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The 100 Best Films of All Time (According to Us)
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The Sandman (Netflix) Review: Neil Gaiman ’s Dream Come To Life
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Prey (Film Review): Breathing New Life Into a Dead Franchise
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Why You Should Be Excited For House Of The Dragon
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Loud And Clear Reviews
  • Films
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CANNES FILM FESTIVAL

SUNDANCE FILM FESTIVAL

VENICE FILM FESTIVAL

TIFF

EDINBURGH FILM FESTIVAL

LONDON FILM FESTIVAL

SXSW

TRIBECA FILM FESTIVAL

Venice Film Festival
Venezia 79: 20 Films to Watch at the 2022 Venice Film Festival
by Loud And Clear
  • August 13, 2022
Venice Film Festival
2022 Venice Film Festival: All the Stars Confirmed in Attendance
by Loud And Clear
  • August 6, 2022
Virtual Reality
Venice Immersive: Virtual Reality Line-Up for Venezia 79 (2022)
by Serena Seghedoni
  • July 27, 2022
Venice Film Festival
2022 Venice Film Festival: Venezia 79 Line-Up Announced
by Serena Seghedoni
  • July 26, 2022
Interviews
Sophie Galibert & Alex Trewhitt on Cherry: Tribeca Interview
by Edgar Ortega
  • July 5, 2022
Tribeca Film Festival
Jerry & Marge Go Large (Tribeca Review)
by Edgar Ortega
  • June 19, 2022
Tribeca Film Festival
Pink Moon (Tribeca Review): A Bizarre & Honest Exploration of Mortality
by Edgar Ortega
  • June 17, 2022
Tribeca Film Festival
A Love Song (Tribeca Review): Expert Minimalism
by Joseph Tomastik
  • June 17, 2022
Tribeca Film Festival
Attachment (Tribeca Review): A Unique Spin on Possession
by Joseph Tomastik
  • June 15, 2022
Interviews
Iqbal Theba on Land of Gold: Tribeca Interview
by Serena Seghedoni
  • June 15, 2022
Tribeca Film Festival
Land of Gold (Tribeca Review): “The Choice in Between”
by Serena Seghedoni
  • June 14, 2022
Interviews
Clayne Crawford on The Integrity of Joseph Chambers: Tribeca Interview
by Edgar Ortega
  • June 14, 2022
SXSW
The Courtroom (Tribeca Review): Musings on Immigration Law
by Serena Seghedoni
  • June 13, 2022
Tribeca Film Festival
Employee of the Month (Tribeca Review): A Flat Satire
by Joseph Tomastik
  • June 13, 2022
Tribeca Film Festival
In Her Name (Tribeca Review): An Awkward Family Drama
by Edgar Ortega
  • June 13, 2022
Film Festivals
Cherry (Film Review): A Charming Comedy About Embracing Adulthood
by Edgar Ortega
  • June 12, 2022
Tribeca Film Festival
Rounding (Tribeca Review): An Uneven Thriller Experiment
by Joseph Tomastik
  • June 12, 2022
Tribeca Film Festival
My Love Affair with Marriage (Tribeca Review): The Truth About Love
by Serena Seghedoni
  • June 11, 2022
Film Festivals
Next Exit (Tribeca Review): Searching for Meaning
by Serena Seghedoni
  • June 11, 2022
Tribeca Film Festival
Family Dinner (Tribeca Review): A Stomach-Churning Slow-Burn
by Joseph Tomastik
  • June 11, 2022
Tribeca Film Festival
The Integrity of Joseph Chambers (Tribeca Review): Proving One’s Worth
by Edgar Ortega
  • June 10, 2022
Cannes Film Festival
Metronom (Cannes Review): “The Time to Hesitate is Through”
by Hector A. Gonzalez
  • June 7, 2022
Cannes Film Festival
Falcon Lake (Cannes Review): A Ghostly Tale of Young Love
by Hector A. Gonzalez
  • June 4, 2022
Tribeca Film Festival
Tribeca 2022: 15 Films to Watch at the Festival
by Loud And Clear
  • June 3, 2022
Cannes Film Festival
The Green Perfume (Cannes Review): Screwball Cure for Pledged Crimes
by Hector A. Gonzalez
  • May 30, 2022
Cannes Film Festival
El Agua (Cannes Review): Mythology & Naturalism Through the River Creeks
by Hector A. Gonzalez
  • May 26, 2022
Cannes Film Festival
Aftersun (Cannes Review): Sun, Sea & Melancholy
by Daniel Allen
  • May 25, 2022
Cannes Film Festival
Scarlet (L’Envol) Cannes Review: An Endearing Tale with Magical Realism
by Hector A. Gonzalez
  • May 24, 2022
Cannes Film Festival
One Fine Morning (Cannes Review): Finding Unexpected Love
by Daniel Allen
  • May 24, 2022
Cannes Film Festival
Enys Men (Cannes Review): The Sounds of Isolation
by Daniel Allen
  • May 23, 2022
Cannes Film Festival
Triangle of Sadness (Cannes Review): Flawed Super-Rich Satire
by Daniel Allen
  • May 22, 2022
Cannes Film Festival
Armageddon Time (Cannes Review): A Personal Coming-of-Age Film
by Daniel Allen
  • May 20, 2022
Cannes Film Festival
Final Cut (Coupez!) Cannes Review: Un Cut of the Dead
by Daniel Allen
  • May 18, 2022
Cannes Film Festival
2022 Cannes Film Festival: 15 Films to Watch
by Daniel Allen
  • May 7, 2022
Film Festivals
TRAMPS! (BFI Flare Review): All Hail The New Romantics!
by Daniel Allen
  • March 26, 2022
Film Festivals
The Novice (BFI Flare Review): First or Last
by William Stottor
  • March 26, 2022
Film Festivals
The Sound of Scars (BFI Flare Review): A Truly Powerful Watch
by Daniel Allen
  • March 25, 2022
Film Festivals
The Divide (BFI Flare Review): Volatile A&E Drama
by William Stottor
  • March 24, 2022
Film Festivals
Sirens (BFI Flare Review): Rock ‘n’ Roll in Lebanon
by Daniel Allen
  • March 23, 2022
Film Festivals
Wildhood (BFI Flare Review): Ode to the Mi’kmaw
by Daniel Allen
  • March 22, 2022
Film Festivals
Cop Secret (BFI Flare Review): Reykjavík Vice
by Daniel Allen
  • March 21, 2022
Film Festivals
A Distant Place (BFI Flare Review): Prejudice Versus Love
by William Stottor
  • March 20, 2022
Interviews
Cha Cha Real Smooth at SXSW: Red Carpet Interview
by Joseph Tomastik
  • March 19, 2022
SXSW
To Leslie (SXSW Review): Riseborough & Maron Anchor Affecting Drama
by Zoe Rose Bryant
  • March 19, 2022
SXSW
Soft & Quiet (SXSW Review): The Sickening Horrors of Reality
by Joseph Tomastik
  • March 18, 2022
Film Festivals
Girl Picture (BFI Flare Review): The Thrill of Teenage Discovery
by William Stottor
  • March 16, 2022
SXSW
The Prank (SXSW Review): A Messy Bait-and-Switch Thriller
by Joseph Tomastik
  • March 16, 2022
Film Festivals
Charli XCX: Alone Together (BFI Flare Review): How We Felt Then
by Daniel Allen
  • March 16, 2022
Films
Bodies Bodies Bodies (SXSW Review): A Madhouse of Fun
by Joseph Tomastik
  • March 15, 2022
SXSW
Slash/Back (SXSW Review): Vibrant Inuit Alien Invasion Film
by Serena Seghedoni
  • March 15, 2022
SXSW
Linoleum (SXSW Review): Jim Gaffigan Delivers in Sci-Fi Dramedy
by Zoe Rose Bryant
  • March 15, 2022
SXSW
Pretty Problems (SXSW Review): Champagne and Emptiness
by Isobel Nutbrown
  • March 14, 2022
SXSW
The Girl From Plainville on Hulu (SXSW): Episode 1 Review
by Serena Seghedoni
  • March 14, 2022
SXSW
I Love My Dad (SXSW Review): A Riotous Father-Son Road Trip with A Twist
by Zoe Rose Bryant
  • March 14, 2022
SXSW
Apollo 10 1/2: A Space Age Childhood: SXSW Review
by Joseph Tomastik
  • March 14, 2022
SXSW
Watcher (SXSW Review): Maika Monroe Makes Her Return to Horror
by Zoe Rose Bryant
  • March 14, 2022
SXSW
We Are Not Ghouls (SXSW Review): Guantanamo Doc Inspires
by Serena Seghedoni
  • March 13, 2022
Film Festivals
Murina (Glasgow Review): Chilling Parental Control
by William Stottor
  • March 13, 2022
SXSW
The Unbearable Weight of Massive Talent: SXSW Review
by Joseph Tomastik
  • March 13, 2022
SXSW
Crows Are White (SXSW Review): The Cages We Build & Escape
by Serena Seghedoni
  • March 13, 2022
Film Festivals
Mandrake (Glasgow Review): Root Of All Evil
by Claire Fulton
  • March 13, 2022
Film Festivals
Happening (Glasgow Review): The Ugliness of Law
by William Stottor
  • March 12, 2022
SXSW
Everything Everywhere All At Once (SXSW Review): Loving Insanity
by Joseph Tomastik
  • March 12, 2022
Film Festivals
Moon, 66 Questions (Glasgow Review): A Delicate Look at Two Estranged Souls
by Hector A. Gonzalez
  • March 11, 2022
Film Festivals
Prayers for the Stolen (Glasgow Review): A Haunting Masterwork
by William Stottor
  • March 10, 2022
Film Festivals
Angry Young Men (Glasgow Review): Gang Capers
by Claire Fulton
  • March 9, 2022
Film Festivals
Adult Adoption (Glasgow Review): Seeking Parental Guidance
by Claire Fulton
  • March 8, 2022
Film Festivals
Anaïs in Love (Glasgow Review): Light, Sun-Kissed Romance
by William Stottor
  • March 8, 2022
Film Festivals
Benediction (Glasgow Review): The Aftermath of War
by William Stottor
  • March 7, 2022
Film Festivals
Nitram (Glasgow Review): The ‘Making’ of a (Gun)Man
by Claire Fulton
  • March 5, 2022
SXSW
SXSW 2022: 15 Films to Watch at South By Southwest
by Loud And Clear
  • March 5, 2022
Film Festivals
Yuni (Glasgow Review): Quietly Determined Liberation
by William Stottor
  • March 4, 2022
Film Festivals
Cette Maison (Berlin Review): Jumbled Visions of Grief
by Claire Fulton
  • February 13, 2022
Sundance Film Festival
Maika (Sundance Review): A Cute Nostalgic Ride for 90s and 2000s Kids
by Atreyo Palit
  • February 2, 2022
Interviews
Director Alli Haapasalo on Girl Picture (Sundance Interview): “A Film About the Need to Be Seen”
by Serena Seghedoni
  • January 30, 2022
Interviews
Editor Chris Witt on Breaking (Sundance Interview)
by Serena Seghedoni
  • January 29, 2022
Sundance Film Festival
Sharp Stick (Sundance Review): “Be Proud of Your F*ing Scars”
by Serena Seghedoni
  • January 27, 2022
Sundance Film Festival
Alice (Sundance Review): Keke Palmer Shines in So-So Slavery Drama
by Zoe Rose Bryant
  • January 26, 2022
Sundance Film Festival
Resurrection (Sundance Review): An Unhinged Motherhood Drama
by Edgar Ortega
  • January 25, 2022
loud and clear reviews rising phoenix evan rachel wood part 1
Sundance Film Festival
Phoenix Rising, Part 1 (Sundance Review): Evan Rachel Wood Tells Her Truth
by Serena Seghedoni
  • January 25, 2022
Sundance Film Festival
Honk for Jesus. Save Your Soul. (Sundance Review): Hall & Brown Are a Hoot
by Zoe Rose Bryant
  • January 25, 2022
Sundance Film Festival
My Old School (Film Review): Deception & Survival
by Serena Seghedoni
  • January 24, 2022
Sundance Film Festival
Cha Cha Real Smooth (Review): The Standout of Sundance 2022
by Zoe Rose Bryant
  • January 24, 2022
Sundance Film Festival
Dual (Sundance Review): Sci-Fi Flick Fumbles at the Finish Line
by Zoe Rose Bryant
  • January 23, 2022
Sundance Film Festival
Good Luck to You, Leo Grande (Review): An Ode to Self-Love
by Serena Seghedoni
  • January 23, 2022
Sundance Film Festival
Call Jane (Film Review): Banks & Weaver Deliver in Abortion Drama
by Zoe Rose Bryant
  • January 22, 2022
Sundance Film Festival
FRESH (Film Review): Sebastian Stan Excels in Familiar Horror
by Serena Seghedoni
  • January 21, 2022
Sundance Film Festival
When You Finish Saving the World (Sundance Review): A Deeply Felt Family Drama
by Zoe Rose Bryant
  • January 21, 2022
Sundance Film Festival
The Panola Project (Sundance Review): Local Hero
by Claire Fulton
  • January 20, 2022
Sundance Film Festival
Hallelujah (Sundance Review): Family Ties
by Claire Fulton
  • January 20, 2022
Sundance Film Festival
2022 Sundance Film Festival: 10 Films to Watch
by Loud And Clear
  • January 5, 2022
Interviews
Director Hong Sung-eun on Aloners (Torino Interview)
by Serena Seghedoni
  • December 21, 2021
Film Festivals
Sisters (Soeurs) FFF Review: Slow Start, Better Finish
by Claire Fulton
  • December 14, 2021
Film Festivals
Fly Me Away (Envole-moi) FFF Review: Brotherly Love
by Claire Fulton
  • December 11, 2021
Film Festivals
The Enemy (L’ennemi) FFF Review: A Man of Many Faces
by Claire Fulton
  • December 11, 2021
Film Festivals
Margaux Hartmann (FFF Review): A Widow Seeks New Beginnings
by Joe Flockhart
  • December 10, 2021
Film Festivals
The Speech (FFF Review): A Smart and Witty Low-Stakes Comedy
by Jack Walters
  • December 8, 2021
Film Festivals
Aloners (Torino Review): The Burdens We Silently Share
by Serena Seghedoni
  • December 1, 2021
Film Festivals
La Chica Nueva (Torino Review): A Snapshot of Argentina
by Serena Seghedoni
  • November 28, 2021
Film Festivals
Une Jeune Fille Qui Va Bien (A Radiant Girl): Torino Review
by Serena Seghedoni
  • November 27, 2021
Film Festivals
Drive My Car (AFI Review): Short Story Adaptation Stirs the Soul
by Zoe Rose Bryant
  • November 17, 2021
Film Festivals
Sing 2 (AFI Review): Symphonic Sequel Hits All the Right Notes
by Zoe Rose Bryant
  • November 16, 2021
Film Festivals
Bruised (AFI Review): Berry is Fantastic in a Familiar Film
by Zoe Rose Bryant
  • November 16, 2021
Film Festivals
Swan Song (AFI Review): Mahershala Ali Delivers in Dual Roles
by Zoe Rose Bryant
  • November 15, 2021
Film Festivals
Vera Dreams of the Sea (AFI Review): Grief and Property
by Cameron Fairchild
  • November 15, 2021
Film Festivals
Jockey (AFI Review): Clifton Collins Jr At His Career Best
by Zoe Rose Bryant
  • November 13, 2021
Film Festivals
The Simple Charm of “Paris, 13th District” (AFI Fest Review)
by Cameron Fairchild
  • November 12, 2021
Film Festivals
tick, tick…BOOM! (AFI Review): Garfield’s Greatest Performance
by Zoe Rose Bryant
  • November 12, 2021
Film Festivals
Sweet Disaster (Raindance Review): Finding Peace in the Unexpected
by Jack Walters
  • November 1, 2021
Film Festivals
Where’s Rose (Raindance Review): Manifesting Your Inner Demons
by Jack Walters
  • November 1, 2021
Film Festivals
White Noise (Raindance Review): Into The Eye of the Alt-Right Storm
by Jack Walters
  • October 30, 2021
Film Festivals
Youth V Gov (Raindance Review): Taking the Climate Crisis to Court
by Jack Walters
  • October 27, 2021
London Film Festival
Benedetta (LFF Review): Paul Verhoeven’s Story of Forbidden Love
by Joe Flockhart
  • October 23, 2021
London Film Festival
Ride The Wave (Film Review): ‘Tomorrow and Every Other Day’
by Isobel Nutbrown
  • October 19, 2021
London Film Festival
ear for eye (LFF Review): Challenging Call for Action
by William Stottor
  • October 18, 2021
London Film Festival
Bull (2021): A Lean, Mean Crime Thriller (LFF Review)
by William Stottor
  • October 18, 2021
London Film Festival
Hit the Road (LFF Review): Dynamic Road Trip Drama
by William Stottor
  • October 15, 2021
London Film Festival
Shepherd (LFF Review): An Atmospheric But Ordinary Horror
by William Stottor
  • October 15, 2021
London Film Festival
Queen Of Glory (LFF Review): Chaos, Colour, and Weed
by Isobel Nutbrown
  • October 13, 2021
London Film Festival
The Hand of God: Maradona Maketh Man (London Film Festival Review)
by William Stottor
  • October 12, 2021
London Film Festival
Wheel of Fortune and Fantasy: Snapshots of Life (LFF Review)
by William Stottor
  • October 11, 2021
Interviews
Director Radu Jude on Bad Luck Banging or Loony Porn (LFF Interview)
by William Stottor
  • October 10, 2021
London Film Festival
The Souvenir: Part II (LFF Review): Personal and Tender Closure
by William Stottor
  • October 8, 2021
London Film Festival
Boiling Point (Film Review): Sizzling One Take Restaurant Drama
by William Stottor
  • October 7, 2021
London Film Festival
The Harder They Fall (LFF Review): An Unrestrained Western Riot
by William Stottor
  • October 6, 2021
London Film Festival
Il Buco: Delicate Cave-Based Descent (London Film Festival Review)
by William Stottor
  • October 6, 2021
London Film Festival
Belle: Beauty and The Beast and Online Bullying (LFF Review)
by William Stottor
  • October 5, 2021
London Film Festival
Bad Luck Banging or Loony Porn (LFF Review): Raging Romanian Satire
by William Stottor
  • October 1, 2021
TIFF
I’m Your Man (Review): Eggert & Stevens Shine in Smart Relationship Drama
by Serena Seghedoni
  • September 24, 2021
TIFF
The Electrical Life Of Louis Wain: A Biopic That Breaks Tradition (TIFF Review)
by Zoe Rose Bryant
  • September 24, 2021
TIFF
Petite Maman (TIFF Review): Céline Sciamma Stuns Again
by Zoe Rose Bryant
  • September 23, 2021
Film Festivals
After the Crossing (Traverser) Film Review: A Road To Eldorado
by Isobel Nutbrown
  • September 22, 2021
Film Festivals
Delphine’s Prayers (Film Review): A Portrait of Strength & Suffering
by Isobel Nutbrown
  • September 21, 2021
Venice Film Festival
Halloween Kills: The Sleep of Reason Produces Michael Myers (Venice Review)
by Susanna Norbiato
  • September 17, 2021
Venice Film Festival
Halloween Kills: il sonno della ragione genera Michael Myers (Recensione)
by Susanna Norbiato
  • September 17, 2021
Venice Film Festival
Old Henry Revives The Western Genre (Venice Film Festival Review)
by Serena Seghedoni
  • September 15, 2021
Film Festivals
Songs For The River (Film Review): Framing The Unfathomable
by Isobel Nutbrown
  • September 15, 2021
TIFF
The Eyes of Tammy Faye: Chastain Captivates in Charming Biopic (TIFF Review)
by Zoe Rose Bryant
  • September 14, 2021
TIFF
The Humans (Review): Jenkins & Houdyshell Deliver in Dark Family Drama
by Zoe Rose Bryant
  • September 13, 2021
Venice Film Festival
Spencer: Brief Moments of Freedom (Venice Film Festival Review)
by Serena Seghedoni
  • September 12, 2021
TIFF
The Worst Person in the World: A Love Letter to Lost Souls (TIFF Review)
by Zoe Rose Bryant
  • September 12, 2021
TIFF
The Power of The Dog: Campion’s Cinematic Comeback is a Classic (TIFF Review)
by Zoe Rose Bryant
  • September 11, 2021
Venice Film Festival
America Latina (Venice Review): Daring & Disarming Character Study
by Serena Seghedoni
  • September 9, 2021
Venice Film Festival
Freaks Out (Venice Review): A Glorious Ode to Outsiders
by Serena Seghedoni
  • September 9, 2021
Interviews
Ana Lily Amirpour, Craig Robinson & Ed Skrein on Mona Lisa and the Blood Moon (Venice Interview)
by Serena Seghedoni
  • September 7, 2021
Venice Film Festival
The Card Counter (Review): “Someone To Find Your Way Home”
by Serena Seghedoni
  • September 6, 2021
Venice Film Festival
Last Night in Soho (Venice Review): The Monsters We Create
by Serena Seghedoni
  • September 4, 2021
Venice Film Festival
Dune (2021): Chalamet Shines in Immersive Adaptation (Venice Review)
by Serena Seghedoni
  • September 3, 2021
Venice Film Festival
Land of Dreams: Absurdism & Political Satire (Venice Review)
by Serena Seghedoni
  • September 2, 2021
Venice Film Festival
Venezia78: 20 Films to Watch at the 2021 Venice Film Festival
by Serena Seghedoni
  • August 26, 2021
Edinburgh Film Festival
The Man Who Sold His Skin: A Reflection on Human Exploitation (Edinburgh Review)
by Joseph Tomastik
  • August 25, 2021
Edinburgh Film Festival
The Road Dance (Film Review): Hope & Grief in the Hebrides
by Claire Fulton
  • August 24, 2021
Edinburgh Film Festival
Ballad of a White Cow: Fighting Injustice (Edinburgh Review)
by William Stottor
  • August 24, 2021
Edinburgh Film Festival
Annette: Bizarrely Out-of-Tune (Edinburgh Film Festival Review)
by Claire Fulton
  • August 23, 2021
Edinburgh Film Festival
The Beta Test (Review): Some-Strings-Attached Sex
by Claire Fulton
  • August 22, 2021
Edinburgh Film Festival
Mad God (Film Review): A Slice of Prophetic Delirium
by William Stottor
  • August 21, 2021
Edinburgh Film Festival
Walk with Angels: Post-Apartheid Injustices (Edinburgh Film Festival Review)
by Claire Fulton
  • August 21, 2021
Edinburgh Film Festival
Europa: Fear and Determination in Migration (Edinburgh Review)
by Claire Fulton
  • August 21, 2021
Edinburgh Film Festival
The Justice of Bunny King (Edinburgh Review): Drama Done Right
by William Stottor
  • August 20, 2021
Edinburgh Film Festival
Prince of Muck: A Life of Farming, Family and Cows (Edinburgh Review)
by William Stottor
  • August 19, 2021
Cannes Film Festival
Titane (Cannes Review): Collisions of Flesh and Steel
by Nils Gollersrud
  • July 31, 2021
Tribeca Film Festival
False Positive (Review): A Melting Pot of Themes & Tones
by Serena Seghedoni
  • June 19, 2021
Tribeca Film Festival
Fathom (Tribeca Review): The Sound of Whales
by Claire Fulton
  • June 17, 2021
Tribeca Film Festival
The Perfect David: Aesthetic and Athletic Obsessions (Tribeca Review)
by Nils Gollersrud
  • June 16, 2021
Virtual Reality
Director James A. Castillo on Madrid Noir (Tribeca Interview)
by Serena Seghedoni
  • June 15, 2021
Tribeca Film Festival
Do Not Hesitate (Review): War Drama Makes the Most of its Brief Runtime
by Ethan Hill
  • June 15, 2021
Tribeca Film Festival
Wu Hai (Tribeca Review): A Bleak, Hopeless Drama
by Anthony Bowmer
  • June 14, 2021
Tribeca Film Festival
The Lost Leonardo: Buzz and Fuzz in the Art World (Tribeca Review)
by Myrthe Leenders
  • June 14, 2021
Tribeca Film Festival
Catch the Fair One: Bleak but Thrilling (Tribeca Review)
by Anthony Bowmer
  • June 14, 2021
Tribeca Film Festival
Shapeless (Tribeca Review): An Unformed Psychological Drama
by Anthony Bowmer
  • June 13, 2021
Tribeca Film Festival
Glob Lessons (Tribeca Review): Indie Road Film Brims With Authenticity
by Ethan Hill
  • June 13, 2021
Tribeca Film Festival
All My Friends Hate Me (Review): Great Horror-Comedy for the Socially Anxious
by Serena Seghedoni
  • June 12, 2021
Tribeca Film Festival
Last Film Show (Tribeca Review): A Love Letter to Storytelling
by Anthony Bowmer
  • June 11, 2021
Tribeca Film Festival
Poser (Film Review): Questioning the Authenticity of Art
by Serena Seghedoni
  • June 11, 2021
Tribeca Film Festival
Mark, Mary & Some Other People (Review): The Ups & Downs of Open Relationships
by Serena Seghedoni
  • June 10, 2021
Tribeca Film Festival
Tribeca 2021: 20 Films to Watch at the Festival
by Serena Seghedoni
  • June 4, 2021
Film Festivals
Censor (Review): A Throwback to Video Nasties
by Nils Gollersrud
  • May 23, 2021
Film Festivals
The Other Side of the Underneath: “Strength is Madness”(Femspectives Review)
by Anthony Bowmer
  • April 23, 2021
Film Festivals
Our People Will Be Healed: Cree Culture (Femspectives Review)
by Claire Fulton
  • April 20, 2021
Film Festivals
10 Spectacular Shorts from SIFF 2021
by Nils Gollersrud
  • April 18, 2021
Film Festivals
Wyrm (Film Review): Popping Collars
by Nils Gollersrud
  • April 16, 2021
Film Festivals
Under the Open Sky: Kōji Yakusho Excels in Patient Drama (SIFF Review)
by Cameron Fairchild
  • April 15, 2021
Film Festivals
Mother’s Milk: An Entrancing Cinematic Odyssey (SIFF Review)
by Anthony Bowmer
  • April 15, 2021
Film Festivals
Father (Film Review): It’s the 21st Century
by Anthony Bowmer
  • April 14, 2021
Film Festivals
Captains of Zaatari: Skimming the Surface of Refugee Camps (SIFF Review)
by Cameron Fairchild
  • April 14, 2021
Film Festivals
Summertime (SIFF Review): An Electrifying Portrait of LA
by Nils Gollersrud
  • April 14, 2021
Film Festivals
The Dog Who Wouldn’t Be Quiet: Transient Bliss (SIFF Review)
by Nils Gollersrud
  • April 13, 2021
Film Festivals
Criollo: A Culinary Journey through Uruguay (SIFF Review)
by Nils Gollersrud
  • April 13, 2021
Film Festivals
Athanor – The Alchemical Furnace: Understanding Jan Švankmajer (SIFF Review)
by Cameron Fairchild
  • April 12, 2021
Film Festivals
The Unknown Saint: What Do You Believe In? (SIFF Review)
by Nils Gollersrud
  • April 12, 2021
Film Festivals
Caterpillars: Central African Republic Documentary Enlightens (SIFF Review)
by Cameron Fairchild
  • April 11, 2021
Film Festivals
The Shepherdess and the Seven Songs (SIFF Review)
by Nils Gollersrud
  • April 11, 2021
Film Festivals
The Legend of Hei: A Charming, Kid-Friendly Adventure (SIFF Review)
by Anthony Bowmer
  • April 11, 2021
Film Festivals
Sweat: The Woman Behind the Screen (SIFF Review)
by Nils Gollersrud
  • April 10, 2021
Film Festivals
Preman: Indonesian Thriller Disappoints (SIFF Review)
by Anthony Bowmer
  • April 10, 2021
Film Festivals
All Sorts (SIFF Review): The Surreal World of the Office
by Nils Gollersrud
  • April 10, 2021
Film Festivals
Strawberry Mansion (Film Review): A Journey Through Dreams
by Nils Gollersrud
  • April 9, 2021
Virtual Reality
SXSW Online XR Took Us to Austin: Interview with Blake Kammerdiener
by Serena Seghedoni
  • April 6, 2021
Film Festivals
SIFF 2021: 10 Films to Watch
by Nils Gollersrud
  • April 5, 2021
Interviews
Alex Noyer & James Jagger on “Sound of Violence”: SXSW Interview
by Bernard Ozarowski
  • March 27, 2021
SXSW
Under The Volcano (Review): The “Magic” of AIR Studios Montserrat
by Serena Seghedoni
  • March 26, 2021
Interviews
Stacey Gregg on Feature Debut “Here Before”: SXSW Interview
by Bernard Ozarowski
  • March 24, 2021
Film Festivals
Rūrangi (BFI Flare Review): Celebrating Trans Representation
by William Stottor
  • March 24, 2021
SXSW
Clerk (SXSW Review): Funny and Surprisingly Touching Doc
by Bernard Ozarowski
  • March 23, 2021
SXSW
Reklaw: Quirky Vigilantes Clean Up Well (SXSW Review)
by Claire Fulton
  • March 23, 2021
Film Festivals
Cowboys: An Intelligent Portrayal of Transgenderism (BFI Flare Review)
by William Stottor
  • March 22, 2021
SXSW
Language Lessons: A Heartfelt Ode to Human Connection (SXSW Review)
by Zoe Rose Bryant
  • March 21, 2021
Film Festivals
The Drover’s Wife The Legend of Molly Johnson: SXSW Review
by Bernard Ozarowski
  • March 21, 2021
Film Festivals
Jump, Darling: Gloriously Funny, Seriously Touching (BFI Flare Review)
by William Stottor
  • March 21, 2021
Film Festivals
My First Summer: A Tender Tale of Young Sapphic Love (BFI Flare Review)
by Olivia Savage
  • March 21, 2021
Film Festivals
Mama Weed: Isabelle Huppert Elevates Comedic Crime Flick (FFF Review)
by Nils Gollersrud
  • March 20, 2021
Interviews
Writer-Director Elle Callahan on “Witch Hunt” (SXSW Interview)
by Zoe Rose Bryant
  • March 20, 2021
SXSW
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by Serena Seghedoni
  • March 19, 2021
Interviews
Jocelin Donahue, Joe Swanberg & Mickey Keating on Offseason (Interview)
by Bernard Ozarowski
  • March 19, 2021
SXSW
Violation (Film Review): Complex & Dynamic Genre Thrills
by Bernard Ozarowski
  • March 19, 2021
SXSW
Sound of Violence (Film Review): Gory Midnight Fun
by Bernard Ozarowski
  • March 19, 2021
SXSW
The Hunt for Planet B (Film Review): Masterful Doc of the Stars
by Bernard Ozarowski
  • March 18, 2021
Film Festivals
Alien on Stage (Review): The Best “Alien” Film Since “Aliens”
by Bernard Ozarowski
  • March 18, 2021
SXSW
Swan Song (Review): An Aging Hairdresser Looks Back on His Life
by Zoe Rose Bryant
  • March 18, 2021
SXSW
The Fallout (SXSW Review): A Truthful & Traumatic Teenage Tragedy
by Zoe Rose Bryant
  • March 18, 2021
Film Festivals
Women Is Losers (Film Review): Lorenza Izzo Is Winner
by Bernard Ozarowski
  • March 18, 2021
SXSW
Witch Hunt (SXSW Review): Fantasy Thriller Tackles Today’s Troubles
by Zoe Rose Bryant
  • March 18, 2021
SXSW
Offseason (Film Review): Evocative & Exciting Horror
by Bernard Ozarowski
  • March 18, 2021
SXSW
The Feast: A Slow-Moving Horror Drama Devoid of Scares (SXSW Review)
by Zoe Rose Bryant
  • March 18, 2021
SXSW
Paul Dood’s Deadly Lunch Break (Review): Revenge At Its Most Glam-Rock
by Serena Seghedoni
  • March 17, 2021
SXSW
United States vs. Reality Winner: A Plea for Freedom (SXSW Review)
by Nils Gollersrud
  • March 17, 2021
SXSW
The Return: Her Life After ISIS (SXSW Review)
by Claire Fulton
  • March 17, 2021
SXSW
Our Father (SXSW Review): The Complexities of Sorrow and Sisterhood
by Olivia Savage
  • March 17, 2021
SXSW
Broadcast Signal Intrusion (Review): Harry Shum Jr Falls Down a Rabbit Hole
by Serena Seghedoni
  • March 17, 2021
SXSW
Stop And Go (Review): COVID Road Trip Comedy is a Laugh Riot
by Zoe Rose Bryant
  • March 17, 2021
SXSW
Here Before (SXSW Review): Compelling Psychological Thriller
by Bernard Ozarowski
  • March 17, 2021
SXSW
Potato Dreams of America: Coming of Age Dramedy Delights (SXSW Review)
by Zoe Rose Bryant
  • March 16, 2021
SXSW
Poly Styrene: I am a Cliché (SXSW Review): Study of a Punk Legend
by Anthony Bowmer
  • March 16, 2021
SXSW
Luchadoras: Harrowing Filmmaking Highlights Heroic Women (SXSW Review)
by Bernard Ozarowski
  • March 16, 2021
Interviews
Nathaniel Kahn on The Hunt for Planet B (SXSW Interview)
by Bernard Ozarowski
  • March 16, 2021
Film Festivals
Home Front (Des Hommes): Psychological Wounds of War (FFF Review)
by Claire Fulton
  • March 15, 2021
SXSW
SXSW 2021: 15 Films to Watch at South By Southwest
by Loud And Clear
  • March 14, 2021
Interviews
Danielle Kummer and Lucy Harvey on Alien on Stage (SXSW Interview)
by Bernard Ozarowski
  • March 14, 2021
Film Festivals
In Bed with Victoria: A Comedic Drama on Modern Women (FFF Review)
by Myrthe Leenders
  • March 14, 2021
Film Festivals
Night Shift: (Un)Realistic Police Work (FFF Review)
by Claire Fulton
  • March 13, 2021
SXSW
Stephen Meek, Mallory Everton, & Whitney Call on Stop And Go (Interview)
by Zoe Rose Bryant
  • March 13, 2021
Film Festivals
Beans: The Youth Are Starting to Change (Miami Film Festival Review)
by Joshua Arispe
  • March 12, 2021
Film Festivals
Love Affairs: Subtly Complex Love Story Enchants (FFF Review)
by Myrthe Leenders
  • March 10, 2021
Film Festivals
Quo Vadis, Aida? – Revisiting A Dark Era (Miami Film Festival Review)
by Joshua Arispe
  • March 9, 2021
Film Festivals
The Translators: A Whodunnit, a Howdunnit, and a Whydunnit (FFF Review)
by Nils Gollersrud
  • March 7, 2021
Film Festivals
Ludi: From Struggles to Strengths (Miami Film Festival Review)
by Joshua Arispe
  • March 6, 2021
Film Festivals
Surge (Review): A Sensory Pursuit for Primal Liberation
by Myrthe Leenders
  • March 5, 2021
Film Festivals
Sin La Habana: Anything for a New Home (Miami Film Festival Review)
by Fabian Garcia
  • March 5, 2021
Interviews
Director Aneil Karia on Feature Debut Surge (GFF Interview)
by Myrthe Leenders
  • March 5, 2021
Film Festivals
Our Midnight: A Captivating Ode To Lost Souls (GFF Review)
by Olivia Savage
  • March 4, 2021
Film Festivals
Castro’s Spies: Detailed Documentarian Captivates (GFF Review)
by Bernard Ozarowski
  • March 4, 2021
Film Festivals
A Brixton Tale: A Well-Edited Romance (GFF Review)
by Claire Fulton
  • March 4, 2021
Film Festivals
Sweetheart: A Charming, Heartfelt Coming of Age Film (GFF Review)
by Myrthe Leenders
  • March 3, 2021
Film Festivals
Tina Releases the Singer from her Past (Glasgow Film Festival Review)
by Serena Seghedoni
  • March 2, 2021
Film Festivals
Back to the Wharf Values Density Over Simplicity (GFF Review)
by William Stottor
  • March 1, 2021
Film Festivals
Vicious Fun: Clever, Ironic and Effortlessly Entertaining (GFF Review)
by Serena Seghedoni
  • March 1, 2021
Film Festivals
Iorram (Boat Song): Traditions and Tales of the Scottish Hebrides (Glasgow Film Festival Review)
by Myrthe Leenders
  • February 28, 2021
Film Festivals
Dreams on Fire (Review): A Fascinating Slice of Japanese Subculture
by Serena Seghedoni
  • February 28, 2021
Film Festivals
The Toll: Black Comedy Meets Crime From New Welsh Talent (GFF Review)
by Thaddeus Buttrey
  • February 27, 2021
Films
The Mauritanian: Exposé on Guantanamo Bay Educates & Enrages (Review)
by Zoe Rose Bryant
  • February 25, 2021
Film Festivals
Gunda (Glasgow Review): The Secret Life of Pigs
by William Stottor
  • February 24, 2021
Film Festivals
Jumbo: Coming-of-Age Shows Unconventional Love (Glasgow Film Festival Review)
by Myrthe Leenders
  • February 23, 2021
Film Festivals
Enemies of the State: A Reminder That Truth is “Never Simple” (Glasgow Film Festival Review)
by Thaddeus Buttrey
  • February 23, 2021
Film Festivals
Undergods: An Anthology of Despair (Review)
by Nils Gollersrud
  • February 22, 2021
Film Festivals
Riders of Justice (Film Review): Flawless Storytelling
by Serena Seghedoni
  • February 21, 2021
Film Festivals
Da Capo: School of K-Rock (Glasgow Film Festival Review)
by Serena Seghedoni
  • February 20, 2021
Interviews
Cody Calahan on “Vicious Fun” (Glasgow Film Festival Interview)
by Serena Seghedoni
  • February 20, 2021
Films
The Old School of Capitalism: An Intriguing Study of Workers’ Rights (Review)
by Anthony Bowmer
  • February 14, 2021
Films
Land and Freedom: What Does it Take to Win a Revolution? (Review)
by Anthony Bowmer
  • February 13, 2021
Sundance Film Festival
Flee (Film Review): Moving Refuge Documentary
by Bernard Ozarowski
  • February 7, 2021
Sundance Film Festival
The World to Come (Film Review): Smart, Moving Period Romance
by Bernard Ozarowski
  • February 7, 2021
Interviews
Lou Ward on Tinker: “Memories are What Make ‘You’ You” (Interview)
by Serena Seghedoni
  • February 6, 2021
Sundance Film Festival
Land: Robin Wright ’s Solid Directorial Debut (Sundance Review)
by Bernard Ozarowski
  • February 4, 2021
Sundance Film Festival
Hive (Sundance Review): Rebellion In the Face of Patriarchy
by Joshua Arispe
  • February 4, 2021
Sundance Film Festival
One For The Road: A Heartfelt, Emotional Ride (Sundance Review)
by Joshua Arispe
  • February 3, 2021
Sundance Film Festival
Eight for Silver: Period Werewolf Film Thrills (Sundance Review)
by Bernard Ozarowski
  • February 2, 2021
Sundance Film Festival
Judas and the Black Messiah (Review): Kaluuya Dominates Dynamite Drama
by Zoe Rose Bryant
  • February 2, 2021
Sundance Film Festival
Prisoners of the Ghostland: Nicolas Cage Fights For Humanity (Sundance Review)
by Anthony Bowmer
  • February 2, 2021
Sundance Film Festival
The Sparks Brothers: The Sundance Review Fanfare!
by Serena Seghedoni
  • February 1, 2021
Sundance Film Festival
Prime Time: A Claustrophobic Thriller With No Thrills (Sundance Review)
by Joshua Arispe
  • February 1, 2021
Sundance Film Festival
John and the Hole (Sundance Review): Mesmerizing Pyschological Thriller
by Serena Seghedoni
  • January 31, 2021
Sundance Film Festival
Passing: Well-made Directorial Debut for Rebecca Hall (Sundance Review)
by Bernard Ozarowski
  • January 31, 2021
Sundance Film Festival
Cryptozoo (Sundance Review): A Kaleidoscopic Adventure in Animation
by Joshua Arispe
  • January 31, 2021
Sundance Film Festival
Mass (Review): An Immaculate Acting Showpiece
by Bernard Ozarowski
  • January 31, 2021
Sundance Film Festival
Try Harder!: The Hidden Cost of Being the Best (Sundance Review)
by Ethan Hill
  • January 30, 2021
Sundance Film Festival
On the Count of Three (Review): A Tense, Exciting Black Comedy
by Bernard Ozarowski
  • January 30, 2021
Sundance Film Festival
How It Ends: Amusing Episodic Comedy (Sundance Review)
by Bernard Ozarowski
  • January 30, 2021
Sundance Film Festival
The Pink Cloud: Vibrant Surreal Cinema Anticipates Reality (Sundance Review)
by Myrthe Leenders
  • January 30, 2021
Sundance Film Festival
CODA (Review): Silence is Golden in Deaf Family Dramedy
by Joshua Arispe
  • January 29, 2021
Sundance Film Festival
Seeds of Deceit (Review): Thought-Provoking Fertility Doctor Case Study
by Serena Seghedoni
  • January 28, 2021
Sundance Film Festival
When We Were Bullies: Meandering Nostalgia (Sundance Review)
by Harry Solomons
  • January 28, 2021
Film Festivals
Force of Habit: a Claustrophobic Contour of the Female Gaze (Raindance Review)
by Myrthe Leenders
  • November 11, 2020
Film Festivals
Stardust (Review): A Bowie-Inspired, Bowie-Less Movie
by Serena Seghedoni
  • November 8, 2020
Film Festivals
Descent: A Free Dive into the Depth of the Human Mind (Raindance Review)
by Adele Campisi
  • November 7, 2020
Film Festivals
Sublet: The Lessons We Learn From Strangers (Newfest Review)
by Serena Seghedoni
  • November 5, 2020
Film Festivals
The Mystery of the Pink Flamingo: Inorganic Sexiness and How to Give In (Raindance Review)
by Elisa Teneggi
  • November 4, 2020
Film Festivals
Antarctica: a cynically comic high school drama (Raindance Review)
by Myrthe Leenders
  • November 3, 2020
Film Festivals
Materna (Raindance Review): a Female Portrait of the True New York Life
by Myrthe Leenders
  • November 1, 2020
Film Festivals
Under the Open Sky: A Clouded and Bleak Japanese Drama (AFI Fest Review)
by Joshua Arispe
  • October 28, 2020
Film Festivals
Non Western: Love, Conservatism and Modern Women (Raindance Review)
by Myrthe Leenders
  • October 27, 2020
Film Festivals
Apples: New Memories, New Lives (AFI Fest Review)
by Nils Gollersrud
  • October 27, 2020
Films
Smith: Local Crime Mystery is Worth Supporting (Indie Memphis 2020 Review)
by Ethan Hill
  • October 26, 2020
Film Festivals
Monsoon (Review): A Smart Allegory for Vietnam’s Relationship with the West
by Bernard Ozarowski
  • October 25, 2020
Films
So Late So Soon: Art in the Face of Death (Indie Memphis 2020 Review)
by Ethan Hill
  • October 24, 2020
Film Festivals
The Intruder: A Little Too Much Is Left to the Imagination (AFI Fest Review)
by Nils Gollersrud
  • October 23, 2020
Film Festivals
Nuevo Orden: Stimulating But Divisive Story of A Dystopian Mexico (AFI Fest Review)
by Joshua Arispe
  • October 22, 2020
Film Festivals
Shadow in the Cloud: Deliriously Dopey Genre Fun (AFI Fest Review)
by Bernard Ozarowski
  • October 21, 2020
Film Festivals
Collective: Timely Documentary Rewards Patient Viewers (AFI Fest Review)
by Ethan Hill
  • October 21, 2020
London Film Festival
After Love: a Film about Love and Revelations Distanced by the Channel (LFF Review)
by Myrthe Leenders
  • October 21, 2020
Film Festivals
American Thief: a Muddled Narrative Overshadows Some Good Ideas (Indie Memphis 2020 Review)
by Bernard Ozarowski
  • October 19, 2020
London Film Festival
Ammonite (LFF Review): A Story Of Opposites Told Best By Hands
by Kei Coulstock
  • October 18, 2020
London Film Festival
Rose: A Love Story – A Dark and Tender Romance Challenged By Illness (LFF Review)
by Myrthe Leenders
  • October 18, 2020
Films
Belushi: a Moving, Textured Portrait of the Beloved Comedic Actor (AFI Fest Review)
by Bernard Ozarowski
  • October 17, 2020
Films
Nine Days: A Stunning Investigation on Life (AFI Fest Review)
by Serena Seghedoni
  • October 17, 2020
Film Festivals
Sound of Metal: The Beauty of Silence (AFI Fest Review)
by Jake Burbage
  • October 17, 2020
Film Festivals
Shiva Baby: A Short Film’s Evolution Into One of The Year’s Best Indies (Indie Memphis 2020 Review)
by Joshua Arispe
  • October 15, 2020
Film Festivals
Cicada: A Tender Love Story Bolstered by Authentic Performances (NewFest Review)
by Ethan Hill
  • October 15, 2020
London Film Festival
Limbo (LFF Review): An Ode to A Past Identity
by Serena Seghedoni
  • October 15, 2020
London Film Festival
Wildfire (Review): Allegoric Tale of (Northern) Ireland’s Traumatic Past
by Myrthe Leenders
  • October 14, 2020
London Film Festival
A Common Crime (Un Crimen Común) Review: Political Drama Disguised as a Thriller
by Serena Seghedoni
  • October 13, 2020
London Film Festival
The Reason I Jump: a Sensorial Experience about Non-Verbal Autism (LFF Review)
by Myrthe Leenders
  • October 12, 2020
Film Festivals
Minari: A Beautiful Family Drama Steeped in Detail (Review)
by Bernard Ozarowski
  • October 12, 2020
Film Festivals
French Exit (NYFF Review): Michelle Pfeiffer Shines in a Surrealist Comedy
by Zoe Rose Bryant
  • October 11, 2020
London Film Festival
Chess of the Wind (LFF Review): Rediscovered Iranian Drama is a Revelation
by Anthony Bowmer
  • October 11, 2020
London Film Festival
Undine: A Smart and Intoxicating Mythic Romance (LFF Review)
by Bernard Ozarowski
  • October 10, 2020
Film Festivals
I Carry You with Me: a Deeply Moving Immigrant Love Story (Review)
by Bernard Ozarowski
  • October 10, 2020
London Film Festival
Time: Delicately Made Documentary Beautifully Balances Hurting with Hope (LFF Review)
by Zoe Rose Bryant
  • October 10, 2020
London Film Festival
Supernova: Firth and Tucci Shine, But the Fireworks Do Not Go Off (LFF Review)
by Serena Seghedoni
  • October 9, 2020
London Film Festival
Farewell Amor (Film Review): “So We Danced”
by Isobel Nutbrown
  • October 9, 2020
London Film Festival
Honeymood: What it Means to Be in Love with Someone, and with Yourself (LFF Review)
by Myrthe Leenders
  • October 8, 2020
London Film Festival
Herself: Dublin’s Heartfelt Story of Emancipation and Humanity (LFF Review)
by Joshua Arispe
  • October 8, 2020
London Film Festival
180 Degree Rule: A Somewhat Predictable Yet Darkly Compelling Debut (LFF Review)
by Anthony Bowmer
  • October 7, 2020
London Film Festival
The Painter and the Thief explores the Strange Places Inspiration Leads Us (LFF Review)
by Michael Carvelli
  • October 7, 2020
Film Festivals
Small Axe: Steve McQueen’s Remarkable Achievement (Review)
by Bernard Ozarowski
  • October 6, 2020
London Film Festival
Mogul Mowgli: Riz Ahmed Excels, but the Film Stumbles (Review)
by Bernard Ozarowski
  • October 6, 2020
Film Festivals
The Town of Headcounts (Ninzu No Machi) Review: The Best Dystopian Drama You’ll See This Year
by Serena Seghedoni
  • October 4, 2020
Must Watch
Wolfwalkers: A Fantastical Folk Tale Full of Heart and Humanity (Review)
by Zoe Rose Bryant
  • October 3, 2020
Focus On
Virtual Film Festivals: A Conversation
by Loud And Clear
  • October 2, 2020
Film Festivals
MLK/FBI: One of the Year’s Best, Most Essential Docs (NYFF58 Review)
by Bernard Ozarowski
  • September 28, 2020
Films
Waikiki: A Psychedelic Exploration of Trauma and Cultural Survival (Review)
by Myrthe Leenders
  • September 26, 2020
Films
On the Rocks: Sofia Coppola’s Caper Comedy is Classically Charming (NYFF Review)
by Zoe Rose Bryant
  • September 24, 2020
TIFF
Pieces of a Woman: Vanessa Kirby Shines as the Film Flounders (Review)
by Bernard Ozarowski
  • September 18, 2020
TIFF
Summer of 85 (Été 85): Raw, Wise and Heart-Wrenchingly Good (Review)
by Serena Seghedoni
  • September 17, 2020
Film Festivals
The Palace on the Sea: A Poignant Look at Life After Death (Taiwan Film Festival Edinburgh)
by Ashleigh Gozy
  • September 17, 2020
TIFF
The Father (Film Review): Hopkins Ages Like a Nice Chianti
by Bernard Ozarowski
  • September 16, 2020
Film Festivals
Where the Seagull Flies: Conventional Melodrama Doesn’t Take Off (Taiwan Film Festival Edinburgh)
by Anthony Bowmer
  • September 15, 2020
TIFF
Another Round (Druk): A Boozy Joy Highlighted By A Splendid Mads Mikkelsen (Review)
by Bernard Ozarowski
  • September 15, 2020
TIFF
One Night in Miami (Review): “It’s Been A Long Time Coming, But A Change Is Gonna Come”
by Serena Seghedoni
  • September 14, 2020
TIFF
Akilla’s Escape: Classic Noir Style Melds Beautifully with Modern Themes (Review)
by Ethan Hill
  • September 13, 2020
TIFF
Penguin Bloom: Naomi Watts elevates a formulaic drama (Review)
by Bernard Ozarowski
  • September 13, 2020
Film Festivals
Nomadland: Frances McDormand Anchors an American Odyssey for the Ages (Review)
by Zoe Rose Bryant
  • September 13, 2020
Venice Film Festival
Genus Pan (Lahi, Hayop): Looking Back to Find Ourselves (Review)
by Elisa Teneggi
  • September 12, 2020
Film Festivals
The Bride Who Has Returned From Hell: An Entertaining Yet Flawed Drama (Taiwan Film Festival Edinburgh)
by Ashleigh Gozy
  • September 12, 2020
Film Festivals
Six Suspects: A Melodramatic Murder Mystery that Delivers All the Genre Tropes (Taiwan Film Festival Edinburgh)
by Ethan Hill
  • September 12, 2020
Venice Film Festival
The Book of Vision (Venice Review): Sincere but Reductive
by Morgan Olson
  • September 11, 2020
TIFF
Get the Hell Out: A Riotous, Albeit Unfocused Zombie Comedy (TIFF 2020 Review)
by Anthony Bowmer
  • September 11, 2020
Films
A City Called Dragon: A Solid, Crowd-Pleasing Wuxia Thriller (Taiwan Film Festival Edinburgh)
by Anthony Bowmer
  • September 10, 2020
Venice Film Festival
Mainstream (Review): “No-One-Special” To Fill Up Your Life
by Susanna Norbiato
  • September 9, 2020
Films
Ice Poison: A Desperate Life on the Edge of Poverty (Taiwan Film Festival Edinburgh)
by Ethan Hill
  • September 8, 2020
TIFF
TIFF 2020: 20 Films to Watch at the Toronto International Film Festival
by Serena Seghedoni
  • August 17, 2020
Films
Rebuilding Paradise: Ron Howard’s Crisp Next Step as a Documentarian (Review)
by Bernard Ozarowski
  • July 16, 2020
Films
Little Girl: This Film Should Not Have Been Made (Review)
by Esther Warren
  • July 5, 2020
Films
Saint Frances (Review): “You Can Have Faith in People Too”
by Isobel Nutbrown
  • July 2, 2020
Films
A White, White Day (Review): How Ghosts Still Echo
by Morgan Olson
  • July 1, 2020
Films
Last and First Men: A Chilly Facade and an Intriguing History (Review)
by Esther Warren
  • June 28, 2020
Films
Fanny Lye Deliver’d: Kind of Clever, but Ultimately a Bit Weird (Review)
by Isobel Nutbrown
  • June 24, 2020
Films
Anthropocene: The Human Epoch – How humans are changing the Earth’s face for the worst (Review)
by Adele Campisi
  • June 23, 2020
Film Festivals
We Are Ten Shorts You Should Watch (We Are One Film Festival)
by Nils Gollersrud
  • June 6, 2020
Virtual Reality
Crow: The Legend (VR) is a Shot of Pure Happiness (Review)
by Serena Seghedoni
  • May 30, 2020
Films
Never Rarely Sometimes Always: a genre-defying movie on the difficulties of adulthood (Review)
by Elisa Teneggi
  • April 16, 2020
Film Festivals
Bombay Rose: a piquant tale of love, magic, and imagination (Review)
by Elisa Teneggi
  • March 7, 2020
Film Festivals
Seeing the Unseen: female autism and how to fall in love with diversity (Review)
by Elisa Teneggi
  • March 5, 2020
Film Festivals
This World Won’t Break (Review): the American Dream at its most real
by Serena Seghedoni
  • March 5, 2020
Film Festivals
Santiago, Italia: a lesson in history and on the frailty of truth (Review)
by Elisa Teneggi
  • March 1, 2020
Film Festivals
I Want My MTV (Review): a Must-See Slice of Rock N’ Roll History
by Serena Seghedoni
  • February 29, 2020
Film Festivals
Dive: Rituals in Water: a soothing documentary about swimming and playfulness (Review)
by Elisa Teneggi
  • February 27, 2020
Film Festivals
James Vs His Future Self: time travel, sci-fi and life-changing conversations (Review)
by Serena Seghedoni
  • February 24, 2020
Films
Love, Antosha is the Most Important Film You’ll See This Year (Review)
by Serena Seghedoni
  • December 28, 2019
Films
The Report (Review): Amazon’s Love Letter to Political Dramas
by Francesca Faccani
  • December 13, 2019
Films
Seberg is a well-crafted thriller about human connection (Review)
by Serena Seghedoni
  • November 13, 2019
Films
Abominable (Review): Charming, Entertaining & Full of Emotion
by Serena Seghedoni
  • November 11, 2019
Films
The Farewell (Review): a Delightful Investigation on Love & Relationships
by Elisa Teneggi
  • October 26, 2019
Films
Pink Wall: a charming, merciless companion to human relationships (Review)
by Elisa Teneggi
  • October 19, 2019
Films
Martin Eden: the well-trimmed tale of an outdated Everyman (Review)
by Elisa Teneggi
  • October 11, 2019
Interviews
Marriage Story: The Red Carpet Interview (London Film Festival)
by Serena Seghedoni
  • October 8, 2019
Films
Jojo Rabbit (Review): Delightfully Absurd & Surprisingly Poetic
by Serena Seghedoni
  • October 6, 2019
Films
Cold Case Hammarskjöld (Review): Let’s Make Documentaries Great Again
by Elisa Teneggi
  • October 4, 2019
Films
Koko-di Koko-da: an overconstructed dark tale for sunny Sweden (Review)
by Elisa Teneggi
  • October 3, 2019
Films
“Making Waves: The Art of Cinematic Sound” is a celebration of creativity and a walk down memory lane (Review)
by Serena Seghedoni
  • October 2, 2019
Interviews
Le Cri: Edvard Munch’s The Scream comes alive in Virtual Reality (Interview)
by Serena Seghedoni
  • September 27, 2019
Films
An Officer And A Spy (J’Accuse): Jean Dujardin excels in Polanski’s drama (Review)
by Serena Seghedoni
  • September 20, 2019
Loud and Clear Reviews The Laundromat Antonio Banderas Gary Oldman Meryl Streep Netflix
Films
The Laundromat is the Panama Papers drama we didn’t know we needed (Review)
by Serena Seghedoni
  • September 15, 2019
Films
Ad Astra: Brad Pitt’s journey to Neptune is intentionally emotionless (Venice Film Festival Review)
by Serena Seghedoni
  • September 7, 2019
Films
Joker is Pure Cinematic Perfection (Venice Film Festival Review)
by Serena Seghedoni
  • September 1, 2019
Interviews
Loveseat: The VR Theatre Performance That Helps Us Feel (Interview)
by Serena Seghedoni
  • August 30, 2019
Films
Luce is a Clever Analysis of Human Nature (Sundance Film Festival Review)
by Serena Seghedoni
  • August 19, 2019
Virtual Reality
Virtual Reality: our 15 favourite experiences at the 2019 Venice Film Festival
by Loud And Clear
  • August 15, 2019
Venice Film Festival
2019 Venice Film Festival: 25 films you need to watch
by Serena Seghedoni
  • August 7, 2019
Films
The Dead Don’t Die (Review): That Film You Grow to Love & You Don’t Know Why
by Serena Seghedoni
  • July 22, 2019
Edinburgh Film Festival
I See You: Helen Hunt stars in Hauntingly Good Horror Thriller (Review)
by Serena Seghedoni
  • July 14, 2019
Interviews
The Grizzlies: Miranda de Pencier on her extraordinary true story of acceptance and resilience (Interview)
by Serena Seghedoni
  • July 12, 2019
Interviews
Love Type D: Sasha Collington on Infectiously Enjoyable Rom-Com (Interview)
by Serena Seghedoni
  • July 1, 2019
Films
Ode To Joy: Martin Freeman Shines in Heartwarming Rom-com (Review)
by Serena Seghedoni
  • June 28, 2019
Interviews
Schemers: Interview with Dave McLean & Conor Berry (Edinburgh Film Festival)
by Serena Seghedoni
  • June 26, 2019
Films
The Captor: “absurd but true” Stockholm Syndrome story is not so absurd after all (Review)
by Serena Seghedoni
  • June 19, 2019
Films
Late Night (Review): Thompson & Kaling Entertain in Insightful Comedy Drama
by Serena Seghedoni
  • June 10, 2019
Films
Stan & Ollie (Review): Moving, Nostalgic & Full of Heart
by Serena Seghedoni
  • May 29, 2019
Films
Extremely Wicked, Shockingly Evil and Vile: Zac Efron shines in Ted Bundy drama (Review)
by Serena Seghedoni
  • May 9, 2019
Films
Charlie Says: Matt Smith is Charles Manson in Powerful Psychological Drama (Review)
by Serena Seghedoni
  • April 13, 2019
Virtual Reality VR Gloomy Eyes Eclipse Horrifically Real Virtuality
Virtual Reality
Virtual Reality: our favourite experiences at Sundance and Venice
by Serena Seghedoni
  • March 28, 2019
Films
The Bill Murray Stories (Review): Bill Murray Teaches us How to Live
by Serena Seghedoni
  • March 13, 2019
Film Festivals
After the Wedding: Williams and Moore Excel in Moving Drama (Review)
by Serena Seghedoni
  • February 25, 2019
Films
Blinded by the Light is the Springsteen feel-good drama we needed (Review)
by Serena Seghedoni
  • February 8, 2019
Interviews
The Dress Up Gang: Interview with the Comedy Trio (Sundance Film Festival)
by Serena Seghedoni
  • February 6, 2019
Films
I Am Mother: Sputore’s clever sci-fi thriller is exquisitely unsettling (Sundance Film Festival)
by Serena Seghedoni
  • February 2, 2019
Sundance Film Festival
2019 Sundance Film Festival: Final Line-Up
by Loud And Clear
  • January 11, 2019
Films
The White Crow (Review): Fiennes’ Nureyev Inspires & Captivates
by Serena Seghedoni
  • November 30, 2018
Interviews
Roberto Minervini on What You Gonna Do When The World’s On Fire? (Interview)
by Serena Seghedoni
  • November 23, 2018
Films
Assassination Nation (Review): “A Movie for Absolutely Right Now”
by Serena Seghedoni
  • November 12, 2018
Films
The Kindergarten Teacher (Review): A Clever Analysis of Human Behaviour
by Serena Seghedoni
  • October 18, 2018
London Film Festival
BFI London Film Festival 2018: 30 films you need to see
by Loud And Clear
  • October 8, 2018
Films
The Favourite: Human Nature At Its Most Manipulative (Venice Film Festival Review)
by Serena Seghedoni
  • September 29, 2018
Films
Suspiria (2018): A Clever Analysis of Human Nature (Review)
by Serena Seghedoni
  • September 18, 2018
Venice Film Festival
A Star is Born and Vox Lux: the consequences of fame at the Venice Film Festival
by Serena Seghedoni
  • September 12, 2018
Films
Roma: Cuarón’s Memories Come Alive in Exceptional Tale About Identity (Review)
by Serena Seghedoni
  • September 2, 2018
Venice Film Festival
Virtual Reality in Competition at 75th Venice Film Festival: full Line-up and guide
by Loud And Clear
  • August 24, 2018
Film Festivals
Anna and the Apocalypse and the Rise of the Genre Hybrid (Review)
by Serena Seghedoni
  • August 11, 2018
Film Festivals
75th Venice Film Festival, “In Competition”: full Line-Up
by Loud And Clear
  • August 2, 2018
A Star Is Born: official poster (Warner Bros)
Film Festivals
Bradley Cooper & Lady Gaga’s A Star is Born will premiere in Venice
by Loud And Clear
  • July 24, 2018
Film Festivals
Damien Chazelle’s First Man will open the 75th Venice Film Festival
by Loud And Clear
  • July 19, 2018
some like it hot
Venice Film Festival
75th Venice Film Festival: Restored Films Line-Up announced
by Loud And Clear
  • July 14, 2018
Films
Steel Country (Review): Andrew Scott Excels in Clever Crime Drama
by Serena Seghedoni
  • July 13, 2018
Films
Unicorn Store (Film Review): Kit in Unicornland
by Serena Seghedoni
  • July 2, 2018
Films
Three Billboards Outside Ebbing, Missouri (Review): the Film you Absolutely Need to Watch
by Serena Seghedoni
  • November 20, 2017
venice virtual reality
Venice Film Festival
Venice Virtual Reality: the new shape of cinema at the 74° International Film Festival
by Serena Seghedoni
  • October 1, 2017
Robert Redford and Jane Fonda in Our Souls At Night Netflix
Films
Our Souls At Night is on Netflix today, and it’s all about life after loss (Review)
by Serena Seghedoni
  • September 29, 2017
Helen Mirren Donald Sutherland Venice Film Festival
Venice Film Festival
The Leisure Seeker & Loving Pablo: the best and worst on-screen couples at Venezia 74
by Serena Seghedoni
  • September 7, 2017
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