Artificial Movie Review: Feel the End of Time

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After five decades of infamy, Ken Russell’s masterwork The Devils is unveiled in its uncut, angry glory.
Marine Atlan’s miraculous film, La Gradiva, is a modern coming-of-age classic that dares to redefine the well-travelled genre.
The beauty, intimacy and energy of Cameron Winter at Carnegie Hall confirm the generational skills of Winter and director Paul Thomas Anderson.

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DAYS & NIGHTS IN THE FOREST

In this newly restored gem, Satyajit Ray offers a humorous yet philosophical examination of how people’s conduct shifts when stripped of social structures.

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The likeable leading lady and laidback vibe in Gabe Klinger’s Isabel help the film overcome the fact it has very little to say for itself.
After five decades of infamy, Ken Russell’s masterwork The Devils is unveiled in its uncut, angry glory.
Marine Atlan’s miraculous film, La Gradiva, is a modern coming-of-age classic that dares to redefine the well-travelled genre.
The Friend’s House Is Here is a clever and charming tale of defiance, made under duress, but with no shortage of confidence and skill.

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HEARD AT THE MOVIES

"I don't remember that part, all right? Let-Let's just not nitpick over the passwords."
One Battle After Another
"I've seen men die In ways I ain't even know was possible"
Sinners
"Grace Rocky save stars."
Project Hail Mary
"Do you know what I'm feeling now? I have it all."
No Other Choice
"Have you ever dreamt of a better version of yourself?"
The Substance
"I'm just gonna go chill in my mansion or whateva."
Anora