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TIFF
The Royal Hotel: TIFF Film Review
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Films
Cassandro (2023): Film Review
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Films
A Haunting in Venice: Movie Review
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Venice Film Festival
Poor Things: Venice Film Review
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CANNES FILM FESTIVAL

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VENICE FILM FESTIVAL

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TIFF
The Royal Hotel: TIFF Film Review
by Joseph Tomastik
  • September 17, 2023
TIFF
American Fiction: TIFF Film Review
by Joseph Tomastik
  • September 16, 2023
TIFF
Wildcat: TIFF Film Review
by Wesley Hunt
  • September 14, 2023
TIFF
Next Goal Wins: TIFF Film Review
by Wesley Hunt
  • September 13, 2023
TIFF
Monster (2023): TIFF Film Review
by Joseph Tomastik
  • September 13, 2023
TIFF
Robot Dreams: TIFF Film Review
by Wesley Hunt
  • September 13, 2023
TIFF
Knox Goes Away: TIFF Film Review
by Joseph Tomastik
  • September 13, 2023
Virtual Reality
“I’m Too Cynical for Tulpamancer”
by Serena Seghedoni
  • September 12, 2023
TIFF
Pictures of Ghosts: TIFF Film Review
by Wesley Hunt
  • September 12, 2023
Interviews
Boy Kills World Interview: Moritz Mohr & Simon Swart
by Joseph Tomastik
  • September 12, 2023
TIFF
Estonia (2023): TIFF Series Review
by Wesley Hunt
  • September 12, 2023
TIFF
The Critic: TIFF Film Review
by Wesley Hunt
  • September 12, 2023
TIFF
Tautuktavuk (What We See): Film Review
by Wesley Hunt
  • September 11, 2023
TIFF
Boy Kills World: TIFF Film Review
by Joseph Tomastik
  • September 11, 2023
TIFF
Seven Veils: TIFF Film Review
by Wesley Hunt
  • September 11, 2023
TIFF
The End We Start From: Film Review
by Wesley Hunt
  • September 11, 2023
TIFF
Woman of the Hour: TIFF Film Review
by Joseph Tomastik
  • September 10, 2023
TIFF
Dumb Money: Film Review
by Joseph Tomastik
  • September 10, 2023
Interviews
Alix Delaporte on On The Pulse (Vivants): Interview
by Serena Seghedoni
  • September 10, 2023
TIFF
Dicks The Musical: TIFF Film Review
by Joseph Tomastik
  • September 9, 2023
TIFF
The Peasants (Chłopi): TIFF Film Review
by Wesley Hunt
  • September 9, 2023
TIFF
The Boy and the Heron: TIFF Film Review
by Joseph Tomastik
  • September 8, 2023
Interviews
Pietro Castellitto on Enea: Venice Interview
by Serena Seghedoni
  • September 8, 2023
Interviews
Selman Nacar on Hesitation Wound: Interview
by Philip Bagnall
  • September 7, 2023
Venice Film Festival
In The Land of Saints and Sinners: Film Review
by Philip Bagnall
  • September 7, 2023
Venice Film Festival
Day of the Fight: Venice Film Review
by Philip Bagnall
  • September 6, 2023
Venice Film Festival
For Night Will Come: Venice Film Review
by Claire Fulton
  • September 6, 2023
Venice Film Festival
Hit Man: Venice Film Review
by Claire Fulton
  • September 5, 2023
Venice Film Festival
Ryuichi Sakamoto | Opus: Film Review
by Philip Bagnall
  • September 5, 2023
Venice Film Festival
Sky Peals: Venice Film Review
by Daniel Allen
  • September 5, 2023
Venice Film Festival
Evil Does Not Exist: Venice Film Review
by Serena Seghedoni
  • September 5, 2023
Venice Film Festival
Coup de Chance: Venice Film Review
by Philip Bagnall
  • September 5, 2023
Venice Film Festival
Snow in Midsummer: Venice Film Review
by Clotilde Chinnici
  • September 4, 2023
Venice Film Festival
Making Of: Venice Film Review
by Hector A. Gonzalez
  • September 4, 2023
Interviews
Hoard Interview: Luna Carmoon, Saura Lightfoot Leon & Joseph Quinn
by Serena Seghedoni
  • September 4, 2023
Venice Film Festival
The Killer (Netflix): Venice Film Review
by Serena Seghedoni
  • September 4, 2023
Venice Film Festival
The Caine Mutiny Court-Martial Film Review
by Claire Fulton
  • September 3, 2023
Venice Film Festival
The Beast (La Bête): Venice Film Review
by Claire Fulton
  • September 3, 2023
Venice Film Festival
Humanist Vampire Seeking Consenting Suicidal Person Review
by Serena Seghedoni
  • September 3, 2023
Venice Film Festival
Aggro Dr1ft: Venice Film Review
by Philip Bagnall
  • September 3, 2023
Venice Film Festival
Maestro (Netflix) Venice Film Review
by Claire Fulton
  • September 2, 2023
Venice Film Festival
The Palace: Venice Film Review
by Serena Seghedoni
  • September 2, 2023
Venice Film Festival
Thank You Very Much: Venice Film Review
by Connor Lightbody
  • September 2, 2023
Venice Film Festival
Tatami: Venice Film Review
by Claire Fulton
  • September 2, 2023
Venice Film Festival
Hoard: Venice Film Review
by Serena Seghedoni
  • September 2, 2023
Venice Film Festival
Finalmente L’Alba: Venice Film Review
by Claire Fulton
  • September 2, 2023
Venice Film Festival
Poor Things: Venice Film Review
by Serena Seghedoni
  • September 1, 2023
Venice Film Festival
The Promised Land (Bastarden) Film Review
by Claire Fulton
  • September 1, 2023
Venice Film Festival
The Wonderful Story of Henry Sugar: Film Review
by Philip Bagnall
  • September 1, 2023
Venice Film Festival
DogMan (2023): Venice Film Review
by Philip Bagnall
  • August 31, 2023
Venice Film Festival
Ferrari (2023) Venice Film Review
by Claire Fulton
  • August 31, 2023
Venice Film Festival
El Conde (Netflix) Venice Film Review
by Serena Seghedoni
  • August 31, 2023
Venice Film Festival
Hollywoodgate: Venice Film Review
by Claire Fulton
  • August 31, 2023
Venice Film Festival
Comandante: Venice Film Review
by Philip Bagnall
  • August 31, 2023
TIFF
TIFF 2023: 10 Films to Watch
by Loud And Clear
  • August 25, 2023
Edinburgh Film Festival
Fremont: Edinburgh Film Review
by Jack Walters
  • August 25, 2023
Edinburgh Film Festival
Raging Grace: Edinburgh Film Review
by Jack Walters
  • August 23, 2023
Edinburgh Film Festival
Kill (2023): Edinburgh Film Review
by Jack Walters
  • August 22, 2023
Edinburgh Film Festival
The Strange Case Of Dr. Jekyll & Mr Hyde: Review
by Jack Walters
  • August 21, 2023
Edinburgh Film Festival
Property: Edinburgh Film Review
by Jack Walters
  • August 20, 2023
Edinburgh Film Festival
Chuck Chuck Baby: Edinburgh Film Review
by Jack Walters
  • August 20, 2023
Edinburgh Film Festival
Silent Roar: Edinburgh Film Review
by Jack Walters
  • August 18, 2023
Film Festivals
Baan: Locarno Film Review
by William Stottor
  • August 8, 2023
Venice Film Festival
2023 Venice Film Festival: 20 Films to Watch
by Loud And Clear
  • August 8, 2023
Edinburgh Film Festival
2023 Edinburgh Film Festival: 8 Films to Watch
by Jack Walters
  • August 2, 2023
Venice Film Festival
2023 Venice Film Festival Lineup: Full List & Plots at Venezia 80
by Serena Seghedoni
  • July 26, 2023
Virtual Reality
Venice Immersive 2023: Virtual Reality Lineup (Venezia 80)
by Serena Seghedoni
  • July 22, 2023
Interviews
Director Celine Song on Past Lives: Interview
by Clotilde Chinnici
  • July 9, 2023
Sundance Film Festival
Mutt: Film Review (Sundance London)
by Clotilde Chinnici
  • July 8, 2023
Sundance Film Festival
Invisible Beauty: Film Review
by Clotilde Chinnici
  • July 8, 2023
Sundance Film Festival
Fairyland: Film Review (Sundance London)
by Daniel Allen
  • July 7, 2023
Sundance Film Festival
Scrapper: Film Review (Sundance London)
by Daniel Allen
  • July 7, 2023
Films
Glitter & Doom: Film Review (Frameline47)
by Serena Seghedoni
  • June 24, 2023
Films
Chestnut: Film Review (Frameline47)
by Branyan Towe
  • June 22, 2023
Film Festivals
Total Trust: Sheffield DocFest Review
by Louis Roberts
  • June 20, 2023
Interviews
Xavier Dolléans on Marinette: Tribeca Interview
by Edgar Ortega
  • June 18, 2023
Tribeca Film Festival
Shortcomings: Film Review
by Jonathan Vargas
  • June 18, 2023
Tribeca Film Festival
The Blackening: Film Review
by Jonathan Vargas
  • June 15, 2023
Interviews
Gabriela Cowperthwaite on I.S.S.: Tribeca Interview
by Jonathan Vargas
  • June 14, 2023
Tribeca Film Festival
Cinnamon: Tribeca Film Review
by Jonathan Vargas
  • June 14, 2023
Tribeca Film Festival
Maggie Moore(s): Tribeca Film Review
by Edgar Ortega
  • June 13, 2023
Tribeca Film Festival
I.S.S: Tribeca Film Review
by Jonathan Vargas
  • June 13, 2023
Tribeca Film Festival
Deep Sea (Shen Hai): Tribeca Film Review
by Edgar Ortega
  • June 12, 2023
Tribeca Film Festival
Perpetrator: Tribeca Film Review
by Jonathan Vargas
  • June 12, 2023
Tribeca Film Festival
Marinette: Tribeca Film Review
by Edgar Ortega
  • June 12, 2023
Tribeca Film Festival
The Listener: Tribeca Film Review
by Jonathan Vargas
  • June 11, 2023
Interviews
Director Bill Oliver on Our Son: Tribeca Interview
by Jonathan Vargas
  • June 11, 2023
Tribeca Film Festival
The Future: Tribeca Film Review
by Connor Lightbody
  • June 11, 2023
Tribeca Film Festival
The Line: Tribeca Film Review
by Jonathan Vargas
  • June 10, 2023
Tribeca Film Festival
Our Son: Tribeca Film Review
by Jonathan Vargas
  • June 10, 2023
Film Festivals
Copyright Infringement: Brooklyn Film Review
by Connor Lightbody
  • June 10, 2023
Tribeca Film Festival
The Good Half: Tribeca Film Review
by Jonathan Vargas
  • June 9, 2023
Tribeca Film Festival
Your Fat Friend: Film Review
by Connor Lightbody
  • June 9, 2023
Tribeca Film Festival
To My Father: Tribeca Film Review
by Edgar Ortega
  • June 9, 2023
Tribeca Film Festival
Chasing Chasing Amy: Tribeca Film Review
by Branyan Towe
  • June 9, 2023
Tribeca Film Festival
Breaking The News: Tribeca Film Review
by Edgar Ortega
  • June 9, 2023
Cannes Film Festival
May December: Cannes Film Review
by Clotilde Chinnici
  • May 30, 2023
Cannes Film Festival
The Old Oak: Cannes Film Review
by Clotilde Chinnici
  • May 30, 2023
Films
Elemental: Cannes Film Review
by Clotilde Chinnici
  • May 30, 2023
Cannes Film Festival
Perfect Days: Cannes Film Review
by Clotilde Chinnici
  • May 29, 2023
Cannes Film Festival
Abbé Pierre – A Century of Devotion: Film Review
by Cameron Fairchild
  • May 29, 2023
Tribeca Film Festival
Tribeca 2023: 15 Films to Watch at the Festival
by Loud And Clear
  • May 29, 2023
Cannes Film Festival
Asteroid City: Cannes Film Review
by Clotilde Chinnici
  • May 28, 2023
Cannes Film Festival
Goodbye Julia: Cannes Film Review
by Cameron Fairchild
  • May 28, 2023
Interviews
Amjad Al Rasheed on Inshallah A Boy: Interview
by Serena Seghedoni
  • May 27, 2023
Cannes Film Festival
The Sweet East: Cannes Film Review
by Serena Seghedoni
  • May 26, 2023
Cannes Film Festival
Rien à Perdre: Cannes Film Review
by Bethany Lola
  • May 25, 2023
Cannes Film Festival
Légua: Cannes Film Festival Review
by Hector A. Gonzalez
  • May 24, 2023
Cannes Film Festival
The Zone of Interest: Cannes Film Review
by Serena Seghedoni
  • May 23, 2023
Cannes Film Festival
Marguerite’s Theorem: Cannes Film Review
by Hector A. Gonzalez
  • May 22, 2023
Cannes Film Festival
Omen (2023): Cannes Film Review
by Hector A. Gonzalez
  • May 22, 2023
Cannes Film Festival
Killers of the Flower Moon: Film Review
by Serena Seghedoni
  • May 21, 2023
Cannes Film Festival
The (Ex)perience of Love: Film Review
by Hector A. Gonzalez
  • May 20, 2023
Cannes Film Festival
Creatura (2023): Cannes Film Review
by Hector A. Gonzalez
  • May 20, 2023
Cannes Film Festival
Indiana Jones and the Dial of Destiny: Review
by Serena Seghedoni
  • May 20, 2023
Cannes Film Festival
Vincent Must Die: Cannes Film Review
by Hector A. Gonzalez
  • May 19, 2023
Cannes Film Festival
The Animal Kingdom: Cannes Film Review
by Serena Seghedoni
  • May 19, 2023
Cannes Film Festival
Inshallah A Boy: Cannes Film Review
by Serena Seghedoni
  • May 18, 2023
Cannes Film Festival
Strange Way of Life: Cannes Film Review
by Serena Seghedoni
  • May 17, 2023
Cannes Film Festival
Jeanne Du Barry: Film Review
by Serena Seghedoni
  • May 17, 2023
Cannes Film Festival
2023 Cannes Film Festival: 20 Films to Watch
by Serena Seghedoni
  • May 3, 2023
Film Festivals
Waiting for the Light to Change: Film Review
by Joshua Stevens
  • May 1, 2023
Film Festivals
Miranda’s Victim: Film Review
by Jonathan Vargas
  • March 28, 2023
Film Festivals
How to Tell a Secret: Film Review
by William Stottor
  • March 24, 2023
Film Festivals
Who I Am Not: BFI Flare Film Review
by William Stottor
  • March 23, 2023
Film Festivals
Jess Plus None: Film Review
by Daniel Allen
  • March 23, 2023
SXSW
Air (2023 Film): SXSW Review
by Joseph Tomastik
  • March 20, 2023
Film Festivals
Egghead & Twinkie: Film Review
by Daniel Allen
  • March 20, 2023
Film Festivals
Kokomo City: Film Review
by William Stottor
  • March 18, 2023
SXSW
Joy Ride: SXSW Film Review
by Joseph Tomastik
  • March 18, 2023
Film Festivals
Big Boys (2023): Film Review
by William Stottor
  • March 18, 2023
SXSW
If You Were the Last: SXSW Film Review
by Joseph Tomastik
  • March 18, 2023
Film Festivals
Kenyatta: Do Not Wait Your Turn Film Review
by Daniel Allen
  • March 17, 2023
SXSW
Evil Dead Rise (2023): Film Review
by Joseph Tomastik
  • March 17, 2023
SXSW
Fitting In: Film Review
by Joseph Tomastik
  • March 16, 2023
SXSW
Problemista: Film Review
by Joseph Tomastik
  • March 14, 2023
SXSW
Appendage: SXSW Film Review
by Joseph Tomastik
  • March 14, 2023
SXSW
Louder Than You Think: SXSW Review
by Serena Seghedoni
  • March 14, 2023
SXSW
Bottoms: Film Review
by Joseph Tomastik
  • March 13, 2023
SXSW
Self Reliance: SXSW Film Review
by Joseph Tomastik
  • March 13, 2023
SXSW
Flamin’ Hot: Film Review
by Joseph Tomastik
  • March 13, 2023
SXSW
Going Varsity in Mariachi: Film Review
by Daniel Allen
  • March 13, 2023
SXSW
With Love and a Major Organ: SXSW Review
by Serena Seghedoni
  • March 12, 2023
SXSW
Satan Wants You: SXSW Review
by Serena Seghedoni
  • March 12, 2023
SXSW
Molli And Max In The Future: SXSW Review
by Serena Seghedoni
  • March 11, 2023
SXSW
Dungeons & Dragons: Honor Among Thieves Review
by Joseph Tomastik
  • March 11, 2023
SXSW
National Anthem (SXSW Review): The New America
by Jack Walters
  • March 11, 2023
SXSW
Only The Good Survive: SXSW Film Review
by Tom Spoors
  • March 11, 2023
Film Festivals
Amerikatsi: Film Review
by Claire Fulton
  • March 10, 2023
Film Festivals
Our Father, The Devil: Film Review
by Claire Fulton
  • March 10, 2023
London Film Festival
2023 BFI Flare: 15 Films to Watch
by Loud And Clear
  • March 10, 2023
Films
Country Gold: Film Review
by Claire Fulton
  • March 9, 2023
Film Festivals
A Letter From Helga: Glasgow Review
by Claire Fulton
  • March 8, 2023
Film Festivals
Band (2022): Film Review
by Claire Fulton
  • March 8, 2023
Film Festivals
Nightsiren: Glasgow Film Festival Review
by Claire Fulton
  • March 6, 2023
SXSW
SXSW 2023: 10 Films to Watch
by Loud And Clear
  • March 5, 2023
Film Festivals
The Five Devils: Film Review
by Hector A. Gonzalez
  • March 4, 2023
Film Festivals
Lakelands: Film Review
by Claire Fulton
  • March 4, 2023
Film Festivals
My Sailor, My Love: Film Review
by Claire Fulton
  • March 3, 2023
Film Festivals
Revoir Paris: Film Review
by Hector A. Gonzalez
  • March 3, 2023
Film Festivals
God’s Creatures: Film Review
by Claire Fulton
  • March 2, 2023
Film Festivals
Adopting Audrey: Film Review
by Claire Fulton
  • March 2, 2023
Film Festivals
Night Raiders Review: Mother Tongue Film Festival
by Wesley Hunt
  • February 28, 2023
Berlinale
And, Towards Happy Alleys: Film Review
by Serena Seghedoni
  • February 24, 2023
Berlinale
Ambush (Ghaath): Berlin Film Festival Review
by William Stottor
  • February 22, 2023
Berlinale
Passages (2023) Film Review
by Serena Seghedoni
  • February 22, 2023
Berlinale
Talk to Me: Film Review
by William Stottor
  • February 22, 2023
Berlinale
The Adults: Berlin Film Festival Review
by Olivia Savage
  • February 22, 2023
Berlinale
Music (2023): Berlin Film Festival Review
by William Stottor
  • February 21, 2023
Berlinale
Remembering Every Night: Berlin Film Festival Review
by William Stottor
  • February 21, 2023
Interviews
Director Tatiana Huezo on The Echo: Interview
by William Stottor
  • February 21, 2023
Berlinale
Inside: Berlin Film Festival Review
by Serena Seghedoni
  • February 20, 2023
Berlinale
The Properties of Metals: Berlin Film Festival Review
by Hector A. Gonzalez
  • February 20, 2023
Berlinale
Femme (2023) Film Review
by Serena Seghedoni
  • February 20, 2023
Berlinale
Tótem: Berlin Film Festival Review
by William Stottor
  • February 20, 2023
Berlinale
Seven Winters in Tehran: Berlin Review
by Olivia Savage
  • February 20, 2023
Berlinale
Samsara: Berlin Film Festival Review
by William Stottor
  • February 20, 2023
Berlinale
Regardless of Us: Berlin Film Festival Review
by William Stottor
  • February 20, 2023
Berlinale
Mad Fate (Ming On): Berlin Film Festival Review
by William Stottor
  • February 19, 2023
Berlinale
Disco Boy: Berlin Film Festival Review
by William Stottor
  • February 19, 2023
Berlinale
Past Lives: Film Review
by William Stottor
  • February 19, 2023
Berlinale
Silver Haze: Film Review
by Olivia Savage
  • February 19, 2023
Berlinale
Delegation (Ha’Mishlahat): Berlin Film Festival Review
by Hector A. Gonzalez
  • February 19, 2023
Berlinale
Drifter: Film Review
by Serena Seghedoni
  • February 19, 2023
Berlinale
The Teacher’s Lounge: Berlin Film Festival Review
by Tom Spoors
  • February 18, 2023
Berlinale
BlackBerry (2023): Film Review
by Olivia Savage
  • February 18, 2023
Berlinale
Superpower: Berlin Film Festival Review
by Serena Seghedoni
  • February 18, 2023
Berlinale
The Survival of Kindness: Berlin Film Festival Review
by William Stottor
  • February 18, 2023
Berlinale
White Plastic Sky: Berlin Film Festival Review
by William Stottor
  • February 18, 2023
Berlinale
Someday We’ll Tell Each Other Everything: Film Review
by William Stottor
  • February 18, 2023
Berlinale
The Quiet Migration (Stille Liv): Berlin Review
by Claire Fulton
  • February 17, 2023
Berlinale
Sea Sparkle (Zeevonk): Berlin Review
by Hector A. Gonzalez
  • February 17, 2023
Berlinale
The Echo: Berlin Film Festival Review
by William Stottor
  • February 17, 2023
Berlinale
She Came to Me: Berlin Film Festival Review
by Olivia Savage
  • February 17, 2023
Berlinale
2023 Berlin Film Festival: 20 Films to Watch
by Loud And Clear
  • February 13, 2023
Film Festivals
Good Guy with a Gun (2023): Film Review
by Joshua Stevens
  • February 12, 2023
Sundance Film Festival
The Accidental Getaway Driver (Sundance Review): A New Kind Of Thriller
by Jack Walters
  • January 28, 2023
Sundance Film Festival
Magazine Dreams (2023 Film): Sundance Review
by Serena Seghedoni
  • January 24, 2023
Sundance Film Festival
Girl (2023): Film Review
by Claire Fulton
  • January 23, 2023
Sundance Film Festival
Slow (Sundance Review): A Different Way to Love
by Daniel Allen
  • January 22, 2023
Sundance Film Festival
When It Melts (Sundance Review): Revisiting Childhood Demons
by Bethany Lola
  • January 22, 2023
Sundance Film Festival
Against the Tide (Sundance Review): No More Fish in the Sea
by Bethany Lola
  • January 20, 2023
Focus On
2023 Film Festival Dates: List of All Upcoming Festivals (By Month)
by Loud And Clear
  • December 30, 2022
Film Festivals
Daughter of a Lost Bird: Review
by Wesley Hunt
  • November 22, 2022
Film Festivals
Dancing the Twist in Bamako: Film Review
by Claire Fulton
  • November 21, 2022
Film Festivals
Angry Annie (Film Review): Empathetic Abortion Drama
by Claire Fulton
  • November 20, 2022
Film Festivals
Where Life Begins: UK Jewish Film Festival Review
by Claire Fulton
  • November 19, 2022
Film Festivals
Bootlegger: Film Review (2022 Native Cinema Showcase)
by Wesley Hunt
  • November 19, 2022
Film Festivals
The Forger (UK Jewish Film Festival Review): Fake Papers, Please
by Claire Fulton
  • November 15, 2022
Film Festivals
Director’s Intention: LKFF Film Review
by Jack Walters
  • November 13, 2022
Film Festivals
Plaza Catedral: Film Review
by Claire Fulton
  • November 12, 2022
Film Festivals
Gyeong-ah’s Daughter: Film Review
by Claire Fulton
  • November 12, 2022
Film Festivals
Concerned Citizen (2023): Film Review
by Claire Fulton
  • November 11, 2022
Film Festivals
Kingmaker (LKFF Review): Manipulating The Game Of Politics
by Jack Walters
  • November 11, 2022
Film Festivals
Seire (LKFF Review): The Sins of the Father
by Claire Fulton
  • November 10, 2022
Film Festivals
Hot in Day, Cold at Night (LKFF Review): Budget-friendly Indie Drama
by Claire Fulton
  • November 7, 2022
Film Festivals
Róise & Frank (SDIFF Review): A Well-Intended Pet Drama
by Edgar Ortega
  • October 24, 2022
Film Festivals
Dear Zoe (SDIFF Review): Sadie Sink Commands the Screen
by Edgar Ortega
  • October 22, 2022
London Film Festival
The Kingdom: Exodus (LFF): Episodes 1 & 2 Review
by Joe Flockhart
  • October 17, 2022
London Film Festival
Meet Me in the Bathroom: Film Review
by Joe Flockhart
  • October 16, 2022
London Film Festival
You Won’t Be Alone Film Review
by William Stottor
  • October 16, 2022
London Film Festival
The Inspection: Film Review
by Serena Seghedoni
  • October 16, 2022
London Film Festival
Till (Film Review): Deadwyler Delivers a Powerhouse Performance
by William Stottor
  • October 15, 2022
London Film Festival
The Stranger (2022) Netflix Film Review
by Serena Seghedoni
  • October 15, 2022
London Film Festival
Brainwashed: Sex-Camera-Power: Film Review
by Serena Seghedoni
  • October 15, 2022
London Film Festival
Guillermo del Toro’s Pinocchio (Film Review): Far From Wooden
by Daniel Allen
  • October 15, 2022
London Film Festival
My Policeman: Film Review
by Serena Seghedoni
  • October 15, 2022
Films
Lady Chatterley’s Lover (2022) Netflix Film: LFF Review
by Serena Seghedoni
  • October 14, 2022
London Film Festival
Fast & Feel Love: Film Review
by Daniel Allen
  • October 14, 2022
London Film Festival
She Said (LFF Review): A Momentous Investigative Drama
by William Stottor
  • October 14, 2022
Interviews
Star Dolly De Leon on Triangle of Sadness (LFF Interview)
by William Stottor
  • October 14, 2022
London Film Festival
Klondike (Film Review): Domestic Drama Meets War Film
by Olivia Savage
  • October 14, 2022
Film Festivals
Master Gardener: Film Review
by Hector A. Gonzalez
  • October 13, 2022
London Film Festival
More Than Ever (Film Review): “Everything We Will Never Be Again”
by Daniel Allen
  • October 12, 2022
Interviews
Director Hlynur Palmáson on Godland (LFF Interview)
by William Stottor
  • October 12, 2022
London Film Festival
Brother (Film Review): A Perfect Literary Adaptation
by William Stottor
  • October 12, 2022
London Film Festival
The Damned Don’t Cry: Film Review
by William Stottor
  • October 11, 2022
London Film Festival
The Origin (LFF Review): A Propulsive Prehistoric Tale
by William Stottor
  • October 10, 2022
London Film Festival
The Good Nurse (LFF Review): Chastain Highlights True Crime Drama
by Daniel Allen
  • October 10, 2022
London Film Festival
Last Flight Home (LFF Review): “Try A Little Kindness”
by Daniel Allen
  • October 10, 2022
London Film Festival
Close (Film Review): The Bone Breaks; It Grows Back Stronger
by Serena Seghedoni
  • October 10, 2022
London Film Festival
Godland (Film Review): A Muddled but Beautiful Odyssey
by William Stottor
  • October 9, 2022
London Film Festival
Alcarràs (LFF Review): Familial Strife, Familial Affection
by William Stottor
  • October 9, 2022
Film Festivals
Showing Up: Film Review
by Hector A. Gonzalez
  • October 9, 2022
London Film Festival
Holy Spider: Film Review
by Daniel Allen
  • October 9, 2022
Interviews
Nanny: Interview with Anna Diop, Michelle Monaghan & Zephani Idoko
by William Stottor
  • October 8, 2022
London Film Festival
Blue Jean (Review): An Exceptional Debut Film
by Daniel Allen
  • October 8, 2022
London Film Festival
EO (2022 Film) LFF Review: Channeling Bresson
by William Stottor
  • October 8, 2022
London Film Festival
Bardo, False Chronicle of a Handful of Truths: Film Review
by William Stottor
  • October 8, 2022
London Film Festival
Causeway (LFF Review): Lawrence & Henry Excel in Indie Drama
by Daniel Allen
  • October 8, 2022
London Film Festival
Klokkenluider Film Review: A Devious Comedy Drama
by William Stottor
  • October 8, 2022
London Film Festival
Coma (2022) Film Review
by Joe Flockhart
  • October 8, 2022
London Film Festival
Roald Dahl’s Matilda: the Musical (2022 Film): LFF Review
by Joe Flockhart
  • October 8, 2022
Films
Love Life (Koji Fukada): Film Review
by Daniel Allen
  • October 8, 2022
London Film Festival
The Woman in the White Car (LFF Review): Twists & Turns Galore
by William Stottor
  • October 7, 2022
London Film Festival
Nanny (Film Review): Psychological Horror Grounded in Realism
by William Stottor
  • October 7, 2022
London Film Festival
Lynch/Oz (Film Review): “There’s No Place Like Home”
by Daniel Allen
  • October 7, 2022
London Film Festival
All That Breathes: Film Review
by Daniel Allen
  • October 7, 2022
London Film Festival
White Noise (Film Review): The Sound of Existential Dread
by Serena Seghedoni
  • October 7, 2022
London Film Festival
Sick of Myself (Film Review): A Squirm-Inducing Wonder
by William Stottor
  • October 6, 2022
London Film Festival
Ashkal Review: Neo-Noir Tunisian Crime Thriller
by Serena Seghedoni
  • October 5, 2022
Film Festivals
Nashville Film Festival 2022: The Movies We Watched
by Joseph Tomastik
  • October 5, 2022
Interviews
Rachel Lambert on I Can Feel You Walking: Nashville Interview
by Joseph Tomastik
  • October 4, 2022
Film Festivals
The Cow Who Sang a Song into the Future: Film Review
by Joseph Tomastik
  • October 3, 2022
Film Festivals
Butterfly in the Sky (Film Review): Why Storytelling Matters
by Edgar Ortega
  • October 1, 2022
Film Festivals
Alta Valley (Film Review): A Mixed Bag of a Western
by Joseph Tomastik
  • September 29, 2022
Venice Film Festival
Burning Hearts: Film Review
by Claire Fulton
  • September 29, 2022
Venice Film Festival
Luxembourg, Luxembourg (Film Review): Daddy (Not So) Cool
by Claire Fulton
  • September 27, 2022
London Film Festival
2022 BFI London Film Festival: 20 Films to Watch
by Loud And Clear
  • September 25, 2022
Film Festivals
Saint Omer (2022) Film Review: Mother’s Guilt
by Claire Fulton
  • September 23, 2022
Interviews
Stéphane Lafleur on “Viking”: TIFF Interview
by Joseph Tomastik
  • September 23, 2022
Interviews
Carmen Jaquier & Lilith Grasmug on “Thunder”: TIFF Interview
by Joseph Tomastik
  • September 22, 2022
TIFF
Venus (Film Review): Wake Me Up Before You Go-Go
by Hector A. Gonzalez
  • September 21, 2022
Film Festivals
Something You Said Last Night: Film Review
by Olivia Savage
  • September 20, 2022
TIFF
V/H/S/99 Review: Uneven Found Footage Schlock
by Joseph Tomastik
  • September 18, 2022
TIFF
Wendell & Wild (Film Review): Stuffed Toy Box of Horrors
by Hector A. Gonzalez
  • September 18, 2022
TIFF
The Greatest Beer Run Ever (TIFF 2022): Film Review
by Joseph Tomastik
  • September 17, 2022
TIFF
Empire of Light (Film Review): A Messy But Gorgeous Romance
by Joseph Tomastik
  • September 16, 2022
TIFF
The Fabelmans (Movie Review): A Tribute to Film and Family
by Joseph Tomastik
  • September 15, 2022
TIFF
Women Talking (Film Review): “The Sun is Setting, and Our Light is Fading”
by Hector A. Gonzalez
  • September 15, 2022
TIFF
The Wonder (Film Review): The Act of Belief in a World of Deceptions
by Hector A. Gonzalez
  • September 15, 2022
TIFF
Pearl (TIFF Review): Mia Goth Shines in a Fitting Prequel
by Joseph Tomastik
  • September 14, 2022
Films
The Whale (Film Review): Fraser Excels In Heartbreaking Tale
by Joseph Tomastik
  • September 14, 2022
Venice Film Festival
No Bears (Khers Nist) Review: Great Guerrilla Storytelling
by Claire Fulton
  • September 14, 2022
TIFF
All the Beauty and the Bloodshed: Film Review
by Hector A. Gonzalez
  • September 14, 2022
Venice Film Festival
Dead for a Dollar (Film Review): Enjoyable, But Puzzling
by Serena Seghedoni
  • September 14, 2022
TIFF
Broker (Film Review): Replaying the Greatest Hits
by Hector A. Gonzalez
  • September 14, 2022
TIFF
Glass Onion: A Knives Out Mystery (TIFF 2022) Film Review
by Joseph Tomastik
  • September 13, 2022
TIFF
Decision to Leave: Film Review
by Hector A. Gonzalez
  • September 13, 2022
TIFF
Moonage Daydream (Film Review): The Prettiest Star
by Hector A. Gonzalez
  • September 13, 2022
TIFF
Joyland (Film Review): Repressed Desires & Gender Roles
by Hector A. Gonzalez
  • September 13, 2022
TIFF
Viking Review: Ambiguous Space Character Study
by Joseph Tomastik
  • September 13, 2022
TIFF
The Blue Caftan: Film Review
by Hector A. Gonzalez
  • September 12, 2022
Interviews
Argentina, 1985: Interview with Santiago Mitre, Ricardo Darín & Alejandra Flechner
by Serena Seghedoni
  • September 12, 2022
TIFF
Corsage: Film Review
by Hector A. Gonzalez
  • September 12, 2022
TIFF
The Woman King (TIFF Review): An Epic, Emotional Powerhouse
by Joseph Tomastik
  • September 11, 2022
TIFF
R.M.N. (Film Review): Hatred Deteriorates the Mind
by Hector A. Gonzalez
  • September 11, 2022
TIFF
De Humani Corporis Fabrica (TIFF Review): The Unflinching Wonders of Our Bodies
by Hector A. Gonzalez
  • September 11, 2022
TIFF
Weird: The Al Yankovic Story (TIFF 2022): Film Review
by Joseph Tomastik
  • September 10, 2022
TIFF
Pacifiction (Film Review): Political Paranoia & the Inevitability of Evil
by Hector A. Gonzalez
  • September 10, 2022
Venice Film Festival
Hanging Gardens (Venice Review): Let’s Talk About Sex(dolls)
by Claire Fulton
  • September 9, 2022
TIFF
Return to Seoul: Film Review
by Hector A. Gonzalez
  • September 9, 2022
Venice Film Festival
Blonde (Netflix) Film Review
by Claire Fulton
  • September 8, 2022
Interviews
Director David Wagner on Eismayer: Venice Interview
by Serena Seghedoni
  • September 8, 2022
Venice Film Festival
The Banshees of Inisherin (Film Review): It’s Not Me, It’s You
by Claire Fulton
  • September 8, 2022
Venice Film Festival
Dreamin’ Wild: Film Review
by Claire Fulton
  • September 7, 2022
Venice Film Festival
The Son (Film Review): Superb Storytelling
by Serena Seghedoni
  • September 7, 2022
Venice Film Festival
The Eternal Daughter (Venice Review): In My Mother’s House
by Claire Fulton
  • September 7, 2022
Virtual Reality
“Typeman” Will Make You Feel Alive (Venice Immersive Review)
by Serena Seghedoni
  • September 6, 2022
Venice Film Festival
Don’t Worry Darling: Film Review
by Serena Seghedoni
  • September 6, 2022
Interviews
Florent Gouëlou, Pablo Pauly & Romain Eck on Three Nights A Week: Interview
by Serena Seghedoni
  • September 5, 2022
Venice Film Festival
Eismayer (Film Review): Love, Truth, & Masculinity
by Serena Seghedoni
  • September 4, 2022
Venice Film Festival
Bones And All (Film Review): “Let’s Be People.”
by Serena Seghedoni
  • September 2, 2022
Venice Film Festival
Living (2022) Film Review
by Serena Seghedoni
  • September 1, 2022
Venice Film Festival
TÁR (Film Review): The Downfall of a Narcissist
by Serena Seghedoni
  • September 1, 2022
Virtual Reality
Gumball Dreams Review: Vibrant Live Theatre VR Adventure
by Serena Seghedoni
  • September 1, 2022
Venice Film Festival
Three Nights A Week (Film Review): Love, in All Its Forms
by Serena Seghedoni
  • September 1, 2022
TIFF
TIFF 2022: 20 Films to Watch at the Toronto Film Festival
by Loud And Clear
  • August 25, 2022
Venice Film Festival
Venezia 79: 20 Films to Watch at the 2022 Venice Film Festival
by Loud And Clear
  • August 13, 2022
Venice Film Festival
2022 Venice Film Festival: All the Stars Confirmed in Attendance
by Loud And Clear
  • August 6, 2022
Virtual Reality
Venice Immersive: Virtual Reality Line-Up for Venezia 79 (2022)
by Serena Seghedoni
  • July 27, 2022
Venice Film Festival
2022 Venice Film Festival: Venezia 79 Line-Up Announced
by Serena Seghedoni
  • July 26, 2022
Interviews
Sophie Galibert & Alex Trewhitt on Cherry: Tribeca Interview
by Edgar Ortega
  • July 5, 2022
Tribeca Film Festival
Jerry & Marge Go Large (Tribeca Review)
by Edgar Ortega
  • June 19, 2022
Tribeca Film Festival
Pink Moon (Tribeca Review): A Bizarre & Honest Exploration of Mortality
by Edgar Ortega
  • June 17, 2022
Tribeca Film Festival
A Love Song (Film Review): Expert Minimalism
by Joseph Tomastik
  • June 17, 2022
Tribeca Film Festival
Attachment (Film Review): A Unique Spin on Possession
by Joseph Tomastik
  • June 15, 2022
Interviews
Iqbal Theba on Land of Gold: Interview
by Serena Seghedoni
  • June 15, 2022
Tribeca Film Festival
Land of Gold (Film Review): “The Choice in Between”
by Serena Seghedoni
  • June 14, 2022
Interviews
Clayne Crawford on The Integrity of Joseph Chambers: Tribeca Interview
by Edgar Ortega
  • June 14, 2022
SXSW
The Courtroom (2022) Film Review: Musings on Immigration Law
by Serena Seghedoni
  • June 13, 2022
Tribeca Film Festival
Employee of the Month (Film Review): A Flat Satire
by Joseph Tomastik
  • June 13, 2022
Tribeca Film Festival
In Her Name (Tribeca Review): An Awkward Family Drama
by Edgar Ortega
  • June 13, 2022
Film Festivals
Cherry (Film Review): A Charming Comedy About Embracing Adulthood
by Edgar Ortega
  • June 12, 2022
Tribeca Film Festival
Rounding (Tribeca Review): An Uneven Thriller Experiment
by Joseph Tomastik
  • June 12, 2022
Tribeca Film Festival
My Love Affair with Marriage (Film Review): The Truth About Love
by Serena Seghedoni
  • June 11, 2022
Film Festivals
Next Exit (2022) Film Review
by Serena Seghedoni
  • June 11, 2022
Tribeca Film Festival
Family Dinner (Movie Review): A Stomach-Churning Slow-Burn
by Joseph Tomastik
  • June 11, 2022
Tribeca Film Festival
The Integrity of Joseph Chambers: Film Review
by Edgar Ortega
  • June 10, 2022
Cannes Film Festival
Metronom (Cannes Review): “The Time to Hesitate is Through”
by Hector A. Gonzalez
  • June 7, 2022
Cannes Film Festival
Falcon Lake (Film Review): A Ghostly Tale of Young Love
by Hector A. Gonzalez
  • June 4, 2022
Tribeca Film Festival
Tribeca 2022: 15 Films to Watch at the Festival
by Loud And Clear
  • June 3, 2022
Cannes Film Festival
The Green Perfume (Cannes Review): Screwball Cure for Pledged Crimes
by Hector A. Gonzalez
  • May 30, 2022
Cannes Film Festival
El Agua (Cannes Review): Mythology & Naturalism Through the River Creeks
by Hector A. Gonzalez
  • May 26, 2022
Cannes Film Festival
Aftersun (Film Review): Sun, Sea & Melancholy
by Daniel Allen
  • May 25, 2022
Cannes Film Festival
Scarlet (L’Envol): Film Review
by Hector A. Gonzalez
  • May 24, 2022
Cannes Film Festival
One Fine Morning: Film Review
by Daniel Allen
  • May 24, 2022
Cannes Film Festival
Enys Men: Film Review
by Daniel Allen
  • May 23, 2022
Cannes Film Festival
Triangle of Sadness: Film Review
by Daniel Allen
  • May 22, 2022
Cannes Film Festival
Armageddon Time: Film Review
by Daniel Allen
  • May 20, 2022
Cannes Film Festival
Final Cut (Coupez!) Film Review
by Daniel Allen
  • May 18, 2022
Cannes Film Festival
2022 Cannes Film Festival: 15 Films to Watch
by Daniel Allen
  • May 7, 2022
Film Festivals
TRAMPS! (BFI Flare Review): All Hail The New Romantics!
by Daniel Allen
  • March 26, 2022
Film Festivals
The Novice (BFI Flare Review): First or Last
by William Stottor
  • March 26, 2022
Film Festivals
The Sound of Scars (BFI Flare Review): A Truly Powerful Watch
by Daniel Allen
  • March 25, 2022
Film Festivals
The Divide (BFI Flare Review): Volatile A&E Drama
by William Stottor
  • March 24, 2022
Film Festivals
Sirens (BFI Flare Review): Rock ‘n’ Roll in Lebanon
by Daniel Allen
  • March 23, 2022
Film Festivals
Wildhood (BFI Flare Review): Ode to the Mi’kmaw
by Daniel Allen
  • March 22, 2022
Film Festivals
Cop Secret (Film Review): Reykjavík Vice
by Daniel Allen
  • March 21, 2022
Film Festivals
A Distant Place (BFI Flare): Film Review
by William Stottor
  • March 20, 2022
Interviews
Cha Cha Real Smooth at SXSW: Red Carpet Interview
by Joseph Tomastik
  • March 19, 2022
SXSW
To Leslie (SXSW Review): Riseborough & Maron Anchor Affecting Drama
by Zoe Rose Bryant
  • March 19, 2022
SXSW
Soft & Quiet (SXSW Review): The Sickening Horrors of Reality
by Joseph Tomastik
  • March 18, 2022
Film Festivals
Girls Girls Girls: Film Review
by William Stottor
  • March 16, 2022
SXSW
The Prank (SXSW Review): A Messy Bait-and-Switch Thriller
by Joseph Tomastik
  • March 16, 2022
Film Festivals
Charli XCX: Alone Together (BFI Flare Review): How We Felt Then
by Daniel Allen
  • March 16, 2022
Films
Bodies Bodies Bodies (Film Review): A Madhouse of Fun
by Joseph Tomastik
  • March 15, 2022
SXSW
Slash/Back (Film Review): Vibrant Inuit Alien Invasion Film
by Serena Seghedoni
  • March 15, 2022
SXSW
Linoleum: Film Review
by Zoe Rose Bryant
  • March 15, 2022
SXSW
Pretty Problems (SXSW Review): Champagne & Emptiness
by Isobel Nutbrown
  • March 14, 2022
SXSW
The Girl From Plainville (Hulu): Episode 1 Review
by Serena Seghedoni
  • March 14, 2022
SXSW
I Love My Dad (Film Review): A Riotous Father-Son Road Trip with A Twist
by Zoe Rose Bryant
  • March 14, 2022
SXSW
Apollo 10 1/2: A Space Age Childhood Review
by Joseph Tomastik
  • March 14, 2022
SXSW
Watcher (SXSW Review): Maika Monroe Makes Her Return to Horror
by Zoe Rose Bryant
  • March 14, 2022
SXSW
We Are Not Ghouls (Film Review): Guantanamo Doc Inspires
by Serena Seghedoni
  • March 13, 2022
Film Festivals
Murina (Glasgow Review): Chilling Parental Control
by William Stottor
  • March 13, 2022
SXSW
The Unbearable Weight of Massive Talent: SXSW Review
by Joseph Tomastik
  • March 13, 2022
SXSW
Crows Are White (Film Review): The Cages We Build & Escape
by Serena Seghedoni
  • March 13, 2022
Film Festivals
Mandrake (Shudder) Film Review: Root Of All Evil
by Claire Fulton
  • March 13, 2022
Film Festivals
Happening (Glasgow Review): The Ugliness of Law
by William Stottor
  • March 12, 2022
SXSW
Everything Everywhere All At Once (Film Review): Loving Insanity
by Joseph Tomastik
  • March 12, 2022
Film Festivals
Moon, 66 Questions (Film Review): A Delicate Look at Two Estranged Souls
by Hector A. Gonzalez
  • March 11, 2022
Film Festivals
Prayers for the Stolen (Film Review): A Haunting Masterwork
by William Stottor
  • March 10, 2022
Film Festivals
Angry Young Men (2022): Film Review
by Claire Fulton
  • March 9, 2022
Film Festivals
Adult Adoption: Film Review
by Claire Fulton
  • March 8, 2022
Film Festivals
Anaïs in Love: Film Review
by William Stottor
  • March 8, 2022
Film Festivals
Benediction (2022) Film Review
by William Stottor
  • March 7, 2022
Film Festivals
Nitram (Glasgow Review): The ‘Making’ of a (Gun)Man
by Claire Fulton
  • March 5, 2022
SXSW
SXSW 2022: 15 Films to Watch at South By Southwest
by Loud And Clear
  • March 5, 2022
Film Festivals
Yuni (Glasgow Review): Quietly Determined Liberation
by William Stottor
  • March 4, 2022
Film Festivals
Cette Maison (Film Review): Jumbled Visions of Grief
by Claire Fulton
  • February 13, 2022
Sundance Film Festival
Maika (Sundance Review): A Cute Nostalgic Ride for 90s and 2000s Kids
by Atreyo Palit
  • February 2, 2022
Interviews
Director Alli Haapasalo on Girls Girls Girls (Sundance Interview): “A Film About the Need to Be Seen”
by Serena Seghedoni
  • January 30, 2022
Interviews
Editor Chris Witt on Film “Breaking”: Interview
by Serena Seghedoni
  • January 29, 2022
Sundance Film Festival
Sharp Stick (Film Review): “Be Proud of Your F*ing Scars”
by Serena Seghedoni
  • January 27, 2022
Sundance Film Festival
Alice (Film Review): Keke Palmer Shines in So-So Slavery Drama
by Zoe Rose Bryant
  • January 26, 2022
Sundance Film Festival
Resurrection (2022) Film Review
by Edgar Ortega
  • January 25, 2022
loud and clear reviews rising phoenix evan rachel wood part 1
Sundance Film Festival
Phoenix Rising, Part 1 (HBO) Review
by Serena Seghedoni
  • January 25, 2022
Sundance Film Festival
Honk for Jesus. Save Your Soul: Film Review
by Zoe Rose Bryant
  • January 25, 2022
Sundance Film Festival
My Old School (Film Review): Deception & Survival
by Serena Seghedoni
  • January 24, 2022
Sundance Film Festival
Cha Cha Real Smooth (Review): The Standout of Sundance 2022
by Zoe Rose Bryant
  • January 24, 2022
Sundance Film Festival
Dual (Film Review): Sci-Fi Flick Fumbles at the Finish Line
by Zoe Rose Bryant
  • January 23, 2022
Sundance Film Festival
Good Luck to You, Leo Grande (Review): An Ode to Self-Love
by Serena Seghedoni
  • January 23, 2022
Sundance Film Festival
Call Jane (Film Review): Banks & Weaver Deliver in Abortion Drama
by Zoe Rose Bryant
  • January 22, 2022
Sundance Film Festival
FRESH (Film Review): Sebastian Stan Excels in Familiar Horror
by Serena Seghedoni
  • January 21, 2022
Sundance Film Festival
When You Finish Saving the World (Film Review): A Deeply Felt Family Drama
by Zoe Rose Bryant
  • January 21, 2022
Sundance Film Festival
The Panola Project (Sundance Review): Local Hero
by Claire Fulton
  • January 20, 2022
Sundance Film Festival
Hallelujah (Sundance Review): Family Ties
by Claire Fulton
  • January 20, 2022
Sundance Film Festival
2022 Sundance Film Festival: 10 Films to Watch
by Loud And Clear
  • January 5, 2022
Interviews
Director Hong Sung-eun on Aloners (Film Interview)
by Serena Seghedoni
  • December 21, 2021
Film Festivals
Sisters (Soeurs) Film Review
by Claire Fulton
  • December 14, 2021
Film Festivals
Fly Me Away (Envole-moi) Film Review
by Claire Fulton
  • December 11, 2021
Film Festivals
The Enemy (L’ennemi) FFF Review: A Man of Many Faces
by Claire Fulton
  • December 11, 2021
Film Festivals
Margaux Hartmann: Film Review
by Joe Flockhart
  • December 10, 2021
Film Festivals
The Speech (FFF Film Review
by Jack Walters
  • December 8, 2021
Film Festivals
Aloners (Film Review): The Burdens We Silently Share
by Serena Seghedoni
  • December 1, 2021
Film Festivals
La Chica Nueva (Torino Review): A Snapshot of Argentina
by Serena Seghedoni
  • November 28, 2021
Film Festivals
A Radiant Girl (Une Jeune Fille Qui Va Bien): Film Review
by Serena Seghedoni
  • November 27, 2021
Film Festivals
Drive My Car: Film Review
by Zoe Rose Bryant
  • November 17, 2021
Film Festivals
Sing 2 (AFI Review): Symphonic Sequel Hits All the Right Notes
by Zoe Rose Bryant
  • November 16, 2021
Film Festivals
Bruised (Film Review): Berry is Fantastic in a Familiar Film
by Zoe Rose Bryant
  • November 16, 2021
Film Festivals
Swan Song (AFI Review): Mahershala Ali Delivers in Dual Roles
by Zoe Rose Bryant
  • November 15, 2021
Film Festivals
Vera Dreams of the Sea (AFI Review): Grief and Property
by Cameron Fairchild
  • November 15, 2021
Film Festivals
Jockey (AFI Review): Clifton Collins Jr At His Career Best
by Zoe Rose Bryant
  • November 13, 2021
Film Festivals
The Simple Charm of “Paris, 13th District” (AFI Fest Review)
by Cameron Fairchild
  • November 12, 2021
Film Festivals
tick, tick…BOOM! (AFI Review): Garfield’s Greatest Performance
by Zoe Rose Bryant
  • November 12, 2021
Film Festivals
Sweet Disaster: Film Review
by Jack Walters
  • November 1, 2021
Film Festivals