Directed with a remarkable sense of style for a debut feature, Silent Land subtly and noiselessly radiates a venomous anxiety all its own.
Mulholland Drive is dense, enigmatic, and frequently bewildering, yet stands as one of David Lynch’s most emotionally resonant pictures.
Cementing Steven Spielberg’s place as the greatest blockbuster director ever, Raiders of the Lost Ark well deserves its spot as the jewel of action cinema.
One of Hitchcock’s crowning achievements, North By Northwest remains as fun as ever and serves as the finest example of a genre it helped to create.
Total Recall succeeds where hundreds of its contemporaries fail; a sci-fi epic turning grand philosophical questions into undeniable and ludicrous fun.
Tender, wonderfully acted, and profoundly moving, The Elephant Man is a unique ray of sentimentality in David Lynch’s oeuvre.
Now as iconic as any great of the 1960s, The Graduate remains, by far, the most joyful treatise on the divide between the American young and old.
Uniquely and stunningly overdramatic, The Outsiders is turned by Francis Ford Coppola and his cast, against all odds, into an incredibly engrossing picture.
Everybody’s Talking About Jamie is wonderful when leaning into the camp, but is a little too by-the-books to be truly fabulous.
Mr Klein, Joseph Losey’s thriller of mistaken identity in Vichy France, is all-too-relevant in this glorious restoration.