EDINBURGH FILM FESTIVAL

LONDON FILM FESTIVAL

SUNDANCE FILM FESTIVAL

VENICE FILM FESTIVAL

Crow: The Legend (VR) is a Shot of Pure Happiness (Review)
Ema: Hypnotic dance scenes cannot save flawed family drama (Review)
Loud and Clear Reviews Possessor movie Brandon Cronenberg Sundance Film Festival
Possessor: A smart, twisted take on the sci-fi horror hybrid (Review)
Never Rarely Sometimes Always: a genre-defying movie on the difficulties of adulthood (Review)
Bombay Rose: a piquant tale of love, magic, and imagination (Review)
Seeing the Unseen: female autism and how to fall in love with diversity (Review)
This World Won’t Break: the American Dream at its most real (Review)
Heroic Losers: a hilarious heist drama about the best of Argentinian values (Review)
Santiago, Italia: a lesson in history and on the frailty of truth (Review)
I Want My MTV: a Must-See Slice of Rock N’ Roll History (Review)
Dive: Rituals in Water: a soothing documentary about swimming and playfulness (Review)
James Vs His Future Self: time travel, sci-fi and life-changing conversations (Review)
Love, Antosha is the Most Important Film You’ll See This Year (Review)
The Report is Amazon’s Love Letter to Political Dramas (Review)
Seberg is a well-crafted thriller about human connection (Review)
Abominable is charming, entertaining and full of emotion (Review)
The Farewell: a delightful investigation on love and relationships (Review)
Pink Wall: a charming, merciless companion to human relationships (Review)
Martin Eden: the well-trimmed tale of an outdated Everyman (Review)
Marriage Story: The Red Carpet Interview (London Film Festival)
Jojo Rabbit is delightfully absurd and surprisingly poetic (Review)
Cold Case Hammarskjöld: Let’s Make Documentaries Great Again (Review)
Koko-di Koko-da: an overconstructed dark tale for sunny Sweden (Review)
“Making Waves: The Art of Cinematic Sound” is a celebration of creativity and a walk down memory lane (Review)
Le Cri: Edvard Munch’s The Scream comes alive in Virtual Reality (Interview)
An Officer And A Spy (J’Accuse): Jean Dujardin excels in Polanski’s drama (Review)
Loud and Clear Reviews The Laundromat Antonio Banderas Gary Oldman Meryl Streep Netflix
The Laundromat is the Panama Papers drama we didn’t know we needed (Review)
Ad Astra: Brad Pitt’s journey to Neptune is intentionally emotionless (Venice Film Festival Review)
Joker is Pure Cinematic Perfection (Venice Film Festival Review)
Loveseat: The VR Theatre Performance That Helps Us Feel (Interview)
Luce is a clever analysis of human nature (Sundance Film Festival Review)
Virtual Reality: our 15 favourite experiences at the 2019 Venice Film Festival
2019 Venice Film Festival: 25 films you need to watch
The Dead Don’t Die is that film you grow to love and you don’t know why (Review)
I See You: Helen Hunt stars in dark, clever, hauntingly good horror thriller (Review)
The Grizzlies: Miranda de Pencier on her extraordinary true story of acceptance and resilience (Interview)
Love Type D: Sasha Collington on her infectiously enjoyable rom-com (Edinburgh Film Festival Interview)
Ode To Joy: Martin Freeman shines in heartwarming rom-com (Review)
Schemers: interview with Dave McLean and Conor Berry (Edinburgh Film Festival)
The Captor: “absurd but true” Stockholm Syndrome story is entertaining and darkly comic though not so absurd after all (Review)
Late Night: Thompson and Kaling inspire and entertain in insightful comedy drama (Sundance Film Festival)
Stan & Ollie is moving, nostalgic and full of heart (Review)
Extremely Wicked, Shockingly Evil and Vile: Zac Efron shines in Ted Bundy drama (Review)
Charlie Says: Matt Smith is Charles Manson in powerful psychological drama (Review)
Virtual Reality VR Gloomy Eyes Eclipse Horrifically Real Virtuality
Virtual Reality: our favourite experiences at Sundance and Venice
The Bill Murray Stories: Bill Murray teaches us how to live (Review)
After the Wedding: Williams and Moore excel in exquisitely moving drama (Review)
Blinded by the Light is the Springsteen feel-good drama we needed (Review)
The Dress Up Gang: Interview with the comedy trio who turned hilarious hit web series into a show (Sundance Film Festival)
I Am Mother: Sputore’s clever sci-fi thriller is exquisitely unsettling (Sundance Film Festival)
2019 Sundance Film Festival: Final Line-Up
The White Crow: Fiennes’ Nureyev inspires and captivates at London Film Festival (Review)
“Making the film is absolutely secondary to experiencing it”: Roberto Minervini on What You Gonna Do When The World’s On Fire? (Interview)
Assassination Nation: Review (London Film Festival)
The Kindergarten Teacher: Review (London Film Festival)
BFI London Film Festival 2018: 30 films you need to see
The Favourite: Review (Venice Film Festival)
Best of 75 Venice Film Festival: Suspiria
A Star is Born and Vox Lux: the consequences of fame at the Venice Film Festival
Roma: Cuarón’s memories come to life in exceptional tale about identity
Virtual Reality in Competition at 75th Venice Film Festival: full Line-up and guide
“Anna and the Apocalypse” and the rise of the genre mashup
75th Venice Film Festival, “In Competition”: full Line-Up and most anticipated premieres
A Star Is Born: official poster (Warner Bros)
Bradley Cooper’s A Star is Born starring Lady Gaga will premiere at the 75th Venice Film Festival
Damien Chazelle’s First Man will open the 75th Venice Film Festival
some like it hot
75th Venice Film Festival: Restored Films Line-Up announced
Steel Country: Andrew Scott is exceptional in clever crime drama (Review)
Best of Edinburgh Film Fest: Unicorn Store (Review)
Three Billboards Outside Ebbing, Missouri is the film you absolutely need to watch (Review)
venice virtual reality
Venice Virtual Reality: the new shape of cinema at the 74° International Film Festival
Robert Redford and Jane Fonda in Our Souls At Night Netflix
Our Souls At Night is on Netflix today and is all about life after loss (Review)
Helen Mirren Donald Sutherland Venice Film Festival
The Leisure Seeker and Loving Pablo: the best and worst on-screen couples at the 74° Venice Film Festival