Double Freedom (La Libertad Doble) Review
In Double Freedom, Lisandro Alonso reminds us of what a sequel should do, revisiting his earliest triumph while taking it in new directions.
Is God Is (2026) Film Review: Cycles of Trauma
Is God Is, from writer and director Aleshea Harris, is a tale of revenge that is also a story of collective trauma and its impact on individuals.
Colony (Gun-Che) Review: All Gore and Guts
Colony (Gun-Che), the latest film from Train to Busan director Yeon Sang-ho, is a high-speed ride that promises intense fun, and a whole lot of blood.
Propeller One-Way Night Coach Review
Propeller One-Way Night Coach is a huge success of a film, leaving us to wonder why John Travolta didn’t dabble in directing earlier on in his career.
All the Lovers in the Night (2026) Film Review
Both a hopeful search for the light and a tragic exploration of trauma, All the Lovers in the Night is a potent film about grief, isolation, and, ultimately, love.
Fatherland Review: Home Is Where The Heartbreak Is
Sandra Hüller shines in Fatherland, Paweł Pawlikowski’s latest gorgeous journey to find the people and places we call home.
Teenage Sex and Death at Camp Miasma Review
Teenage Sex and Death at Camp Miasma is a profoundly mesmerising horror from the mind of Jane Schoenbrun, one of our best working directors.
Obsession (2026) Film Review: Crush Hour
A wish goes horribly right in Curry Barker’s debut Obsession, a smart, mean, breakout-fueled horror you’ll be talking about all summer.
Magic Hour Film Review: Grief is Unique
Katie Aselton’s Magic Hour is a compassionate exploration of one woman’s struggle with grief after the loss of her partner.
A.I. Artificial Intelligence Film Review
A.I. Artificial Intelligence remains a challenging Spielberg film, mixing an eerie tone and sentimentality to purposeful effect.