Bull (2021) is a brutal tale told with an unflinching callousness whilst offering little reward or glory, only twisted revenge.
Todd Haynes’ The Velvet Underground is everything the band was: experimental, unique, energetic and, above all else, hypnotic.
Hit the Road is a chaotic but tender snapshot of a family on a journey, shifting at ease between light-hearted humour and affecting drama.
Shepherd is an occasionally scary story of grief and isolation, but it ultimately never does anything particularly out of the ordinary or memorable.
Paolo Sorrentino’s new Netflix feature, The Hand of God, is an expectedly poetic coming-of-age drama set against a sun-kissed Neopolitan backdrop.
Through three distinct but thematically connected stories in Wheel of Fortune and Fantasy, Ryûsuke Hamaguchi paints a vivid portrait of people facing choices and fates.
Before its screening at the London Film Festival, we interviewed director Radu Jude about his Golden Bear-winning Bad Luck Banging or Loony Porn.
Joanna Hogg signs off on her double feature with The Souvenir: Part II, a quietly powerful, meta journey through grief and beyond.
Consistently captivating, Boiling Point serves up a main course of tension with side portions of humour, effective drama and memorable acting.
With The Harder They Fall, Jeymes Samuel gives a voice to those who existed but were rarely heard, and issues in a new and exciting era for the Western genre.