Remake (2026) Film Review: Hypnotic Memory Piece
Remake, Ross McElwee’s first film in 14 years, is a frequently dazzling reflection on life, death, and the many connections and paths we navigate along the way.
Elsinore Film Review: To Be, However Briefly
In Elsinore, Andrew Scott gives the performance of his career as Ian Charleson, the actor who played Hamlet while dying of AIDS.
The Surgeon Film Review: First, Do Some Harm
Michelle Yeoh plays a retired surgeon kidnapped and forced to operate on a crime boss in The Surgeon, Roshan Sethi’s lean, extremely gory thriller.
Possible Love Film Review: A Study of Class
Lee Chang-dong’s Possible Love is a masterful dissection of class privilege, socioeconomic disparity, and our ability to understand the fragility of others.
The Drop: A Snowfall Saga Review
The Drop: A Snowfall Saga is off to a promising start with its authentic, evocative portrait of the Gangsta Rap Era, despite a jumbled structure.
Closing Night Film Review: Mother, Courage
Sarah Paulson gives the best performance of her career in Cody Fern’s debut Closing Night, with Naomi Watts and Dianne Wiest right beside her.
Stuffed Film Review: Preserve Me, Darling
Jodie Comer and Harry Melling sing every note of Stuffed, a macabre love story that’s one of the most original things at TIFF 2026.
Buddy Film Review: Kids’ Show Turns Nasty
Buddy gleefully and wholly commits to slashing apart preschool programming with a hilarious, strange, razor-sharp horror comedy.
River (2026) Movie Review: No Motive, No Mercy
A slasher stripped to its bones. No motive, no mercy, no cell service. Joshua Giuliano’s debut, River, opened TIFF Midnight Madness with a bang.
Everybody Wants to F*ck Me: Movie Review
Everybody Wants to F*ck Me starts as a comedy about modern dating and becomes something with teeth. Taron Egerton has never been better.