The Friend’s House Is Here: Film Review
The Friend’s House Is Here is a clever and charming tale of defiance, made under duress, but with no shortage of confidence and skill.
Cameron Winter At Carnegie Hall Review
The beauty, intimacy and energy of Cameron Winter at Carnegie Hall confirm the generational skills of Winter and director Paul Thomas Anderson.
Artificial Movie Review: Feel the End of Time
Luca Guadagnino’s Artificial is a modern epic dissecting ego, vanity and power in the tech world, anchored by the brilliant Yura Borisov and Andrew Garfield.
Wicker Review: An Extraw-ordinary Fable
The fantastical Wicker slightly overstretches its premise, but it matters little when the filmmaking, acting and tone are all so irresistible and enjoyable.
‘Musk’ Review: Gibney Doc is Essential Viewing
Grounded, entertaining, and uncompromising, Alex Gibney’s documentary explores Musk’s rise and influence and urges us to think for ourselves.
A Statement NYFF Film Review: No Place for Ego
Tom McCarthy’s A Statement is a masterclass in ensemble filmmaking, dissecting the nuanced subject of climate change with a needed optimism.
The History of Concrete (2026) Movie Review
John Wilson brings his style to his feature debut, The History of Concrete, a documentary about concrete that manages to be hilarious and profound.
The Diary of a Chambermaid (2026) Review
With The Diary of a Chambermaid, Radu Jude unveils his bleakest film, commentating on hypocritical socioeconomic class disparities.
East of Eden (Netflix) Review: Epic Family Saga
Set at the turn of the century, Netflix’s East of Eden is an epic tale of a family torn between good and evil.
Carrie (2026) Review: Audacious Series
Mike Flanagan expands and interrogates Stephen King’s Carrie through an audacious modern-day adaptation of one of the greatest literary tragedies.