The Blue Trail Review: Elderly Freedom

Gabriel Mascaro’s The Blue Trail (O Último Azul) organically crafts an authoritarian world that devalues people the older they get.
Roofman Review: Channing Tatum In His Prime

Both Channing Tatum and Kristen Dunst charm audiences in Roofman, one of the funniest yet most emotional movies of the year.
A Private Life Review: Witty Murder Mystery

A standout performance from Jodie Foster leads A Private Life, an amusing murder mystery tale that delivers a quirky script.
Broken English Film Review: Bold & Brilliant

Part documentary, part investigative drama, and part dystopia, Broken English is a bold and brilliant movie.
Human Resource Review: What Doesn’t Kill You Makes You Number

In Human Resource, Nawapol Thamrongrattanarit holds up a mirror to our capitalist society and shows us that this world isn’t meant for good people.
Dry Leaf Review: A Film of Spontaneity

Shot entirely on a Sony Ericsson, Alexandre Koberidze’s Dry Leaf journeys through rural football fields in Georgia for an artful, singular film.
Pillion Movie Review: In the Name of Love

Pillion, Harry Lighton’s debut feature film, is the most shockingly earnest and wildly vulnerable romance of 2025.
Blood Simple Review: Neo-Noir Masterpiece

Blood Simple is one of the greatest debuts in cinema history, showing us a glimpse of the seedy underbelly of small-town Texas.
No Country for Old Men Review: 2000s Classic

No Country for Old Men gets everything right, and should be viewed as the Coen Brothers’ best effort and the defining film of the 2000s.
Levers NYFF Film Review: We Are All Levers

Rhayne Vermette’s sophomore feature, Levers, requires intensive patience from its audience, but is singular in its execution.