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After Love: a Film about Love and Revelations Distanced by the Channel (LFF Review)
Ammonite: A Story Of Opposites Told Best By Hands (LFF Review)
Rose: A Love Story – A Dark and Tender Romance Challenged By Illness (LFF Review)
Limbo: An Ode to A Past Identity (LFF Review)
Wildfire: a Slightly Allegoric Tale of (Northern) Ireland’s Traumatic Past (LFF Review)
A Common Crime (Un Crimen Común): a Political Drama Disguised as a Thriller (LFF Review)
The Reason I Jump: a Sensorial Experience about Non-Verbal Autism (LFF Review)
Chess of the Wind: Rediscovered Iranian Drama is a Revelation (LFF Review)
Undine: A Smart and Intoxicating Mythic Romance (LFF Review)
Time: Delicately Made Documentary Beautifully Balances Hurting with Hope (LFF Review)
Supernova: Firth and Tucci Shine, But the Fireworks Do Not Go Off (LFF Review)
Farewell Amor: “So We Danced” (LFF Review)
Honeymood: What it Means to Be in Love with Someone, and with Yourself (LFF Review)
Herself: Dublin’s Heartfelt Story of Emancipation and Humanity (LFF Review)
180 Degree Rule: A Somewhat Predictable Yet Darkly Compelling Debut (LFF Review)
The Painter and the Thief explores the Strange Places Inspiration Leads Us (LFF Review)
Mogul Mowgli: Riz Ahmed Excels, but the Film Stumbles (Review)
Wolfwalkers: A Fantastical Folk Tale Full of Heart and Humanity (Review)
Abominable is charming, entertaining and full of emotion (Review)
Pink Wall: a charming, merciless companion to human relationships (Review)
Martin Eden: the well-trimmed tale of an outdated Everyman (Review)
Marriage Story: The Red Carpet Interview (London Film Festival)
Jojo Rabbit is delightfully absurd and surprisingly poetic (Review)
Cold Case Hammarskjöld: Let’s Make Documentaries Great Again (Review)
Koko-di Koko-da: an overconstructed dark tale for sunny Sweden (Review)
“Making Waves: The Art of Cinematic Sound” is a celebration of creativity and a walk down memory lane (Review)
Stan & Ollie is moving, nostalgic and full of heart (Review)
The Bill Murray Stories: Bill Murray teaches us how to live (Review)
The White Crow: Fiennes’ Nureyev inspires and captivates at London Film Festival (Review)
“Making the film is absolutely secondary to experiencing it”: Roberto Minervini on What You Gonna Do When The World’s On Fire? (Interview)
Assassination Nation: “a Movie for Absolutely Right Now” (Review)
The Kindergarten Teacher is a Clever Analysis of Human Behaviour (Review)
BFI London Film Festival 2018: 30 films you need to see