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Stephanine Laing gives Rose Byrne the ammunition to shine in Tow, an empowering story about fighting against an unjust system. 
The Bride! might play better as individual moments than as a whole package, yet its bold stylistic choices are beyond admirable.
Three great lead actresses and moments of emotion can’t save Holy Days from its broader comedy impulses.

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ONE BATTLE AFTER ANOTHER

This year’s Best Picture winner is a winning concoction of chaos, anger, and scathing satire.

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Three great lead actresses and moments of emotion can’t save Holy Days from its broader comedy impulses.
Pretty Lethal struggles to balance the tongue-in-cheek absurdity of its premise with a tone that dances too often between serious and silly.
Britbox’s The Lady recounts the captivating story of Jane Andrews, a former royal dresser turned convicted murderer.
Though frequently moving in its showcasing the power of music, Agiridulce (Bittersweet) stays in one place thematically.

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HEARD AT THE MOVIES

"I don't remember that part, all right? Let-Let's just not nitpick over the passwords."
One Battle After Another
"I've seen men die In ways I ain't even know was possible"
Sinners
"What do you plan to do if this little dream of yours doesn't work out?"
Marty Supreme
"Do you know what I'm feeling now? I have it all."
No Other Choice
"Have you ever dreamt of a better version of yourself?"
The Substance
"I'm just gonna go chill in my mansion or whateva."
Anora