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2023 BFI Flare: 15 Films to Watch
The Kingdom: Exodus (LFF): Episodes 1 & 2 Review
Meet Me in the Bathroom: Film Review
You Won’t Be Alone (LFF Review): A Fantastical Fable of Darkness
The Inspection (Film Review): Looking for Acceptance
Till (Film Review): Deadwyler Delivers a Powerhouse Performance
The Stranger (Netflix) 2022 Film: LFF Review
Brainwashed: Sex-Camera-Power (LFF Review): Male Gaze for Dummies
Guillermo del Toro’s Pinocchio (Film Review): Far From Wooden
My Policeman (Film Review): Cast Shines in Riveting Adaptation - LFF
Lady Chatterley’s Lover (2022) Netflix Film: LFF Review
Fast & Feel Love (LFF Review): Stacking Cups and Growing Up
She Said (LFF Review): A Momentous Investigative Drama
Star Dolly De Leon on Triangle of Sadness (LFF Interview)
Klondike (LFF Review): Domestic Drama Meets War Film
More Than Ever (Film Review): “Everything We Will Never Be Again”
Director Hlynur Palmáson on Godland (LFF Interview)
Brother (LFF Review): A Perfect Literary Adaptation
The Damned Don’t Cry (LFF Review): A Dense, Complex Work
The Origin (LFF Review): A Propulsive Prehistoric Tale
The Good Nurse (LFF Review): Chastain Highlights True Crime Drama
Last Flight Home (LFF Review): “Try A Little Kindness”
Close (Film Review): The Bone Breaks; It Grows Back Stronger
Godland (Film Review): A Muddled but Beautiful Odyssey
Alcarràs (LFF Review): Familial Strife, Familial Affection
Holy Spider: Film Review
Nanny: Interview with Anna Diop, Michelle Monaghan & Zephani Idoko (LFF Red Carpet)
Blue Jean (LFF Review): An Exceptional Debut Film
EO (2022 Film) LFF Review: Channeling Bresson
Bardo, False Chronicle of a Handful of Truths: LFF Review
Causeway (LFF Review): Lawrence & Henry Excel in Indie Drama
Klokkenluider (LFF Review): A Devious Comedy Drama
Coma (2022 Film) LFF Review: Musings of a Locked-Down Mind
Roald Dahl’s Matilda: the Musical (2022 Film): LFF Review
Love Life (LFF Review): Inconsistent Japanese Family Melodrama
The Woman in the White Car (LFF Review): Twists & Turns Galore
Nanny (LFF Review): Psychological Horror Grounded in Realism
Lynch/Oz (Film Review): “There’s No Place Like Home”
All That Breathes: Film Review
White Noise (Film Review): The Sound of Existential Dread
Sick of Myself (Film Review): A Squirm-Inducing Wonder
Ashkal (LFF Review): Neo-Noir Tunisian Crime Thriller
2022 BFI London Film Festival: 20 Films to Watch
Saint Omer (2022) Film Review: Mother’s Guilt
Benedetta (LFF Review): Paul Verhoeven’s Story of Forbidden Love
Ride The Wave (Film Review): ‘Tomorrow and Every Other Day’
ear for eye (LFF Review): Challenging Call for Action
Bull (2021): A Lean, Mean Crime Thriller (LFF Review)
Hit the Road (LFF Review): Dynamic Road Trip Drama
Shepherd (LFF Review): An Atmospheric But Ordinary Horror
Queen Of Glory (LFF Review): Chaos, Colour, and Weed
The Hand of God: Maradona Maketh Man (London Film Festival Review)
Wheel of Fortune and Fantasy: Snapshots of Life (LFF Review)
Director Radu Jude on Bad Luck Banging or Loony Porn (LFF Interview)
The Souvenir: Part II (LFF Review): Personal and Tender Closure
Boiling Point (Film Review): Sizzling One Take Restaurant Drama
The Harder They Fall (LFF Review): An Unrestrained Western Riot
Il Buco: Delicate Cave-Based Descent (London Film Festival Review)
Belle: Beauty and The Beast and Online Bullying (LFF Review)
Bad Luck Banging or Loony Porn (LFF Review): Raging Romanian Satire
After Love (Film Review): Love & Revelations Distanced by the Channel
Ammonite (LFF Review): A Story Of Opposites Told Best By Hands
Rose: A Love Story – Dark & Tender Romance Challenged By Illness (LFF Review)
Limbo (LFF Review): An Ode to A Past Identity
Wildfire (Review): Allegoric Tale of (Northern) Ireland’s Traumatic Past
A Common Crime (Un Crimen Común) Review: Political Drama Disguised as a Thriller
The Reason I Jump: a Sensorial Experience about Non-Verbal Autism (LFF Review)
Chess of the Wind (LFF Review): Rediscovered Iranian Drama is a Revelation
Undine: A Smart and Intoxicating Mythic Romance (LFF Review)
Time: Delicately Made Documentary Beautifully Balances Hurting with Hope (LFF Review)
Supernova (2020): Film Review
Farewell Amor (Film Review): “So We Danced”
Honeymood: What it Means to Be in Love with Someone, and with Yourself (LFF Review)
Herself: London Film Festival Review
180 Degree Rule: A Somewhat Predictable Yet Darkly Compelling Debut (LFF Review)
The Painter and the Thief explores the Strange Places Inspiration Leads Us (LFF Review)
Mogul Mowgli: Riz Ahmed Excels, but the Film Stumbles (Review)
Wolfwalkers: A Fantastical Folk Tale Full of Heart and Humanity (Review)
Abominable (Review): Charming, Entertaining & Full of Emotion
Pink Wall: a charming, merciless companion to human relationships (Review)
Martin Eden: the well-trimmed tale of an outdated Everyman (Review)
Marriage Story: The Red Carpet Interview (London Film Festival)
Jojo Rabbit (Review): Delightfully Absurd & Surprisingly Poetic
Cold Case Hammarskjöld (Review): Let’s Make Documentaries Great Again
Koko-di Koko-da: an overconstructed dark tale for sunny Sweden (Review)
“Making Waves: The Art of Cinematic Sound” is a celebration of creativity and a walk down memory lane (Review)
Stan & Ollie (Review): Moving, Nostalgic & Full of Heart
The Bill Murray Stories (Review): Bill Murray Teaches us How to Live
The White Crow (Review): Fiennes’ Nureyev Inspires & Captivates
Roberto Minervini on What You Gonna Do When The World’s On Fire? (Interview)
Assassination Nation (Review): “A Movie for Absolutely Right Now”
The Kindergarten Teacher (Review): A Clever Analysis of Human Behaviour
BFI London Film Festival 2018: 30 films you need to see