Maestro (Netflix) Film Review
Bradley Cooper’s second directorial effort, Maestro, is a bold and stylish, if somewhat schmaltzy, portrait of the relationship and music that made up Leonard Berstein.
The Palace Review: Polanski’s Eat the Rich Satire
Roman Polanski’s Alps-set “eat-the-rich” satire The Palace spends its entire runtime setting up a grand finale that never comes.
Thank You Very Much: Venice Film Review
Thank You Very Much, Alex Braverman’s documentary on anti-comedian Andy Kaufman, is a simplistic but effective retelling.
Tatami: Venice Film Review
Zar Amir Ebrahimi and Guy Nattiv’s Tatami is a raw, poignant and empowering tale of two women who defy the threat of oppression and choose to be free.
Hoard Film Review: Unapologetically Original
In Luna Carmoon’s Hoard, a teenager comes to terms with the abuse and love she experienced as a child, and ultimately discovers who she is when the two things are combined.
One Piece (2023) Netflix Review
Netflix’s One Piece is not only a loyal adaptation of the beloved manga, but also an incredibly entertaining and well-made show in its own right.
Finalmente L’Alba: Venice Film Review
Rebecca Antonaci shines in Saverio Costanzo’s Finalmente L’Alba, a film that might not be for everybody, but its quirkiness definitely comes with charm.
