No Country for Old Men Review: 2000s Classic
No Country for Old Men gets everything right, and should be viewed as the Coen Brothers’ best effort and the defining film of the 2000s.
Levers NYFF Film Review: We Are All Levers
Rhayne Vermette’s sophomore feature, Levers, requires intensive patience from its audience, but is singular in its execution.
Gavagai Film Review: An Impossible Translation
Ulrich Köhler’s Gavagai is a study of race, culture and discrimination in the film industry through the eyes of an up-and-coming star.
Black Phone 2 (2025) Movie Review
Black Phone 2 ups the scares with Gwen’s haunting visions, The Grabber’s monstrous return, and a chilling, snowy backdrop.
Sisu: Road to Revenge Review
Sisu: Road to Revenge delivers bloody, relentless action as Jorma Tommila tears through Soviets in a wild grindhouse spectacle.
Splitsville Film Review: The Chaos of Love
Splitsville is a laugh-out-loud screwball comedy with standout performances, kinetic energy, and interesting insight on love beneath the madness.
Hijra Review: Captivating Road-Trip Drama
Hijra weaves together inter-generational relationships, the modern-day experiences of a woman in Saudi Arabia, and the pilgrimage to Mecca.
One Battle After Another Review: Ready To Explode
Paul Thomas Anderson’s firecracker thriller One Battle After Another is a winning concoction of chaos, anger, and scathing satire.
True Grit (2010) Review: Western Masterpiece
15 years on, Joel and Ethan Coen’s elegant adaptation of Charles Portis’ classic novel, True Grit, remains one of the best Westerns released this century.
At the Place of Ghosts (Sk+te’kmujue’katik) Review
Bretten Hannam’s At the Place of Ghosts (Sk+te’kmujue’katik) is a bewitching folk horror that eschews cheap thrills in favour of a more meditative experience.