Sirât Review: Sun, Sand and Salvation
Confrontational but contemplative, Oliver Laxe’s Sirât is a brilliantly energetic and well-crafted take on the long night of the soul.
Left-Handed Girl Review: It’s Not Mother’s Day
With energy and empathy, Shih-Tsing Chou tells a tale of women’s hard graft in Left-Handed Girl, a triumph for its co-writer/director and cast.
Peak Everything Film Review: Anxious Love
Peak Everything is a quirky rom-com that uses the protagonist’s eco-anxiety to tell a magical realist tale of love in the face of inevitable climate disasters.
Two Prosecutors Review: Blind Patriotism
Sergei Loznitsa’s Two Prosecutors depicts a contemplative, Sisyphean attempt to restore justice during the height of Stalin’s rule.
Eddington Film Review: The Return of the Wild West
Ari Aster’s star-studded Eddington is dressed as a political satire but quickly descends into an anti-government, wild-west depiction of modern Americana.
A Useful Ghost Review: Memory is an Act of Protest
Ratchapoom Boonbunchachoke blends comedy, sci-fi and horror in A Useful Ghost, a bold, genre-bending gem about memory, collective trauma, and revenge.
Final Destination Bloodlines Review: At Death’s Door
Final Destination: Bloodlines is a gory, comedic delight that surpasses every expectation one might have had for the franchise.
Scream 2 Review: A Bigger and Bloodier Sequel
Scream 2 may not be as iconic as the original horror classic, but it’s an impactful sequel that lays just as much groundwork for the series.
The Kiss Review: An Impossible Romance
Bille August’s The Kiss is a tragic and subtly complex tale of love, mental and physical health that benefits from strong performances.
Watch the Skies Movie Review: Cosmic Dub
Watch the Skies blends alien mystery with AI dubbing tech in a charming 90s-set Swedish sci-fi adventure that will land smoothly with English audiences.
