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Rebuilding Paradise: Ron Howard’s Crisp Next Step as a Documentarian (Review)
Little Girl: This Film Should Not Have Been Made (Review)
Saint Frances: “You Can Have Faith in People Too” (Review)
A White, White Day: How Ghosts Still Echo (Review)
Last and First Men: A Chilly Facade and an Intriguing History (Review)
Fanny Lye Deliver’d: Kind of Clever, but Ultimately a Bit Weird (Review)
Anthropocene: The Human Epoch – How humans are changing the Earth’s face for the worst (Review)
The Dead Don’t Die is that film you grow to love and you don’t know why (Review)
I See You: Helen Hunt stars in Hauntingly Good Horror Thriller (Review)
The Grizzlies: Miranda de Pencier on her extraordinary true story of acceptance and resilience (Interview)
Love Type D: Sasha Collington on her infectiously enjoyable rom-com (Edinburgh Film Festival Interview)
Ode To Joy: Martin Freeman shines in heartwarming rom-com (Review)
Schemers: interview with Dave McLean and Conor Berry (Edinburgh Film Festival)
The Captor: “absurd but true” Stockholm Syndrome story is not so absurd after all (Review)
“Anna and the Apocalypse” and the rise of the genre mashup
Steel Country: Andrew Scott is exceptional in clever crime drama (Review)
Best of Edinburgh Film Fest: Unicorn Store (Review)