Friend of the World takes us inside two survivors’ paranoid journey through an apocalypse, but sadly never coalesces into a compelling cinematic vision.
Bloody Oranges weaves a series of overlapping stories of transgressions and fatal mistakes with a dry, wry sense of dark humor that ultimately leads nowhere.
Taking us on an intimate journey into the shady backroom deals of private banking, Azor crafts a beguiling mystery that its restrained filmmaking never quite realizes.
Women on the Verge of a Nervous Breakdown delivers a relentlessly hilarious and delirious story of romantic entanglements, revenge, and spiked gazpacho.
Titane offers a daring vision of human-machine sexuality, fractured psyches, and unconventional relationships, although it never coalesces into a cohesive whole.
The Perfect David explores a young bodybuilder’s unhealthy obsession with creating an ideal body and his mother’s equally obsessive artistic motivations.
Take Me Somewhere Nice presents an offbeat spin on the road trip and coming of age narratives in this tale of a teenager’s hapless journey through Bosnia.