by Francesca Faccani
  • December 13, 2019
Films
Seberg is a well-crafted thriller about human connection (Review)
by Serena Seghedoni
  • November 13, 2019
Films
Abominable is charming, entertaining and full of emotion (Review)
by Serena Seghedoni
  • November 11, 2019
Films
The Farewell: a delightful investigation on love and relationships (Review)
by Elisa Teneggi
  • October 26, 2019
Films
Pink Wall: a charming, merciless companion to human relationships (Review)
by Elisa Teneggi
  • October 19, 2019
Films
Martin Eden: the well-trimmed tale of an outdated Everyman (Review)
by Elisa Teneggi
  • October 11, 2019
Interviews
Marriage Story: The Red Carpet Interview (London Film Festival)
by Serena Seghedoni
  • October 8, 2019
Films
Jojo Rabbit is delightfully absurd and surprisingly poetic (Review)
by Serena Seghedoni
  • October 6, 2019
Films
Cold Case Hammarskjöld: Let’s Make Documentaries Great Again (Review)
by Elisa Teneggi
  • October 4, 2019
Films
Koko-di Koko-da: an overconstructed dark tale for sunny Sweden (Review)
by Elisa Teneggi
  • October 3, 2019
Films
“Making Waves: The Art of Cinematic Sound” is a celebration of creativity and a walk down memory lane (Review)
by Serena Seghedoni
  • October 2, 2019
Interviews
Le Cri: Edvard Munch’s The Scream comes alive in Virtual Reality (Interview)
by Serena Seghedoni
  • September 27, 2019
Films
An Officer And A Spy (J’Accuse): Jean Dujardin excels in Polanski’s drama (Review)
by Serena Seghedoni
  • September 20, 2019
Loud and Clear Reviews The Laundromat Antonio Banderas Gary Oldman Meryl Streep Netflix
Films
The Laundromat is the Panama Papers drama we didn’t know we needed (Review)
by Serena Seghedoni
  • September 15, 2019
Films
Ad Astra: Brad Pitt’s journey to Neptune is intentionally emotionless (Venice Film Festival Review)
by Serena Seghedoni
  • September 7, 2019
Films
Joker is Pure Cinematic Perfection (Venice Film Festival Review)
by Serena Seghedoni
  • September 1, 2019
Interviews
Loveseat: The VR Theatre Performance That Helps Us Feel (Interview)
by Serena Seghedoni
  • August 30, 2019
Films
Luce is a Clever Analysis of Human Nature (Sundance Film Festival Review)
by Serena Seghedoni
  • August 19, 2019
Virtual Reality
Virtual Reality: our 15 favourite experiences at the 2019 Venice Film Festival
by Loud And Clear
  • August 15, 2019
Venice Film Festival
2019 Venice Film Festival: 25 films you need to watch
by Serena Seghedoni
  • August 7, 2019
Films
The Dead Don’t Die is that film you grow to love and you don’t know why (Review)
by Serena Seghedoni
  • July 22, 2019
Edinburgh Film Festival
I See You: Helen Hunt stars in Hauntingly Good Horror Thriller (Review)
by Serena Seghedoni
  • July 14, 2019
Interviews
The Grizzlies: Miranda de Pencier on her extraordinary true story of acceptance and resilience (Interview)
by Serena Seghedoni
  • July 12, 2019
Interviews
Love Type D: Sasha Collington on her infectiously enjoyable rom-com (Edinburgh Film Festival Interview)
by Serena Seghedoni
  • July 1, 2019
Films
Ode To Joy: Martin Freeman shines in heartwarming rom-com (Review)
by Serena Seghedoni
  • June 28, 2019
Interviews
Schemers: interview with Dave McLean and Conor Berry (Edinburgh Film Festival)
by Serena Seghedoni
  • June 26, 2019
Films
The Captor: “absurd but true” Stockholm Syndrome story is entertaining and darkly comic though not so absurd after all (Review)
by Serena Seghedoni
  • June 19, 2019
Films
Late Night: Thompson and Kaling inspire and entertain in insightful comedy drama (Sundance Film Festival)
by Serena Seghedoni
  • June 10, 2019
Films
Stan & Ollie is moving, nostalgic and full of heart (Review)
by Serena Seghedoni
  • May 29, 2019
Films
Extremely Wicked, Shockingly Evil and Vile: Zac Efron shines in Ted Bundy drama (Review)
by Serena Seghedoni
  • May 9, 2019
Films
Charlie Says: Matt Smith is Charles Manson in powerful psychological drama (Review)
by Serena Seghedoni
  • April 13, 2019
Virtual Reality VR Gloomy Eyes Eclipse Horrifically Real Virtuality
Virtual Reality
Virtual Reality: our favourite experiences at Sundance and Venice
by Serena Seghedoni
  • March 28, 2019
Films
The Bill Murray Stories: Bill Murray teaches us how to live (Review)
by Serena Seghedoni
  • March 13, 2019
Film Festivals
After the Wedding: Williams and Moore excel in exquisitely moving drama (Review)
by Serena Seghedoni
  • February 25, 2019
Films
Blinded by the Light is the Springsteen feel-good drama we needed (Review)
by Serena Seghedoni
  • February 8, 2019
Interviews
The Dress Up Gang: Interview with the comedy trio who turned hilarious hit web series into a show (Sundance Film Festival)
by Serena Seghedoni
  • February 6, 2019
Films
I Am Mother: Sputore’s clever sci-fi thriller is exquisitely unsettling (Sundance Film Festival)
by Serena Seghedoni
  • February 2, 2019
Sundance Film Festival
2019 Sundance Film Festival: Final Line-Up
by Loud And Clear
  • January 11, 2019
Films
The White Crow: Fiennes’ Nureyev inspires and captivates at London Film Festival (Review)
by Serena Seghedoni
  • November 30, 2018
Interviews
“Making the film is absolutely secondary to experiencing it”: Roberto Minervini on What You Gonna Do When The World’s On Fire? (Interview)
by Serena Seghedoni
  • November 23, 2018
Films
Assassination Nation: “a Movie for Absolutely Right Now” (Review)
by Serena Seghedoni
  • November 12, 2018
Films
The Kindergarten Teacher is a Clever Analysis of Human Behaviour (Review)
by Serena Seghedoni
  • October 18, 2018
London Film Festival
BFI London Film Festival 2018: 30 films you need to see
by Loud And Clear
  • October 8, 2018
Films
The Favourite: Review (Venice Film Festival)
by Serena Seghedoni
  • September 29, 2018
Films
Best of 75 Venice Film Festival: Suspiria
by Serena Seghedoni
  • September 18, 2018
Venice Film Festival
A Star is Born and Vox Lux: the consequences of fame at the Venice Film Festival
by Serena Seghedoni
  • September 12, 2018
Films
Roma: Cuarón’s memories come to life in exceptional tale about identity
by Serena Seghedoni
  • September 2, 2018
Venice Film Festival
Virtual Reality in Competition at 75th Venice Film Festival: full Line-up and guide
by Loud And Clear
  • August 24, 2018
Film Festivals
“Anna and the Apocalypse” and the rise of the genre mashup
by Serena Seghedoni
  • August 11, 2018
Film Festivals
75th Venice Film Festival, “In Competition”: full Line-Up and most anticipated premieres
by Loud And Clear
  • August 2, 2018
A Star Is Born: official poster (Warner Bros)
Film Festivals
Bradley Cooper’s A Star is Born starring Lady Gaga will premiere at the 75th Venice Film Festival
by Loud And Clear
  • July 24, 2018
Film Festivals
Damien Chazelle’s First Man will open the 75th Venice Film Festival
by Loud And Clear
  • July 19, 2018
some like it hot
Venice Film Festival
75th Venice Film Festival: Restored Films Line-Up announced
by Loud And Clear
  • July 14, 2018
Films
Steel Country: Andrew Scott is exceptional in clever crime drama (Review)
by Serena Seghedoni
  • July 13, 2018
Films
Best of Edinburgh Film Fest: Unicorn Store (Review)
by Serena Seghedoni
  • July 2, 2018
Films
Three Billboards Outside Ebbing, Missouri is the Film you Absolutely Need to Watch (Review)
by Serena Seghedoni
  • November 20, 2017
venice virtual reality
Venice Film Festival
Venice Virtual Reality: the new shape of cinema at the 74° International Film Festival
by Serena Seghedoni
  • October 1, 2017
Robert Redford and Jane Fonda in Our Souls At Night Netflix
Films
Our Souls At Night is on Netflix today and is all about life after loss (Review)
by Serena Seghedoni
  • September 29, 2017
Helen Mirren Donald Sutherland Venice Film Festival
Venice Film Festival
The Leisure Seeker and Loving Pablo: the best and worst on-screen couples at the 74° Venice Film Festival
by Serena Seghedoni
  • September 7, 2017
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