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Rebuilding Paradise: Ron Howard’s Crisp Next Step as a Documentarian (Review)
Little Girl: This Film Should Not Have Been Made (Review)
Saint Frances: “You Can Have Faith in People Too” (Review)
A White, White Day: How Ghosts Still Echo (Review)
Last and First Men: A Chilly Facade and an Intriguing History (Review)
Fanny Lye Deliver’d: Kind of Clever, but Ultimately a Bit Weird (Review)
Anthropocene: The Human Epoch – How humans are changing the Earth’s face for the worst (Review)
The Dead Don’t Die is that film you grow to love and you don’t know why (Review)
I See You: Helen Hunt stars in Hauntingly Good Horror Thriller (Review)
The Grizzlies: Miranda de Pencier on her extraordinary true story of acceptance and resilience (Interview)
Love Type D: Sasha Collington on her infectiously enjoyable rom-com (Edinburgh Film Festival Interview)
Ode To Joy: Martin Freeman shines in heartwarming rom-com (Review)
Schemers: interview with Dave McLean and Conor Berry (Edinburgh Film Festival)
The Captor: “absurd but true” Stockholm Syndrome story is entertaining and darkly comic though not so absurd after all (Review)
“Anna and the Apocalypse” and the rise of the genre mashup
Steel Country: Andrew Scott is exceptional in clever crime drama (Review)
Best of Edinburgh Film Fest: Unicorn Store (Review)