CANNES FILM FESTIVAL

SUNDANCE FILM FESTIVAL

VENICE FILM FESTIVAL

TIFF

BERLINALE

LONDON FILM FESTIVAL

SXSW

TRIBECA

The Royal Hotel: TIFF Film Review
American Fiction: TIFF Film Review
Wildcat: TIFF Film Review
Next Goal Wins: TIFF Film Review
Monster (2023): TIFF Film Review
Robot Dreams: TIFF Film Review
Knox Goes Away: TIFF Film Review
“I’m Too Cynical for Tulpamancer”
Pictures of Ghosts: TIFF Film Review
Boy Kills World Interview: Moritz Mohr & Simon Swart
Estonia (2023): TIFF Series Review
The Critic: TIFF Film Review
Tautuktavuk (What We See): Film Review
Boy Kills World: TIFF Film Review
Seven Veils: TIFF Film Review
The End We Start From: Film Review
Woman of the Hour: TIFF Film Review
Dumb Money: Film Review
Alix Delaporte on On The Pulse (Vivants): Interview
Dicks The Musical: TIFF Film Review
The Peasants (Chłopi): TIFF Film Review
The Boy and the Heron: TIFF Film Review
Pietro Castellitto on Enea: Venice Interview
Selman Nacar on Hesitation Wound: Interview
In The Land of Saints and Sinners: Film Review
Day of the Fight: Venice Film Review
For Night Will Come: Venice Film Review
Hit Man: Venice Film Review
Ryuichi Sakamoto | Opus: Film Review
Sky Peals: Venice Film Review
Evil Does Not Exist: Venice Film Review
Coup de Chance: Venice Film Review
Snow in Midsummer: Venice Film Review
Making Of: Venice Film Review
Hoard Interview: Luna Carmoon, Saura Lightfoot Leon & Joseph Quinn
The Killer (Netflix): Venice Film Review
The Caine Mutiny Court-Martial Film Review
The Beast (La Bête): Venice Film Review
Humanist Vampire Seeking Consenting Suicidal Person Review
Aggro Dr1ft: Venice Film Review
Maestro (Netflix) Venice Film Review
The Palace: Venice Film Review
Thank You Very Much: Venice Film Review
Tatami: Venice Film Review
Hoard: Venice Film Review
Finalmente L’Alba: Venice Film Review
Poor Things: Venice Film Review
The Promised Land (Bastarden) Film Review
The Wonderful Story of Henry Sugar: Film Review
DogMan (2023): Venice Film Review
Ferrari (2023) Venice Film Review
El Conde (Netflix) Venice Film Review
Hollywoodgate: Venice Film Review
Comandante: Venice Film Review
TIFF 2023: 10 Films to Watch
Fremont: Edinburgh Film Review
Raging Grace: Edinburgh Film Review
Kill (2023): Edinburgh Film Review
The Strange Case Of Dr. Jekyll & Mr Hyde: Review
Property: Edinburgh Film Review
Chuck Chuck Baby: Edinburgh Film Review
Silent Roar: Edinburgh Film Review
Baan: Locarno Film Review
2023 Venice Film Festival: 20 Films to Watch
2023 Edinburgh Film Festival: 8 Films to Watch
2023 Venice Film Festival Lineup: Full List & Plots at Venezia 80
Venice Immersive 2023: Virtual Reality Lineup (Venezia 80)
Director Celine Song on Past Lives: Interview
Mutt: Film Review (Sundance London)
Invisible Beauty: Film Review
Fairyland: Film Review (Sundance London)
Scrapper: Film Review (Sundance London)
Glitter & Doom: Film Review (Frameline47)
Chestnut: Film Review (Frameline47)
Total Trust: Sheffield DocFest Review
Xavier Dolléans on Marinette: Tribeca Interview
Shortcomings: Film Review
The Blackening: Film Review
Gabriela Cowperthwaite on I.S.S.: Tribeca Interview
Cinnamon: Tribeca Film Review
Maggie Moore(s): Tribeca Film Review
I.S.S: Tribeca Film Review
Deep Sea (Shen Hai): Tribeca Film Review
Perpetrator: Tribeca Film Review
Marinette: Tribeca Film Review
The Listener: Tribeca Film Review
Director Bill Oliver on Our Son: Tribeca Interview
The Future: Tribeca Film Review
The Line: Tribeca Film Review
Our Son: Tribeca Film Review
Copyright Infringement: Brooklyn Film Review
The Good Half: Tribeca Film Review
Your Fat Friend: Film Review
To My Father: Tribeca Film Review
Chasing Chasing Amy: Tribeca Film Review
Breaking The News: Tribeca Film Review
May December: Cannes Film Review
The Old Oak: Cannes Film Review
Elemental: Cannes Film Review
Perfect Days: Cannes Film Review
Abbé Pierre – A Century of Devotion: Film Review
Tribeca 2023: 15 Films to Watch at the Festival
Asteroid City: Cannes Film Review
Goodbye Julia: Cannes Film Review
Amjad Al Rasheed on Inshallah A Boy: Interview
The Sweet East: Cannes Film Review
Rien à Perdre: Cannes Film Review
Légua: Cannes Film Festival Review
The Zone of Interest: Cannes Film Review
Marguerite’s Theorem: Cannes Film Review
Omen (2023): Cannes Film Review
Killers of the Flower Moon: Film Review
The (Ex)perience of Love: Film Review
Creatura (2023): Cannes Film Review
Indiana Jones and the Dial of Destiny: Review
Vincent Must Die: Cannes Film Review
The Animal Kingdom: Cannes Film Review
Inshallah A Boy: Cannes Film Review
Strange Way of Life: Cannes Film Review
Jeanne Du Barry: Film Review
2023 Cannes Film Festival: 20 Films to Watch
Waiting for the Light to Change: Film Review
Miranda’s Victim: Film Review
How to Tell a Secret: Film Review
Who I Am Not: BFI Flare Film Review
Jess Plus None: Film Review
Air (2023 Film): SXSW Review
Egghead & Twinkie: Film Review
Kokomo City: Film Review
Joy Ride: SXSW Film Review
Big Boys (2023): Film Review
If You Were the Last: SXSW Film Review
Kenyatta: Do Not Wait Your Turn Film Review
Evil Dead Rise (2023): Film Review
Fitting In: Film Review
Problemista: Film Review
Appendage: SXSW Film Review
Louder Than You Think: SXSW Review
Bottoms: Film Review
Self Reliance: SXSW Film Review
Flamin’ Hot: Film Review
Going Varsity in Mariachi: Film Review
With Love and a Major Organ: SXSW Review
Satan Wants You: SXSW Review
Molli And Max In The Future: SXSW Review
Dungeons & Dragons: Honor Among Thieves Review
National Anthem (SXSW Review): The New America
Only The Good Survive: SXSW Film Review
Amerikatsi: Film Review
Our Father, The Devil: Film Review
2023 BFI Flare: 15 Films to Watch
Country Gold: Film Review
A Letter From Helga: Glasgow Review
Band (2022): Film Review
Nightsiren: Glasgow Film Festival Review
SXSW 2023: 10 Films to Watch
The Five Devils: Film Review
Lakelands: Film Review
My Sailor, My Love: Film Review
Revoir Paris: Film Review
God’s Creatures: Film Review
Adopting Audrey: Film Review
Night Raiders Review: Mother Tongue Film Festival
And, Towards Happy Alleys: Film Review
Ambush (Ghaath): Berlin Film Festival Review
Passages (2023) Film Review
Talk to Me: Film Review
The Adults: Berlin Film Festival Review
Music (2023): Berlin Film Festival Review
Remembering Every Night: Berlin Film Festival Review
Director Tatiana Huezo on The Echo: Interview
Inside: Berlin Film Festival Review
The Properties of Metals: Berlin Film Festival Review
Femme (2023) Film Review
Tótem: Berlin Film Festival Review
Seven Winters in Tehran: Berlin Review
Samsara: Berlin Film Festival Review
Regardless of Us: Berlin Film Festival Review
Mad Fate (Ming On): Berlin Film Festival Review
Disco Boy: Berlin Film Festival Review
Past Lives: Film Review
Silver Haze: Film Review
Delegation (Ha’Mishlahat): Berlin Film Festival Review
Drifter: Film Review
The Teacher’s Lounge: Berlin Film Festival Review
BlackBerry (2023): Film Review
Superpower: Berlin Film Festival Review
The Survival of Kindness: Berlin Film Festival Review
White Plastic Sky: Berlin Film Festival Review
Someday We’ll Tell Each Other Everything: Film Review
The Quiet Migration (Stille Liv): Berlin Review
Sea Sparkle (Zeevonk): Berlin Review
The Echo: Berlin Film Festival Review
She Came to Me: Berlin Film Festival Review
2023 Berlin Film Festival: 20 Films to Watch
Good Guy with a Gun (2023): Film Review
The Accidental Getaway Driver (Sundance Review): A New Kind Of Thriller
Magazine Dreams (2023 Film): Sundance Review
Girl (2023): Film Review
Slow (Sundance Review): A Different Way to Love
When It Melts (Sundance Review): Revisiting Childhood Demons
Against the Tide (Sundance Review): No More Fish in the Sea
2023 Film Festival Dates: List of All Upcoming Festivals (By Month)
Daughter of a Lost Bird: Review
Dancing the Twist in Bamako: Film Review
Angry Annie (Film Review): Empathetic Abortion Drama
Where Life Begins: UK Jewish Film Festival Review
Bootlegger: Film Review (2022 Native Cinema Showcase)
The Forger (UK Jewish Film Festival Review): Fake Papers, Please
Director’s Intention: LKFF Film Review
Plaza Catedral: Film Review
Gyeong-ah’s Daughter: Film Review
Concerned Citizen (2023): Film Review
Kingmaker (LKFF Review): Manipulating The Game Of Politics
Seire (LKFF Review): The Sins of the Father
Hot in Day, Cold at Night (LKFF Review): Budget-friendly Indie Drama
Róise & Frank (SDIFF Review): A Well-Intended Pet Drama
Dear Zoe (SDIFF Review): Sadie Sink Commands the Screen
The Kingdom: Exodus (LFF): Episodes 1 & 2 Review
Meet Me in the Bathroom: Film Review
You Won’t Be Alone Film Review
The Inspection: Film Review
Till (Film Review): Deadwyler Delivers a Powerhouse Performance
The Stranger (2022) Netflix Film Review
Brainwashed: Sex-Camera-Power: Film Review
Guillermo del Toro’s Pinocchio (Film Review): Far From Wooden
My Policeman: Film Review
Lady Chatterley’s Lover (2022) Netflix Film: LFF Review
Fast & Feel Love: Film Review
She Said (LFF Review): A Momentous Investigative Drama
Star Dolly De Leon on Triangle of Sadness (LFF Interview)
Klondike (Film Review): Domestic Drama Meets War Film
Master Gardener: Film Review
More Than Ever (Film Review): “Everything We Will Never Be Again”
Director Hlynur Palmáson on Godland (LFF Interview)
Brother (Film Review): A Perfect Literary Adaptation
The Damned Don’t Cry: Film Review
The Origin (LFF Review): A Propulsive Prehistoric Tale
The Good Nurse (LFF Review): Chastain Highlights True Crime Drama
Last Flight Home (LFF Review): “Try A Little Kindness”
Close (Film Review): The Bone Breaks; It Grows Back Stronger
Godland (Film Review): A Muddled but Beautiful Odyssey
Alcarràs (LFF Review): Familial Strife, Familial Affection
Showing Up: Film Review
Holy Spider: Film Review
Nanny: Interview with Anna Diop, Michelle Monaghan & Zephani Idoko
Blue Jean (Review): An Exceptional Debut Film
EO (2022 Film) LFF Review: Channeling Bresson
Bardo, False Chronicle of a Handful of Truths: Film Review
Causeway (LFF Review): Lawrence & Henry Excel in Indie Drama
Klokkenluider Film Review: A Devious Comedy Drama
Coma (2022) Film Review
Roald Dahl’s Matilda: the Musical (2022 Film): LFF Review
Love Life (Koji Fukada): Film Review
The Woman in the White Car (LFF Review): Twists & Turns Galore
Nanny (Film Review): Psychological Horror Grounded in Realism
Lynch/Oz (Film Review): “There’s No Place Like Home”
All That Breathes: Film Review
White Noise (Film Review): The Sound of Existential Dread
Sick of Myself (Film Review): A Squirm-Inducing Wonder
Ashkal Review: Neo-Noir Tunisian Crime Thriller
Nashville Film Festival 2022: The Movies We Watched
Rachel Lambert on I Can Feel You Walking: Nashville Interview
The Cow Who Sang a Song into the Future: Film Review
Butterfly in the Sky (Film Review): Why Storytelling Matters
Alta Valley (Film Review): A Mixed Bag of a Western
Burning Hearts: Film Review
Luxembourg, Luxembourg (Film Review): Daddy (Not So) Cool
2022 BFI London Film Festival: 20 Films to Watch
Saint Omer (2022) Film Review: Mother’s Guilt
Stéphane Lafleur on “Viking”: TIFF Interview
Carmen Jaquier & Lilith Grasmug on “Thunder”: TIFF Interview
Venus (Film Review): Wake Me Up Before You Go-Go
Something You Said Last Night: Film Review
V/H/S/99 Review: Uneven Found Footage Schlock
Wendell & Wild (Film Review): Stuffed Toy Box of Horrors
The Greatest Beer Run Ever (TIFF 2022): Film Review
Empire of Light (Film Review): A Messy But Gorgeous Romance
The Fabelmans (Movie Review): A Tribute to Film and Family
Women Talking (Film Review): “The Sun is Setting, and Our Light is Fading”
The Wonder (Film Review): The Act of Belief in a World of Deceptions
Pearl (TIFF Review): Mia Goth Shines in a Fitting Prequel
The Whale (Film Review): Fraser Excels In Heartbreaking Tale
No Bears (Khers Nist) Review: Great Guerrilla Storytelling
All the Beauty and the Bloodshed: Film Review
Dead for a Dollar (Film Review): Enjoyable, But Puzzling
Broker (Film Review): Replaying the Greatest Hits
Glass Onion: A Knives Out Mystery (TIFF 2022) Film Review
Decision to Leave: Film Review
Moonage Daydream (Film Review): The Prettiest Star
Joyland (Film Review): Repressed Desires & Gender Roles
Viking Review: Ambiguous Space Character Study
The Blue Caftan: Film Review
Argentina, 1985: Interview with Santiago Mitre, Ricardo Darín & Alejandra Flechner
Corsage: Film Review
The Woman King (TIFF Review): An Epic, Emotional Powerhouse
R.M.N. (Film Review): Hatred Deteriorates the Mind
De Humani Corporis Fabrica (TIFF Review): The Unflinching Wonders of Our Bodies
Weird: The Al Yankovic Story (TIFF 2022): Film Review
Pacifiction (Film Review): Political Paranoia & the Inevitability of Evil
Hanging Gardens (Venice Review): Let’s Talk About Sex(dolls)
Return to Seoul: Film Review
Blonde (Netflix) Film Review
Director David Wagner on Eismayer: Venice Interview
The Banshees of Inisherin (Film Review): It’s Not Me, It’s You
Dreamin’ Wild: Film Review
The Son (Film Review): Superb Storytelling
The Eternal Daughter (Venice Review): In My Mother’s House
“Typeman” Will Make You Feel Alive (Venice Immersive Review)
Don’t Worry Darling: Film Review
Florent Gouëlou, Pablo Pauly & Romain Eck on Three Nights A Week: Interview
Eismayer (Film Review): Love, Truth, & Masculinity
Bones And All (Film Review): “Let’s Be People.”
Living (2022) Film Review
TÁR (Film Review): The Downfall of a Narcissist
Gumball Dreams Review: Vibrant Live Theatre VR Adventure
Three Nights A Week (Film Review): Love, in All Its Forms
TIFF 2022: 20 Films to Watch at the Toronto Film Festival
Venezia 79: 20 Films to Watch at the 2022 Venice Film Festival
2022 Venice Film Festival: All the Stars Confirmed in Attendance
Venice Immersive: Virtual Reality Line-Up for Venezia 79 (2022)
2022 Venice Film Festival: Venezia 79 Line-Up Announced
Sophie Galibert & Alex Trewhitt on Cherry: Tribeca Interview
Jerry & Marge Go Large (Tribeca Review)
Pink Moon (Tribeca Review): A Bizarre & Honest Exploration of Mortality
A Love Song (Film Review): Expert Minimalism
Attachment (Film Review): A Unique Spin on Possession
Iqbal Theba on Land of Gold: Interview
Land of Gold (Film Review): “The Choice in Between”
Clayne Crawford on The Integrity of Joseph Chambers: Tribeca Interview
The Courtroom (2022) Film Review: Musings on Immigration Law
Employee of the Month (Film Review): A Flat Satire
In Her Name (Tribeca Review): An Awkward Family Drama
Cherry (Film Review): A Charming Comedy About Embracing Adulthood
Rounding (Tribeca Review): An Uneven Thriller Experiment
My Love Affair with Marriage (Film Review): The Truth About Love
Next Exit (2022) Film Review
Family Dinner (Movie Review): A Stomach-Churning Slow-Burn
The Integrity of Joseph Chambers: Film Review
Metronom (Cannes Review): “The Time to Hesitate is Through”
Falcon Lake (Film Review): A Ghostly Tale of Young Love
Tribeca 2022: 15 Films to Watch at the Festival
The Green Perfume (Cannes Review): Screwball Cure for Pledged Crimes
El Agua (Cannes Review): Mythology & Naturalism Through the River Creeks
Aftersun (Film Review): Sun, Sea & Melancholy
Scarlet (L’Envol): Film Review
One Fine Morning: Film Review
Enys Men: Film Review
Triangle of Sadness: Film Review
Armageddon Time: Film Review
Final Cut (Coupez!) Film Review
2022 Cannes Film Festival: 15 Films to Watch
TRAMPS! (BFI Flare Review): All Hail The New Romantics!
The Novice (BFI Flare Review): First or Last
The Sound of Scars (BFI Flare Review): A Truly Powerful Watch
The Divide (BFI Flare Review): Volatile A&E Drama
Sirens (BFI Flare Review): Rock ‘n’ Roll in Lebanon
Wildhood (BFI Flare Review): Ode to the Mi’kmaw
Cop Secret (Film Review): Reykjavík Vice
A Distant Place (BFI Flare): Film Review
Cha Cha Real Smooth at SXSW: Red Carpet Interview
To Leslie (SXSW Review): Riseborough & Maron Anchor Affecting Drama
Soft & Quiet (SXSW Review): The Sickening Horrors of Reality
Girls Girls Girls: Film Review
The Prank (SXSW Review): A Messy Bait-and-Switch Thriller
Charli XCX: Alone Together (BFI Flare Review): How We Felt Then
Bodies Bodies Bodies (Film Review): A Madhouse of Fun
Slash/Back (Film Review): Vibrant Inuit Alien Invasion Film
Linoleum: Film Review
Pretty Problems (SXSW Review): Champagne & Emptiness
The Girl From Plainville (Hulu): Episode 1 Review
I Love My Dad (Film Review): A Riotous Father-Son Road Trip with A Twist
Apollo 10 1/2: A Space Age Childhood Review
Watcher (SXSW Review): Maika Monroe Makes Her Return to Horror
We Are Not Ghouls (Film Review): Guantanamo Doc Inspires
Murina (Glasgow Review): Chilling Parental Control
The Unbearable Weight of Massive Talent: SXSW Review
Crows Are White (Film Review): The Cages We Build & Escape
Mandrake (Shudder) Film Review: Root Of All Evil
Happening (Glasgow Review): The Ugliness of Law
Everything Everywhere All At Once (Film Review): Loving Insanity
Moon, 66 Questions (Film Review): A Delicate Look at Two Estranged Souls
Prayers for the Stolen (Film Review): A Haunting Masterwork
Angry Young Men (2022): Film Review
Adult Adoption: Film Review
Anaïs in Love: Film Review
Benediction (2022) Film Review
Nitram (Glasgow Review): The ‘Making’ of a (Gun)Man
SXSW 2022: 15 Films to Watch at South By Southwest
Yuni (Glasgow Review): Quietly Determined Liberation
Cette Maison (Film Review): Jumbled Visions of Grief
Maika (Sundance Review): A Cute Nostalgic Ride for 90s and 2000s Kids
Director Alli Haapasalo on Girls Girls Girls (Sundance Interview): “A Film About the Need to Be Seen”
Editor Chris Witt on Film “Breaking”: Interview
Sharp Stick (Film Review): “Be Proud of Your F*ing Scars”
Alice (Film Review): Keke Palmer Shines in So-So Slavery Drama
Resurrection (2022) Film Review
loud and clear reviews rising phoenix evan rachel wood part 1
Phoenix Rising, Part 1 (HBO) Review
Honk for Jesus. Save Your Soul: Film Review
My Old School (Film Review): Deception & Survival
Cha Cha Real Smooth (Review): The Standout of Sundance 2022
Dual (Film Review): Sci-Fi Flick Fumbles at the Finish Line
Good Luck to You, Leo Grande (Review): An Ode to Self-Love
Call Jane (Film Review): Banks & Weaver Deliver in Abortion Drama
FRESH (Film Review): Sebastian Stan Excels in Familiar Horror
When You Finish Saving the World (Film Review): A Deeply Felt Family Drama
The Panola Project (Sundance Review): Local Hero
Hallelujah (Sundance Review): Family Ties
2022 Sundance Film Festival: 10 Films to Watch
Director Hong Sung-eun on Aloners (Film Interview)
Sisters (Soeurs) Film Review
Fly Me Away (Envole-moi) Film Review
The Enemy (L’ennemi) FFF Review: A Man of Many Faces
Margaux Hartmann: Film Review
The Speech (FFF Film Review
Aloners (Film Review): The Burdens We Silently Share
La Chica Nueva (Torino Review): A Snapshot of Argentina
A Radiant Girl (Une Jeune Fille Qui Va Bien): Film Review
Drive My Car: Film Review
Sing 2 (AFI Review): Symphonic Sequel Hits All the Right Notes
Bruised (Film Review): Berry is Fantastic in a Familiar Film
Swan Song (AFI Review): Mahershala Ali Delivers in Dual Roles
Vera Dreams of the Sea (AFI Review): Grief and Property
Jockey (AFI Review): Clifton Collins Jr At His Career Best
The Simple Charm of “Paris, 13th District” (AFI Fest Review)
tick, tick…BOOM! (AFI Review): Garfield’s Greatest Performance
Sweet Disaster: Film Review