I Love Boosters Film Review: Fashion Frenzy
Boots Riley’s I Love Boosters guides energized performances through a highly entertaining, creatively unhinged skewering of today’s world.
Titanic Ocean Review: Magical World of Mermaids
Konstantina Kotzamani’s Titanic Ocean is a magical and unique coming-of-age tale, even if a portion of it veers into repetition.
Minotaur Review: Russia Caught In A Labyrinth
Writer-director Andrey Zvyagintsev returns angrier than ever with Minotaur, his latest excoriation of the authoritarian Russian state.
9 Temples to Heaven Review: Alluring Slow Cinema
9 Temples to Heaven, the feature film directorial debut from Sompot Chidgasornpongse, is a carefully paced rumination on death and spiritualism.
Double Freedom (La Libertad Doble) Review
In Double Freedom, Lisandro Alonso reminds us of what a sequel should do, revisiting his earliest triumph while taking it in new directions.
Is God Is (2026) Film Review: Cycles of Trauma
Is God Is, from writer and director Aleshea Harris, is a tale of revenge that is also a story of collective trauma and its impact on individuals.
Colony (Gun-Che) Review: All Gore and Guts
Colony (Gun-Che), the latest film from Train to Busan director Yeon Sang-ho, is a high-speed ride that promises intense fun, and a whole lot of blood.
Propeller One-Way Night Coach Review
Propeller One-Way Night Coach is a huge success of a film, leaving us to wonder why John Travolta didn’t dabble in directing earlier on in his career.
All the Lovers in the Night (2026) Film Review
Both a hopeful search for the light and a tragic exploration of trauma, All the Lovers in the Night is a potent film about grief, isolation, and, ultimately, love.
Fatherland Review: Home Is Where The Heartbreak Is
Sandra Hüller shines in Fatherland, Paweł Pawlikowski’s latest gorgeous journey to find the people and places we call home.