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Air (2023 Film): SXSW Review
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Joy Ride: SXSW Film Review
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Evil Dead Rise: SXSW Film Review
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CANNES FILM FESTIVAL

SUNDANCE FILM FESTIVAL

VENICE FILM FESTIVAL

TIFF

BERLINALE

LONDON FILM FESTIVAL

SXSW

TRIBECA

SXSW
Air (2023 Film): SXSW Review
by Joseph Tomastik
  • March 20, 2023
Film Festivals
Egghead & Twinkie: BFI Flare Film Review
by Daniel Allen
  • March 20, 2023
Film Festivals
Kokomo City: BFI Flare Film Review
by William Stottor
  • March 18, 2023
SXSW
Joy Ride: SXSW Film Review
by Joseph Tomastik
  • March 18, 2023
Film Festivals
Big Boys (2023): BFI Flare Film Review
by William Stottor
  • March 18, 2023
SXSW
If You Were the Last: SXSW Film Review
by Joseph Tomastik
  • March 18, 2023
Film Festivals
Kenyatta: Do Not Wait Your Turn – BFI Flare Review
by Daniel Allen
  • March 17, 2023
SXSW
Evil Dead Rise: SXSW Film Review
by Joseph Tomastik
  • March 17, 2023
SXSW
Bloody Hell: SXSW Film Review
by Joseph Tomastik
  • March 16, 2023
SXSW
Problemista: SXSW Film Review
by Joseph Tomastik
  • March 14, 2023
SXSW
Appendage: SXSW Film Review
by Joseph Tomastik
  • March 14, 2023
SXSW
Louder Than You Think: SXSW Review
by Serena Seghedoni
  • March 14, 2023
SXSW
Bottoms: SXSW Film Review
by Joseph Tomastik
  • March 13, 2023
SXSW
Self Reliance: SXSW Film Review
by Joseph Tomastik
  • March 13, 2023
SXSW
Flamin’ Hot: SXSW Film Review
by Joseph Tomastik
  • March 13, 2023
SXSW
Going Varsity in Mariachi: SXSW Film Review
by Daniel Allen
  • March 13, 2023
SXSW
With Love and a Major Organ: SXSW Review
by Serena Seghedoni
  • March 12, 2023
SXSW
Satan Wants You: SXSW Review
by Serena Seghedoni
  • March 12, 2023
SXSW
Molli And Max In The Future: SXSW Review
by Serena Seghedoni
  • March 11, 2023
SXSW
Dungeons & Dragons: Honor Among Thieves Review
by Joseph Tomastik
  • March 11, 2023
SXSW
National Anthem (SXSW Review): The New America
by Jack Walters
  • March 11, 2023
SXSW
Only The Good Survive: SXSW Film Review
by Tom Spoors
  • March 11, 2023
Film Festivals
Amerikatsi: Glasgow Film Festival Review
by Claire Fulton
  • March 10, 2023
Film Festivals
Our Father, The Devil: Glasgow Film Festival Review
by Claire Fulton
  • March 10, 2023
London Film Festival
2023 BFI Flare: 15 Films to Watch
by Loud And Clear
  • March 10, 2023
Films
Country Gold: Film Review
by Claire Fulton
  • March 9, 2023
Film Festivals
A Letter From Helga: Glasgow Review
by Claire Fulton
  • March 8, 2023
Film Festivals
Band: Glasgow Film Festival Review
by Claire Fulton
  • March 8, 2023
Film Festivals
Nightsiren: Glasgow Film Festival Review
by Claire Fulton
  • March 6, 2023
SXSW
SXSW 2023: 10 Films to Watch
by Loud And Clear
  • March 5, 2023
Film Festivals
The Five Devils: Film Review
by Hector A. Gonzalez
  • March 4, 2023
Film Festivals
Lakelands: Glasgow Film Festival Review
by Claire Fulton
  • March 4, 2023
Film Festivals
My Sailor, My Love: Glasgow Film Festival Review
by Claire Fulton
  • March 3, 2023
Film Festivals
Paris Memories (Revoir Paris): Film Review
by Hector A. Gonzalez
  • March 3, 2023
Film Festivals
God’s Creatures: Glasgow Film Festival Review
by Claire Fulton
  • March 2, 2023
Film Festivals
Adopting Audrey: Glasgow Film Festival Review
by Claire Fulton
  • March 2, 2023
Film Festivals
Night Raiders Review: Mother Tongue Film Festival
by Wesley Hunt
  • February 28, 2023
Berlinale
And, Towards Happy Alleys: Film Review
by Serena Seghedoni
  • February 24, 2023
Berlinale
Ambush (Ghaath): Berlin Film Festival Review
by William Stottor
  • February 22, 2023
Berlinale
Passages: Berlin Film Festival Review
by Serena Seghedoni
  • February 22, 2023
Berlinale
Talk to Me: Berlin Film Festival Review
by William Stottor
  • February 22, 2023
Berlinale
The Adults: Berlin Film Festival Review
by Olivia Savage
  • February 22, 2023
Berlinale
Music (2023): Berlin Film Festival Review
by William Stottor
  • February 21, 2023
Berlinale
Remembering Every Night: Berlin Film Festival Review
by William Stottor
  • February 21, 2023
Interviews
Director Tatiana Huezo on The Echo: Interview
by William Stottor
  • February 21, 2023
Berlinale
Inside: Berlin Film Festival Review
by Serena Seghedoni
  • February 20, 2023
Berlinale
The Properties of Metals: Berlin Film Festival Review
by Hector A. Gonzalez
  • February 20, 2023
Berlinale
Femme: Berlin Film Festival Review
by Serena Seghedoni
  • February 20, 2023
Berlinale
Tótem: Berlin Film Festival Review
by William Stottor
  • February 20, 2023
Berlinale
Seven Winters in Tehran: Berlin Review
by Olivia Savage
  • February 20, 2023
Berlinale
Samsara: Berlin Film Festival Review
by William Stottor
  • February 20, 2023
Berlinale
Regardless of Us: Berlin Film Festival Review
by William Stottor
  • February 20, 2023
Berlinale
Mad Fate (Ming On): Berlin Film Festival Review
by William Stottor
  • February 19, 2023
Berlinale
Disco Boy: Berlin Film Festival Review
by William Stottor
  • February 19, 2023
Berlinale
Past Lives: Berlin Film Festival Review
by William Stottor
  • February 19, 2023
Berlinale
Silver Haze: Berlin Film Festival Review
by Olivia Savage
  • February 19, 2023
Berlinale
Delegation (Ha’Mishlahat): Berlin Film Festival Review
by Hector A. Gonzalez
  • February 19, 2023
Berlinale
Drifter: Berlin Film Festival Review
by Serena Seghedoni
  • February 19, 2023
Berlinale
The Teacher’s Lounge: Berlin Film Festival Review
by Tom Spoors
  • February 18, 2023
Berlinale
BlackBerry: Berlin Film Festival Review
by Olivia Savage
  • February 18, 2023
Berlinale
Superpower: Berlin Film Festival Review
by Serena Seghedoni
  • February 18, 2023
Berlinale
The Survival of Kindness: Berlin Film Festival Review
by William Stottor
  • February 18, 2023
Berlinale
White Plastic Sky: Berlin Film Festival Review
by William Stottor
  • February 18, 2023
Berlinale
Someday We’ll Tell Each Other Everything: Berlin Review
by William Stottor
  • February 18, 2023
Berlinale
The Quiet Migration (Stille Liv): Berlin Review
by Claire Fulton
  • February 17, 2023
Berlinale
Sea Sparkle (Zeevonk): Berlin Review
by Hector A. Gonzalez
  • February 17, 2023
Berlinale
The Echo: Berlin Film Festival Review
by William Stottor
  • February 17, 2023
Berlinale
She Came to Me: Berlin Film Festival Review
by Olivia Savage
  • February 17, 2023
Berlinale
2023 Berlin Film Festival: 20 Films to Watch
by Loud And Clear
  • February 13, 2023
Film Festivals
Good Guy with a Gun (2023): Film Review
by Joshua Stevens
  • February 12, 2023
Sundance Film Festival
The Accidental Getaway Driver (Sundance Review): A New Kind Of Thriller
by Jack Walters
  • January 28, 2023
Sundance Film Festival
Magazine Dreams (2023 Film): Sundance Review
by Serena Seghedoni
  • January 24, 2023
Sundance Film Festival
Girl (Sundance Review): What My Mother Told Me
by Claire Fulton
  • January 23, 2023
Sundance Film Festival
Slow (Sundance Review): A Different Way to Love
by Daniel Allen
  • January 22, 2023
Sundance Film Festival
When It Melts (Sundance Review): Revisiting Childhood Demons
by Bethany Lola
  • January 22, 2023
Sundance Film Festival
Against the Tide (Sundance Review): No More Fish in the Sea
by Bethany Lola
  • January 20, 2023
Focus On
2023 Film Festival Dates: List of All Upcoming Festivals (By Month)
by Loud And Clear
  • December 30, 2022
Film Festivals
Daughter of a Lost Bird: Review (2022 Native Cinema Showcase)
by Wesley Hunt
  • November 22, 2022
Film Festivals
Dancing the Twist in Bamako (2023): Film Review
by Claire Fulton
  • November 21, 2022
Film Festivals
Angry Annie (Film Review): Empathetic Abortion Drama
by Claire Fulton
  • November 20, 2022
Film Festivals
Where Life Begins: UK Jewish Film Festival Review
by Claire Fulton
  • November 19, 2022
Film Festivals
Bootlegger : Film Review (2022 Native Cinema Showcase)
by Wesley Hunt
  • November 19, 2022
Film Festivals
The Forger (UK Jewish Film Festival Review): Fake Papers, Please
by Claire Fulton
  • November 15, 2022
Film Festivals
Director’s Intention (LKFF Review): Hit-Or-Miss Hazy Romance
by Jack Walters
  • November 13, 2022
Film Festivals
Plaza Catedral: UK Jewish Film Festival Review
by Claire Fulton
  • November 12, 2022
Film Festivals
Gyeong-ah’s Daughter (LKFF Review)
by Claire Fulton
  • November 12, 2022
Film Festivals
Concerned Citizen (2023): Film Review
by Claire Fulton
  • November 11, 2022
Film Festivals
Kingmaker (LKFF Review): Manipulating The Game Of Politics
by Jack Walters
  • November 11, 2022
Film Festivals
Seire (LKFF Review): The Sins of the Father
by Claire Fulton
  • November 10, 2022
Film Festivals
Hot in Day, Cold at Night (LKFF Review): Budget-friendly Indie Drama
by Claire Fulton
  • November 7, 2022
Film Festivals
Róise & Frank (SDIFF Review): A Well-Intended Pet Drama
by Edgar Ortega
  • October 24, 2022
Film Festivals
Dear Zoe (SDIFF Review): Sadie Sink Commands the Screen
by Edgar Ortega
  • October 22, 2022
London Film Festival
The Kingdom: Exodus (LFF): Episodes 1 & 2 Review
by Joe Flockhart
  • October 17, 2022
London Film Festival
Meet Me in the Bathroom: Film Review
by Joe Flockhart
  • October 16, 2022
London Film Festival
You Won’t Be Alone (LFF Review): A Fantastical Fable of Darkness
by William Stottor
  • October 16, 2022
London Film Festival
The Inspection (Film Review): Looking for Acceptance
by Serena Seghedoni
  • October 16, 2022
London Film Festival
Till (Film Review): Deadwyler Delivers a Powerhouse Performance
by William Stottor
  • October 15, 2022
London Film Festival
The Stranger (Netflix) 2022 Film: LFF Review
by Serena Seghedoni
  • October 15, 2022
London Film Festival
Brainwashed: Sex-Camera-Power (LFF Review): Male Gaze for Dummies
by Serena Seghedoni
  • October 15, 2022
London Film Festival
Guillermo del Toro’s Pinocchio (Film Review): Far From Wooden
by Daniel Allen
  • October 15, 2022
London Film Festival
My Policeman (Film Review): Cast Shines in Riveting Adaptation - LFF
by Serena Seghedoni
  • October 15, 2022
Films
Lady Chatterley’s Lover (2022) Netflix Film: LFF Review
by Serena Seghedoni
  • October 14, 2022
London Film Festival
Fast & Feel Love (LFF Review): Stacking Cups and Growing Up
by Daniel Allen
  • October 14, 2022
London Film Festival
She Said (LFF Review): A Momentous Investigative Drama
by William Stottor
  • October 14, 2022
Interviews
Star Dolly De Leon on Triangle of Sadness (LFF Interview)
by William Stottor
  • October 14, 2022
London Film Festival
Klondike (LFF Review): Domestic Drama Meets War Film
by Olivia Savage
  • October 14, 2022
Film Festivals
Master Gardener: Film Review
by Hector A. Gonzalez
  • October 13, 2022
London Film Festival
More Than Ever (Film Review): “Everything We Will Never Be Again”
by Daniel Allen
  • October 12, 2022
Interviews
Director Hlynur Palmáson on Godland (LFF Interview)
by William Stottor
  • October 12, 2022
London Film Festival
Brother (LFF Review): A Perfect Literary Adaptation
by William Stottor
  • October 12, 2022
London Film Festival
The Damned Don’t Cry (LFF Review): A Dense, Complex Work
by William Stottor
  • October 11, 2022
London Film Festival
The Origin (LFF Review): A Propulsive Prehistoric Tale
by William Stottor
  • October 10, 2022
London Film Festival
The Good Nurse (LFF Review): Chastain Highlights True Crime Drama
by Daniel Allen
  • October 10, 2022
London Film Festival
Last Flight Home (LFF Review): “Try A Little Kindness”
by Daniel Allen
  • October 10, 2022
London Film Festival
Close (Film Review): The Bone Breaks; It Grows Back Stronger
by Serena Seghedoni
  • October 10, 2022
London Film Festival
Godland (Film Review): A Muddled but Beautiful Odyssey
by William Stottor
  • October 9, 2022
London Film Festival
Alcarràs (LFF Review): Familial Strife, Familial Affection
by William Stottor
  • October 9, 2022
Film Festivals
Showing Up: Film Review
by Hector A. Gonzalez
  • October 9, 2022
London Film Festival
Holy Spider: Film Review
by Daniel Allen
  • October 9, 2022
Interviews
Nanny: Interview with Anna Diop, Michelle Monaghan & Zephani Idoko (LFF Red Carpet)
by William Stottor
  • October 8, 2022
London Film Festival
Blue Jean (LFF Review): An Exceptional Debut Film
by Daniel Allen
  • October 8, 2022
London Film Festival
EO (2022 Film) LFF Review: Channeling Bresson
by William Stottor
  • October 8, 2022
London Film Festival
Bardo, False Chronicle of a Handful of Truths: LFF Review
by William Stottor
  • October 8, 2022
London Film Festival
Causeway (LFF Review): Lawrence & Henry Excel in Indie Drama
by Daniel Allen
  • October 8, 2022
London Film Festival
Klokkenluider (LFF Review): A Devious Comedy Drama
by William Stottor
  • October 8, 2022
London Film Festival
Coma (2022 Film) LFF Review: Musings of a Locked-Down Mind
by Joe Flockhart
  • October 8, 2022
London Film Festival
Roald Dahl’s Matilda: the Musical (2022 Film): LFF Review
by Joe Flockhart
  • October 8, 2022
London Film Festival
Love Life (LFF Review): Inconsistent Japanese Family Melodrama
by Daniel Allen
  • October 8, 2022
London Film Festival
The Woman in the White Car (LFF Review): Twists & Turns Galore
by William Stottor
  • October 7, 2022
London Film Festival
Nanny (LFF Review): Psychological Horror Grounded in Realism
by William Stottor
  • October 7, 2022
London Film Festival
Lynch/Oz (Film Review): “There’s No Place Like Home”
by Daniel Allen
  • October 7, 2022
London Film Festival
All That Breathes: Film Review
by Daniel Allen
  • October 7, 2022
London Film Festival
White Noise (Film Review): The Sound of Existential Dread
by Serena Seghedoni
  • October 7, 2022
London Film Festival
Sick of Myself (Film Review): A Squirm-Inducing Wonder
by William Stottor
  • October 6, 2022
London Film Festival
Ashkal (LFF Review): Neo-Noir Tunisian Crime Thriller
by Serena Seghedoni
  • October 5, 2022
Film Festivals
Nashville Film Festival 2022: The Movies We Watched
by Joseph Tomastik
  • October 5, 2022
Interviews
Rachel Lambert on I Can Feel You Walking: Nashville Interview
by Joseph Tomastik
  • October 4, 2022
Film Festivals
The Cow Who Sang a Song into the Future: Film Review
by Joseph Tomastik
  • October 3, 2022
Film Festivals
Butterfly in the Sky (Nashville Review): Why Storytelling Matters
by Edgar Ortega
  • October 1, 2022
Film Festivals
Alta Valley (Nashville Review): A Mixed Bag of a Western
by Joseph Tomastik
  • September 29, 2022
Venice Film Festival
Burning Hearts (Film Review): Star-Crossed And Loveless
by Claire Fulton
  • September 29, 2022
Venice Film Festival
Luxembourg, Luxembourg (Film Review): Daddy (Not So) Cool
by Claire Fulton
  • September 27, 2022
London Film Festival
2022 BFI London Film Festival: 20 Films to Watch
by Loud And Clear
  • September 25, 2022
Film Festivals
Saint Omer (2022) Film Review: Mother’s Guilt
by Claire Fulton
  • September 23, 2022
Interviews
Stéphane Lafleur on “Viking” (TIFF Interview)
by Joseph Tomastik
  • September 23, 2022
Interviews
Carmen Jaquier & Lilith Grasmug on “Thunder” (TIFF Interview)
by Joseph Tomastik
  • September 22, 2022
TIFF
Venus (Film Review): Wake Me Up Before You Go-Go
by Hector A. Gonzalez
  • September 21, 2022
Film Festivals
Something You Said Last Night: Film Review
by Olivia Savage
  • September 20, 2022
TIFF
V/H/S/99 (Film Review): Uneven Found Footage Schlock
by Joseph Tomastik
  • September 18, 2022
TIFF
Wendell & Wild (Film Review): Stuffed Toy Box of Horrors
by Hector A. Gonzalez
  • September 18, 2022
TIFF
The Greatest Beer Run Ever (TIFF 2022): Film Review
by Joseph Tomastik
  • September 17, 2022
TIFF
Empire of Light (Film Review): A Messy But Gorgeous Romance
by Joseph Tomastik
  • September 16, 2022
TIFF
The Fabelmans (Movie Review): A Tribute to Film and Family
by Joseph Tomastik
  • September 15, 2022
TIFF
Women Talking (Film Review): “The Sun is Setting, and Our Light is Fading”
by Hector A. Gonzalez
  • September 15, 2022
TIFF
The Wonder (Film Review): The Act of Belief in a World of Deceptions
by Hector A. Gonzalez
  • September 15, 2022
TIFF
Pearl (TIFF Review): Mia Goth Shines in a Fitting Prequel
by Joseph Tomastik
  • September 14, 2022
Films
The Whale (Film Review): Fraser Excels In Heartbreaking Tale
by Joseph Tomastik
  • September 14, 2022
Venice Film Festival
No Bears (Khers Nist) Review: Great Guerrilla Storytelling
by Claire Fulton
  • September 14, 2022
TIFF
All the Beauty and the Bloodshed: Film Review
by Hector A. Gonzalez
  • September 14, 2022
Venice Film Festival
Dead for a Dollar (Film Review): Enjoyable, But Puzzling
by Serena Seghedoni
  • September 14, 2022
TIFF
Broker (Film Review): Replaying the Greatest Hits
by Hector A. Gonzalez
  • September 14, 2022
TIFF
Glass Onion: A Knives Out Mystery (TIFF 2022) Film Review
by Joseph Tomastik
  • September 13, 2022
TIFF
Decision to Leave: Film Review
by Hector A. Gonzalez
  • September 13, 2022
TIFF
Moonage Daydream (TIFF Review): The Prettiest Star
by Hector A. Gonzalez
  • September 13, 2022
TIFF
Joyland (Film Review): Repressed Desires & Gender Roles
by Hector A. Gonzalez
  • September 13, 2022
TIFF
Viking (TIFF Review): An Ambiguous Space Character Study
by Joseph Tomastik
  • September 13, 2022
TIFF
The Blue Caftan (Film Review): Beautifully Restrained, Delicate & Intimate
by Hector A. Gonzalez
  • September 12, 2022
Interviews
Argentina, 1985: Interview with Santiago Mitre, Ricardo Darín & Alejandra Flechner - Venice Film Festival
by Serena Seghedoni
  • September 12, 2022
TIFF
Corsage (Film Review): Polished Drama with Fragility & Forte
by Hector A. Gonzalez
  • September 12, 2022
TIFF
The Woman King (TIFF Review): An Epic, Emotional Powerhouse
by Joseph Tomastik
  • September 11, 2022
TIFF
R.M.N. (Film Review): Hatred Slowly Deteriorates the Mind
by Hector A. Gonzalez
  • September 11, 2022
TIFF
De Humani Corporis Fabrica (TIFF Review): The Unflinching Wonders of Our Bodies
by Hector A. Gonzalez
  • September 11, 2022
TIFF
Weird: The Al Yankovic Story (TIFF 2022): Film Review
by Joseph Tomastik
  • September 10, 2022
TIFF
Pacifiction (Film Review): Political Paranoia & the Inevitability of Evil
by Hector A. Gonzalez
  • September 10, 2022
Venice Film Festival
Hanging Gardens (Venice Review): Let’s Talk About Sex(dolls)
by Claire Fulton
  • September 9, 2022
TIFF
Return to Seoul (Film Review): In Search for a Place to Call Home
by Hector A. Gonzalez
  • September 9, 2022
Venice Film Festival
Blonde (Film Review): Bold Ambition – Venice Film Festival
by Claire Fulton
  • September 8, 2022
Interviews
Director David Wagner on “Eismayer”: Venice Interview - Venice Film Festival
by Serena Seghedoni
  • September 8, 2022
Venice Film Festival
The Banshees of Inisherin (Film Review): It’s Not Me, It’s You
by Claire Fulton
  • September 8, 2022
Venice Film Festival
Dreamin’ Wild (Venice Review): Second Chances Sound Sweet
by Claire Fulton
  • September 7, 2022
Venice Film Festival
The Son (Film Review): Superb Storytelling
by Serena Seghedoni
  • September 7, 2022
Venice Film Festival
The Eternal Daughter (Venice Review): In My Mother’s House
by Claire Fulton
  • September 7, 2022
Virtual Reality
“Typeman” Will Make You Feel Alive (Venice Immersive Review)
by Serena Seghedoni
  • September 6, 2022
Venice Film Festival
Don’t Worry Darling (Venice Review): Flawed but Enjoyable
by Serena Seghedoni
  • September 6, 2022
Interviews
Florent Gouëlou, Pablo Pauly & Romain Eck on Three Nights A Week: Interview
by Serena Seghedoni
  • September 5, 2022
Venice Film Festival
Eismayer (Film Review): Love, Truth, & Masculinity
by Serena Seghedoni
  • September 4, 2022
Venice Film Festival
Bones And All (Film Review): “Let’s Be People.”
by Serena Seghedoni
  • September 2, 2022
Venice Film Festival
Living (Film Review): Storytelling at its Best
by Serena Seghedoni
  • September 1, 2022
Venice Film Festival
TÁR (Venice Review): The Downfall of a Narcissist
by Serena Seghedoni
  • September 1, 2022
Virtual Reality
Gumball Dreams Review: Vibrant Live Theatre VR Adventure
by Serena Seghedoni
  • September 1, 2022
Venice Film Festival
Three Nights A Week (Film Review): Love, in All Its Forms
by Serena Seghedoni
  • September 1, 2022
TIFF
TIFF 2022: 20 Films to Watch at the Toronto Film Festival
by Loud And Clear
  • August 25, 2022
Venice Film Festival
Venezia 79: 20 Films to Watch at the 2022 Venice Film Festival
by Loud And Clear
  • August 13, 2022
Venice Film Festival
2022 Venice Film Festival: All the Stars Confirmed in Attendance
by Loud And Clear
  • August 6, 2022
Virtual Reality
Venice Immersive: Virtual Reality Line-Up for Venezia 79 (2022)
by Serena Seghedoni
  • July 27, 2022
Venice Film Festival
2022 Venice Film Festival: Venezia 79 Line-Up Announced
by Serena Seghedoni
  • July 26, 2022
Interviews
Sophie Galibert & Alex Trewhitt on Cherry: Tribeca Interview
by Edgar Ortega
  • July 5, 2022
Tribeca Film Festival
Jerry & Marge Go Large (Tribeca Review)
by Edgar Ortega
  • June 19, 2022
Tribeca Film Festival
Pink Moon (Tribeca Review): A Bizarre & Honest Exploration of Mortality
by Edgar Ortega
  • June 17, 2022
Tribeca Film Festival
A Love Song (Film Review): Expert Minimalism
by Joseph Tomastik
  • June 17, 2022
Tribeca Film Festival
Attachment (Film Review): A Unique Spin on Possession
by Joseph Tomastik
  • June 15, 2022
Interviews
Iqbal Theba on Land of Gold: Tribeca Interview
by Serena Seghedoni
  • June 15, 2022
Tribeca Film Festival
Land of Gold (Tribeca Review): “The Choice in Between”
by Serena Seghedoni
  • June 14, 2022
Interviews
Clayne Crawford on The Integrity of Joseph Chambers: Tribeca Interview
by Edgar Ortega
  • June 14, 2022
SXSW
The Courtroom (Tribeca Review): Musings on Immigration Law
by Serena Seghedoni
  • June 13, 2022
Tribeca Film Festival
Employee of the Month (Tribeca Review): A Flat Satire
by Joseph Tomastik
  • June 13, 2022
Tribeca Film Festival
In Her Name (Tribeca Review): An Awkward Family Drama
by Edgar Ortega
  • June 13, 2022
Film Festivals
Cherry (Film Review): A Charming Comedy About Embracing Adulthood
by Edgar Ortega
  • June 12, 2022
Tribeca Film Festival
Rounding (Tribeca Review): An Uneven Thriller Experiment
by Joseph Tomastik
  • June 12, 2022
Tribeca Film Festival
My Love Affair with Marriage (Tribeca Review): The Truth About Love
by Serena Seghedoni
  • June 11, 2022
Film Festivals
Next Exit (2022) Film Review: Searching for Meaning
by Serena Seghedoni
  • June 11, 2022
Tribeca Film Festival
Family Dinner (Tribeca Review): A Stomach-Churning Slow-Burn
by Joseph Tomastik
  • June 11, 2022
Tribeca Film Festival
The Integrity of Joseph Chambers: Film Review
by Edgar Ortega
  • June 10, 2022
Cannes Film Festival
Metronom (Cannes Review): “The Time to Hesitate is Through”
by Hector A. Gonzalez
  • June 7, 2022
Cannes Film Festival
Falcon Lake (Cannes Review): A Ghostly Tale of Young Love
by Hector A. Gonzalez
  • June 4, 2022
Tribeca Film Festival
Tribeca 2022: 15 Films to Watch at the Festival
by Loud And Clear
  • June 3, 2022
Cannes Film Festival
The Green Perfume (Cannes Review): Screwball Cure for Pledged Crimes
by Hector A. Gonzalez
  • May 30, 2022
Cannes Film Festival
El Agua (Cannes Review): Mythology & Naturalism Through the River Creeks
by Hector A. Gonzalez
  • May 26, 2022
Cannes Film Festival
Aftersun (Film Review): Sun, Sea & Melancholy
by Daniel Allen
  • May 25, 2022
Cannes Film Festival
Scarlet (L’Envol) Cannes Review: An Endearing Tale with Magical Realism
by Hector A. Gonzalez
  • May 24, 2022
Cannes Film Festival
One Fine Morning (Film Review): Finding Unexpected Love
by Daniel Allen
  • May 24, 2022
Cannes Film Festival
Enys Men (Film Review): The Sounds of Isolation
by Daniel Allen
  • May 23, 2022
Cannes Film Festival
Triangle of Sadness: Film Review
by Daniel Allen
  • May 22, 2022
Cannes Film Festival
Armageddon Time: Film Review
by Daniel Allen
  • May 20, 2022
Cannes Film Festival
Final Cut (Coupez!) Cannes Review: Un Cut of the Dead
by Daniel Allen
  • May 18, 2022
Cannes Film Festival
2022 Cannes Film Festival: 15 Films to Watch
by Daniel Allen
  • May 7, 2022
Film Festivals
TRAMPS! (BFI Flare Review): All Hail The New Romantics!
by Daniel Allen
  • March 26, 2022
Film Festivals
The Novice (BFI Flare Review): First or Last
by William Stottor
  • March 26, 2022
Film Festivals
The Sound of Scars (BFI Flare Review): A Truly Powerful Watch
by Daniel Allen
  • March 25, 2022
Film Festivals
The Divide (BFI Flare Review): Volatile A&E Drama
by William Stottor
  • March 24, 2022
Film Festivals
Sirens (BFI Flare Review): Rock ‘n’ Roll in Lebanon
by Daniel Allen
  • March 23, 2022
Film Festivals
Wildhood (BFI Flare Review): Ode to the Mi’kmaw
by Daniel Allen
  • March 22, 2022
Film Festivals
Cop Secret (BFI Flare Review): Reykjavík Vice
by Daniel Allen
  • March 21, 2022
Film Festivals
A Distant Place (BFI Flare Review): Prejudice Versus Love
by William Stottor
  • March 20, 2022
Interviews
Cha Cha Real Smooth at SXSW: Red Carpet Interview
by Joseph Tomastik
  • March 19, 2022
SXSW
To Leslie (SXSW Review): Riseborough & Maron Anchor Affecting Drama
by Zoe Rose Bryant
  • March 19, 2022
SXSW
Soft & Quiet (SXSW Review): The Sickening Horrors of Reality
by Joseph Tomastik
  • March 18, 2022
Film Festivals
Girls Girls Girls (Film Review): The Thrill of Teenage Discovery
by William Stottor
  • March 16, 2022
SXSW
The Prank (SXSW Review): A Messy Bait-and-Switch Thriller
by Joseph Tomastik
  • March 16, 2022
Film Festivals
Charli XCX: Alone Together (BFI Flare Review): How We Felt Then
by Daniel Allen
  • March 16, 2022
Films
Bodies Bodies Bodies: Film Review
by Joseph Tomastik
  • March 15, 2022
SXSW
Slash/Back (SXSW Review): Vibrant Inuit Alien Invasion Film
by Serena Seghedoni
  • March 15, 2022
SXSW
Linoleum (Film Review): Jim Gaffigan Delivers in Sci-Fi Dramedy
by Zoe Rose Bryant
  • March 15, 2022
SXSW
Pretty Problems (SXSW Review): Champagne & Emptiness
by Isobel Nutbrown
  • March 14, 2022
SXSW
The Girl From Plainville on Hulu (SXSW): Episode 1 Review
by Serena Seghedoni
  • March 14, 2022
SXSW
I Love My Dad (Film Review): A Riotous Father-Son Road Trip with A Twist
by Zoe Rose Bryant
  • March 14, 2022
SXSW
Apollo 10 1/2: A Space Age Childhood: SXSW Review
by Joseph Tomastik
  • March 14, 2022
SXSW
Watcher (SXSW Review): Maika Monroe Makes Her Return to Horror
by Zoe Rose Bryant
  • March 14, 2022
SXSW
We Are Not Ghouls (SXSW Review): Guantanamo Doc Inspires
by Serena Seghedoni
  • March 13, 2022
Film Festivals
Murina (Glasgow Review): Chilling Parental Control
by William Stottor
  • March 13, 2022
SXSW
The Unbearable Weight of Massive Talent: SXSW Review
by Joseph Tomastik
  • March 13, 2022
SXSW
Crows Are White (SXSW Review): The Cages We Build & Escape
by Serena Seghedoni
  • March 13, 2022
Film Festivals
Mandrake (Shudder) Film Review: Root Of All Evil
by Claire Fulton
  • March 13, 2022
Film Festivals
Happening (Glasgow Review): The Ugliness of Law
by William Stottor
  • March 12, 2022
SXSW
Everything Everywhere All At Once (Film Review): Loving Insanity
by Joseph Tomastik
  • March 12, 2022
Film Festivals
Moon, 66 Questions (Glasgow Review): A Delicate Look at Two Estranged Souls
by Hector A. Gonzalez
  • March 11, 2022
Film Festivals
Prayers for the Stolen (Film Review): A Haunting Masterwork
by William Stottor
  • March 10, 2022
Film Festivals
Angry Young Men (Glasgow Review): Gang Capers
by Claire Fulton
  • March 9, 2022
Film Festivals
Adult Adoption (Glasgow Review): Seeking Parental Guidance
by Claire Fulton
  • March 8, 2022
Film Festivals
Anaïs in Love (Glasgow Review): Light, Sun-Kissed Romance
by William Stottor
  • March 8, 2022
Film Festivals
Benediction (Glasgow Review): The Aftermath of War
by William Stottor
  • March 7, 2022
Film Festivals
Nitram (Glasgow Review): The ‘Making’ of a (Gun)Man
by Claire Fulton
  • March 5, 2022
SXSW
SXSW 2022: 15 Films to Watch at South By Southwest
by Loud And Clear
  • March 5, 2022
Film Festivals
Yuni (Glasgow Review): Quietly Determined Liberation
by William Stottor
  • March 4, 2022
Film Festivals
Cette Maison (Berlin Review): Jumbled Visions of Grief
by Claire Fulton
  • February 13, 2022
Sundance Film Festival
Maika (Sundance Review): A Cute Nostalgic Ride for 90s and 2000s Kids
by Atreyo Palit
  • February 2, 2022
Interviews
Director Alli Haapasalo on Girls Girls Girls (Sundance Interview): “A Film About the Need to Be Seen”
by Serena Seghedoni
  • January 30, 2022
Interviews
Editor Chris Witt on Film “Breaking”: Interview
by Serena Seghedoni
  • January 29, 2022
Sundance Film Festival
Sharp Stick (Sundance Review): “Be Proud of Your F*ing Scars”
by Serena Seghedoni
  • January 27, 2022
Sundance Film Festival
Alice (Sundance Review): Keke Palmer Shines in So-So Slavery Drama
by Zoe Rose Bryant
  • January 26, 2022
Sundance Film Festival
Resurrection (2022) Film Review: Unhinged Motherhood Drama
by Edgar Ortega
  • January 25, 2022
loud and clear reviews rising phoenix evan rachel wood part 1
Sundance Film Festival
Phoenix Rising, Part 1 (Sundance Review): Evan Rachel Wood Tells Her Truth
by Serena Seghedoni
  • January 25, 2022
Sundance Film Festival
Honk for Jesus. Save Your Soul. (Sundance Review): Hall & Brown Are a Hoot
by Zoe Rose Bryant
  • January 25, 2022
Sundance Film Festival
My Old School (Film Review): Deception & Survival
by Serena Seghedoni
  • January 24, 2022
Sundance Film Festival
Cha Cha Real Smooth (Review): The Standout of Sundance 2022
by Zoe Rose Bryant
  • January 24, 2022
Sundance Film Festival
Dual (Sundance Review): Sci-Fi Flick Fumbles at the Finish Line
by Zoe Rose Bryant
  • January 23, 2022
Sundance Film Festival
Good Luck to You, Leo Grande (Review): An Ode to Self-Love
by Serena Seghedoni
  • January 23, 2022
Sundance Film Festival
Call Jane (Film Review): Banks & Weaver Deliver in Abortion Drama
by Zoe Rose Bryant
  • January 22, 2022
Sundance Film Festival
FRESH (Film Review): Sebastian Stan Excels in Familiar Horror
by Serena Seghedoni
  • January 21, 2022
Sundance Film Festival
When You Finish Saving the World (Film Review): A Deeply Felt Family Drama
by Zoe Rose Bryant
  • January 21, 2022
Sundance Film Festival
The Panola Project (Sundance Review): Local Hero
by Claire Fulton
  • January 20, 2022
Sundance Film Festival
Hallelujah (Sundance Review): Family Ties
by Claire Fulton
  • January 20, 2022
Sundance Film Festival
2022 Sundance Film Festival: 10 Films to Watch
by Loud And Clear
  • January 5, 2022
Interviews
Director Hong Sung-eun on Aloners (Torino Interview)
by Serena Seghedoni
  • December 21, 2021
Film Festivals
Sisters (Soeurs) FFF Review: Slow Start, Better Finish
by Claire Fulton
  • December 14, 2021
Film Festivals
Fly Me Away (Envole-moi) FFF Review: Brotherly Love
by Claire Fulton
  • December 11, 2021
Film Festivals
The Enemy (L’ennemi) FFF Review: A Man of Many Faces
by Claire Fulton
  • December 11, 2021
Film Festivals
Margaux Hartmann (FFF Review): A Widow Seeks New Beginnings
by Joe Flockhart
  • December 10, 2021
Film Festivals
The Speech (FFF Review): A Smart and Witty Low-Stakes Comedy
by Jack Walters
  • December 8, 2021
Film Festivals
Aloners (Torino Review): The Burdens We Silently Share
by Serena Seghedoni
  • December 1, 2021
Film Festivals
La Chica Nueva (Torino Review): A Snapshot of Argentina
by Serena Seghedoni
  • November 28, 2021
Film Festivals
A Radiant Girl (Une Jeune Fille Qui Va Bien): Film Review
by Serena Seghedoni
  • November 27, 2021
Film Festivals
Drive My Car (AFI Review): Short Story Adaptation Stirs the Soul
by Zoe Rose Bryant
  • November 17, 2021
Film Festivals
Sing 2 (AFI Review): Symphonic Sequel Hits All the Right Notes
by Zoe Rose Bryant
  • November 16, 2021
Film Festivals
Bruised (AFI Review): Berry is Fantastic in a Familiar Film
by Zoe Rose Bryant
  • November 16, 2021
Film Festivals
Swan Song (AFI Review): Mahershala Ali Delivers in Dual Roles
by Zoe Rose Bryant
  • November 15, 2021
Film Festivals
Vera Dreams of the Sea (AFI Review): Grief and Property
by Cameron Fairchild
  • November 15, 2021
Film Festivals
Jockey (AFI Review): Clifton Collins Jr At His Career Best
by Zoe Rose Bryant
  • November 13, 2021
Film Festivals
The Simple Charm of “Paris, 13th District” (AFI Fest Review)
by Cameron Fairchild
  • November 12, 2021
Film Festivals
tick, tick…BOOM! (AFI Review): Garfield’s Greatest Performance
by Zoe Rose Bryant
  • November 12, 2021
Film Festivals
Sweet Disaster (Raindance Review): Finding Peace in the Unexpected
by Jack Walters
  • November 1, 2021
Film Festivals
Where’s Rose (Raindance Review): Manifesting Your Inner Demons
by Jack Walters
  • November 1, 2021
Film Festivals
White Noise (Raindance Review): Into The Eye of the Alt-Right Storm
by Jack Walters
  • October 30, 2021
Film Festivals
Youth V Gov (Raindance Review): Taking the Climate Crisis to Court
by Jack Walters
  • October 27, 2021
London Film Festival
Benedetta (LFF Review): Paul Verhoeven’s Story of Forbidden Love
by Joe Flockhart
  • October 23, 2021
London Film Festival
Ride The Wave (Film Review): ‘Tomorrow and Every Other Day’
by Isobel Nutbrown
  • October 19, 2021
London Film Festival
ear for eye (LFF Review): Challenging Call for Action
by William Stottor
  • October 18, 2021
London Film Festival
Bull (2021): A Lean, Mean Crime Thriller (LFF Review)
by William Stottor
  • October 18, 2021
London Film Festival
Hit the Road (LFF Review): Dynamic Road Trip Drama
by William Stottor
  • October 15, 2021
London Film Festival
Shepherd (LFF Review): An Atmospheric But Ordinary Horror
by William Stottor
  • October 15, 2021
London Film Festival
Queen Of Glory (LFF Review): Chaos, Colour, and Weed
by Isobel Nutbrown
  • October 13, 2021
London Film Festival
The Hand of God: Maradona Maketh Man (London Film Festival Review)
by William Stottor
  • October 12, 2021
London Film Festival
Wheel of Fortune and Fantasy: Snapshots of Life (LFF Review)
by William Stottor
  • October 11, 2021
Interviews
Director Radu Jude on Bad Luck Banging or Loony Porn (LFF Interview)
by William Stottor
  • October 10, 2021
London Film Festival
The Souvenir: Part II (LFF Review): Personal and Tender Closure
by William Stottor
  • October 8, 2021
London Film Festival
Boiling Point (Film Review): Sizzling One Take Restaurant Drama
by William Stottor
  • October 7, 2021
London Film Festival
The Harder They Fall (LFF Review): An Unrestrained Western Riot
by William Stottor
  • October 6, 2021
London Film Festival
Il Buco: Delicate Cave-Based Descent (London Film Festival Review)
by William Stottor
  • October 6, 2021
London Film Festival
Belle: Beauty and The Beast and Online Bullying (LFF Review)
by William Stottor
  • October 5, 2021
London Film Festival
Bad Luck Banging or Loony Porn (LFF Review): Raging Romanian Satire
by William Stottor
  • October 1, 2021
TIFF
I’m Your Man (Review): Eggert & Stevens Shine in Smart Relationship Drama
by Serena Seghedoni
  • September 24, 2021
TIFF
The Electrical Life Of Louis Wain: A Biopic That Breaks Tradition (TIFF Review)
by Zoe Rose Bryant
  • September 24, 2021
TIFF
Petite Maman (TIFF Review): Céline Sciamma Stuns Again
by Zoe Rose Bryant
  • September 23, 2021
Film Festivals
After the Crossing (Traverser) Film Review: A Road To Eldorado
by Isobel Nutbrown
  • September 22, 2021
Film Festivals
Delphine’s Prayers (Film Review): A Portrait of Strength & Suffering
by Isobel Nutbrown
  • September 21, 2021
Venice Film Festival
Halloween Kills: The Sleep of Reason Produces Michael Myers (Venice Review)
by Susanna Norbiato
  • September 17, 2021
Venice Film Festival
Halloween Kills: il sonno della ragione genera Michael Myers (Recensione)
by Susanna Norbiato
  • September 17, 2021
Venice Film Festival
Old Henry Revives The Western Genre (Venice Film Festival Review)
by Serena Seghedoni
  • September 15, 2021
Film Festivals
Songs For The River (Film Review): Framing The Unfathomable
by Isobel Nutbrown
  • September 15, 2021
TIFF
The Eyes of Tammy Faye: Chastain Captivates in Charming Biopic (TIFF Review)
by Zoe Rose Bryant
  • September 14, 2021
TIFF
The Humans (Review): Jenkins & Houdyshell Deliver in Dark Family Drama
by Zoe Rose Bryant
  • September 13, 2021
Venice Film Festival
Spencer: Brief Moments of Freedom (Venice Film Festival Review)
by Serena Seghedoni
  • September 12, 2021
TIFF
The Worst Person in the World: A Love Letter to Lost Souls (TIFF Review)
by Zoe Rose Bryant
  • September 12, 2021
TIFF
The Power of The Dog: Campion’s Cinematic Comeback is a Classic (TIFF Review)
by Zoe Rose Bryant
  • September 11, 2021
Venice Film Festival
America Latina (Venice Review): Daring & Disarming Character Study
by Serena Seghedoni
  • September 9, 2021
Venice Film Festival
Freaks Out (Venice Review): A Glorious Ode to Outsiders
by Serena Seghedoni
  • September 9, 2021
Interviews
Ana Lily Amirpour, Craig Robinson & Ed Skrein on Mona Lisa and the Blood Moon (Venice Interview)
by Serena Seghedoni
  • September 7, 2021
Venice Film Festival
The Card Counter (Review): “Someone To Find Your Way Home”
by Serena Seghedoni
  • September 6, 2021
Venice Film Festival
Last Night in Soho (Venice Review): The Monsters We Create
by Serena Seghedoni
  • September 4, 2021
Venice Film Festival
Dune (2021): Chalamet Shines in Immersive Adaptation (Venice Review)
by Serena Seghedoni
  • September 3, 2021
Venice Film Festival
Land of Dreams: Absurdism & Political Satire (Venice Review)
by Serena Seghedoni
  • September 2, 2021
Venice Film Festival
Venezia78: 20 Films to Watch at the 2021 Venice Film Festival
by Serena Seghedoni
  • August 26, 2021
Edinburgh Film Festival
The Man Who Sold His Skin: A Reflection on Human Exploitation (Edinburgh Review)
by Joseph Tomastik
  • August 25, 2021
Edinburgh Film Festival
The Road Dance (Film Review): Hope & Grief in the Hebrides
by Claire Fulton
  • August 24, 2021
Edinburgh Film Festival
Ballad of a White Cow: Fighting Injustice (Edinburgh Review)
by William Stottor
  • August 24, 2021
Edinburgh Film Festival
Annette: Bizarrely Out-of-Tune (Edinburgh Film Festival Review)
by Claire Fulton
  • August 23, 2021
Edinburgh Film Festival
The Beta Test (Review): Some-Strings-Attached Sex
by Claire Fulton
  • August 22, 2021
Edinburgh Film Festival
Mad God (Film Review): A Slice of Prophetic Delirium
by William Stottor
  • August 21, 2021
Edinburgh Film Festival
Walk with Angels: Post-Apartheid Injustices (Edinburgh Film Festival Review)
by Claire Fulton
  • August 21, 2021
Edinburgh Film Festival
Europa: Fear and Determination in Migration (Edinburgh Review)
by Claire Fulton
  • August 21, 2021
Edinburgh Film Festival
The Justice of Bunny King (Edinburgh Review): Drama Done Right
by William Stottor
  • August 20, 2021
Edinburgh Film Festival
Prince of Muck: A Life of Farming, Family and Cows (Edinburgh Review)
by William Stottor
  • August 19, 2021
Cannes Film Festival
Titane (Cannes Review): Collisions of Flesh and Steel
by Nils Gollersrud
  • July 31, 2021
Tribeca Film Festival
False Positive (Review): A Melting Pot of Themes & Tones
by Serena Seghedoni
  • June 19, 2021
Tribeca Film Festival
Fathom (Tribeca Review): The Sound of Whales
by Claire Fulton
  • June 17, 2021
Tribeca Film Festival
The Perfect David: Aesthetic and Athletic Obsessions (Tribeca Review)
by Nils Gollersrud
  • June 16, 2021
Virtual Reality
Director James A. Castillo on Madrid Noir (Tribeca Interview)
by Serena Seghedoni
  • June 15, 2021
Tribeca Film Festival
Do Not Hesitate (Review): War Drama Makes the Most of its Brief Runtime
by Ethan Hill
  • June 15, 2021
Tribeca Film Festival
Wu Hai (Tribeca Review): A Bleak, Hopeless Drama
by Anthony Bowmer
  • June 14, 2021
Tribeca Film Festival
The Lost Leonardo: Buzz and Fuzz in the Art World (Tribeca Review)
by Myrthe Leenders
  • June 14, 2021
Tribeca Film Festival
Catch the Fair One: Bleak but Thrilling (Tribeca Review)
by Anthony Bowmer
  • June 14, 2021
Tribeca Film Festival
Shapeless (Tribeca Review): An Unformed Psychological Drama
by Anthony Bowmer
  • June 13, 2021
Tribeca Film Festival
Glob Lessons (Tribeca Review): Indie Road Film Brims With Authenticity
by Ethan Hill
  • June 13, 2021
Tribeca Film Festival
All My Friends Hate Me (Review): Great Horror-Comedy for the Socially Anxious
by Serena Seghedoni
  • June 12, 2021
Tribeca Film Festival
Last Film Show (Tribeca Review): A Love Letter to Storytelling
by Anthony Bowmer
  • June 11, 2021
Tribeca Film Festival
Poser (Film Review): Questioning the Authenticity of Art
by Serena Seghedoni
  • June 11, 2021
Tribeca Film Festival
Mark, Mary & Some Other People (Review): The Ups & Downs of Open Relationships
by Serena Seghedoni
  • June 10, 2021
Tribeca Film Festival
Tribeca 2021: 20 Films to Watch at the Festival
by Serena Seghedoni
  • June 4, 2021
Film Festivals
Censor (Review): A Throwback to Video Nasties
by Nils Gollersrud
  • May 23, 2021
Film Festivals
The Other Side of the Underneath: “Strength is Madness”(Femspectives Review)
by Anthony Bowmer
  • April 23, 2021
Film Festivals
Our People Will Be Healed: Cree Culture (Femspectives Review)
by Claire Fulton
  • April 20, 2021
Film Festivals
10 Spectacular Shorts from SIFF 2021
by Nils Gollersrud
  • April 18, 2021
Film Festivals
Wyrm (Film Review): Popping Collars
by Nils Gollersrud
  • April 16, 2021
Film Festivals
Under the Open Sky: Kōji Yakusho Excels in Patient Drama (SIFF Review)
by Cameron Fairchild
  • April 15, 2021
Film Festivals
Mother’s Milk: An Entrancing Cinematic Odyssey (SIFF Review)
by Anthony Bowmer
  • April 15, 2021
Film Festivals
Father (Film Review): It’s the 21st Century
by Anthony Bowmer
  • April 14, 2021
Film Festivals
Captains of Zaatari: Skimming the Surface of Refugee Camps (SIFF Review)
by Cameron Fairchild
  • April 14, 2021
Film Festivals
Summertime (SIFF Review): An Electrifying Portrait of LA
by Nils Gollersrud
  • April 14, 2021
Film Festivals
The Dog Who Wouldn’t Be Quiet: Transient Bliss (SIFF Review)
by Nils Gollersrud
  • April 13, 2021
Film Festivals
Criollo: A Culinary Journey through Uruguay (SIFF Review)
by Nils Gollersrud
  • April 13, 2021
Film Festivals
Athanor – The Alchemical Furnace: Understanding Jan Švankmajer (SIFF Review)
by Cameron Fairchild
  • April 12, 2021
Film Festivals
The Unknown Saint: What Do You Believe In? (SIFF Review)
by Nils Gollersrud
  • April 12, 2021
Film Festivals
Caterpillars: Central African Republic Documentary Enlightens (SIFF Review)
by Cameron Fairchild
  • April 11, 2021
Film Festivals
The Shepherdess and the Seven Songs (SIFF Review)
by Nils Gollersrud
  • April 11, 2021
Film Festivals
The Legend of Hei: A Charming, Kid-Friendly Adventure (SIFF Review)
by Anthony Bowmer
  • April 11, 2021
Film Festivals
Sweat: The Woman Behind the Screen (SIFF Review)
by Nils Gollersrud
  • April 10, 2021
Film Festivals
Preman: Indonesian Thriller Disappoints (SIFF Review)
by Anthony Bowmer
  • April 10, 2021
Film Festivals
All Sorts (SIFF Review): The Surreal World of the Office
by Nils Gollersrud
  • April 10, 2021
Film Festivals
Strawberry Mansion (Film Review): A Journey Through Dreams
by Nils Gollersrud
  • April 9, 2021
Virtual Reality
SXSW Online XR Took Us to Austin: Interview with Blake Kammerdiener
by Serena Seghedoni
  • April 6, 2021
Film Festivals
SIFF 2021: 10 Films to Watch
by Nils Gollersrud
  • April 5, 2021
Interviews
Alex Noyer & James Jagger on “Sound of Violence”: SXSW Interview
by Bernard Ozarowski
  • March 27, 2021
SXSW
Under The Volcano (Review): The “Magic” of AIR Studios Montserrat
by Serena Seghedoni
  • March 26, 2021
Interviews
Stacey Gregg on Feature Debut “Here Before”: SXSW Interview
by Bernard Ozarowski
  • March 24, 2021
Film Festivals
Rūrangi (BFI Flare Review): Celebrating Trans Representation
by William Stottor
  • March 24, 2021
SXSW
Clerk (SXSW Review): Funny and Surprisingly Touching Doc
by Bernard Ozarowski
  • March 23, 2021
SXSW
Reklaw: Quirky Vigilantes Clean Up Well (SXSW Review)
by Claire Fulton
  • March 23, 2021
Film Festivals
Cowboys: An Intelligent Portrayal of Transgenderism (BFI Flare Review)
by William Stottor
  • March 22, 2021
SXSW
Language Lessons: A Heartfelt Ode to Human Connection (SXSW Review)
by Zoe Rose Bryant
  • March 21, 2021
Film Festivals
The Drover’s Wife The Legend of Molly Johnson: SXSW Review
by Bernard Ozarowski
  • March 21, 2021
Film Festivals
Jump, Darling: Gloriously Funny, Seriously Touching (BFI Flare Review)
by William Stottor
  • March 21, 2021
Film Festivals
My First Summer: A Tender Tale of Young Sapphic Love (BFI Flare Review)
by Olivia Savage
  • March 21, 2021
Film Festivals
Mama Weed: Isabelle Huppert Elevates Comedic Crime Flick (FFF Review)
by Nils Gollersrud
  • March 20, 2021
Interviews
Writer-Director Elle Callahan on “Witch Hunt” (SXSW Interview)
by Zoe Rose Bryant
  • March 20, 2021
SXSW
Violet (SXSW Review): Justine Bateman Gives A Voice to Anxiety
by Serena Seghedoni
  • March 19, 2021
Interviews
Jocelin Donahue, Joe Swanberg & Mickey Keating on Offseason (Interview)
by Bernard Ozarowski
  • March 19, 2021
SXSW
Violation (Film Review): Complex & Dynamic Genre Thrills
by Bernard Ozarowski
  • March 19, 2021
SXSW
Sound of Violence (Film Review): Gory Midnight Fun
by Bernard Ozarowski
  • March 19, 2021
SXSW
The Hunt for Planet B (Film Review): Masterful Doc of the Stars
by Bernard Ozarowski
  • March 18, 2021
Film Festivals
Alien on Stage (Review): The Best “Alien” Film Since “Aliens”
by Bernard Ozarowski
  • March 18, 2021
SXSW
Swan Song (Review): An Aging Hairdresser Looks Back on His Life
by Zoe Rose Bryant
  • March 18, 2021
SXSW
The Fallout (SXSW Review): A Truthful & Traumatic Teenage Tragedy
by Zoe Rose Bryant
  • March 18, 2021
Film Festivals
Women Is Losers (Film Review): Lorenza Izzo Is Winner
by Bernard Ozarowski
  • March 18, 2021
SXSW
Witch Hunt (SXSW Review): Fantasy Thriller Tackles Today’s Troubles
by Zoe Rose Bryant
  • March 18, 2021
SXSW
Offseason (Film Review): Evocative & Exciting Horror
by Bernard Ozarowski
  • March 18, 2021
SXSW
The Feast: A Slow-Moving Horror Drama Devoid of Scares (SXSW Review)
by Zoe Rose Bryant
  • March 18, 2021
SXSW
Paul Dood’s Deadly Lunch Break (Review): Revenge At Its Most Glam-Rock
by Serena Seghedoni
  • March 17, 2021
SXSW
United States vs. Reality Winner: A Plea for Freedom (SXSW Review)
by Nils Gollersrud
  • March 17, 2021
SXSW
The Return: Her Life After ISIS (SXSW Review)
by Claire Fulton
  • March 17, 2021
SXSW
Our Father (SXSW Review): The Complexities of Sorrow and Sisterhood
by Olivia Savage
  • March 17, 2021
SXSW
Broadcast Signal Intrusion (Review): Harry Shum Jr Falls Down a Rabbit Hole
by Serena Seghedoni
  • March 17, 2021
SXSW
Stop And Go (Review): COVID Road Trip Comedy is a Laugh Riot
by Zoe Rose Bryant
  • March 17, 2021
SXSW
Here Before (SXSW Review): Compelling Psychological Thriller
by Bernard Ozarowski
  • March 17, 2021
SXSW
Potato Dreams of America: Coming of Age Dramedy Delights (SXSW Review)
by Zoe Rose Bryant
  • March 16, 2021
SXSW
Poly Styrene: I am a Cliché (SXSW Review): Study of a Punk Legend
by Anthony Bowmer
  • March 16, 2021
SXSW
Luchadoras: Harrowing Filmmaking Highlights Heroic Women (SXSW Review)
by Bernard Ozarowski
  • March 16, 2021
Interviews
Nathaniel Kahn on The Hunt for Planet B (SXSW Interview)
by Bernard Ozarowski
  • March 16, 2021
Film Festivals