Simultaneously dazzling and poignant, Jump, Darling is a terrific drama with star turns from Thomas Duplessie and the late Cloris Leachman.
The Banishing offers very little new or revolutionary, but remains relatively enjoyable and features impressive performances and sumptuous production design.
Duel is one hell of a ride and Spielberg at his finest – playful, refined and above all else, entertaining.
Back to the Wharf’s basic premise is intriguing and potentially powerful but it becomes cluttered with odd directorial, design and writing choices.
Startling in its intimacy and measured in its pacing, Gunda is a one-of-a-kind nature documentary which serves as an abrupt but much-needed wake-up call to humanity.
Ham on Rye takes a genre as old as time and adds a new and unique direction to it, marking director Tyler Taormina as one to watch.
Highly regarded but sometimes momentarily forgotten, Casino is still one of Martin Scorsese’s crowning achievements.
Restrained and patient, The Rental has glimmers of potential without ever becoming the memorable, intelligent horror it seems to want to be.
Driveways is both a fitting farewell to Brian Dennehy and an uplifting message for people everywhere, a film all should see and all can appreciate.