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Fremont: Edinburgh Film Review
Raging Grace: Edinburgh Film Review
Kill (2023): Edinburgh Film Review
The Strange Case Of Dr. Jekyll & Mr Hyde: Review
Property: Edinburgh Film Review
Chuck Chuck Baby: Edinburgh Film Review
Silent Roar: Edinburgh Film Review
2023 Edinburgh Film Festival: 8 Films to Watch
The Man Who Sold His Skin: A Reflection on Human Exploitation (Edinburgh Review)
The Road Dance: Film Review
Ballad of a White Cow: Film Review
Annette: Bizarrely Out-of-Tune (Edinburgh Film Festival Review)
The Beta Test (Review): Some-Strings-Attached Sex
Mad God (Film Review): A Slice of Prophetic Delirium
Walk with Angels: Post-Apartheid Injustices (Edinburgh Film Festival Review)
Europa: Film Review
The Justice of Bunny King (Edinburgh Review): Drama Done Right
Prince of Muck: A Life of Farming, Family and Cows (Edinburgh Review)
Rebuilding Paradise: Ron Howard’s Crisp Next Step as a Documentarian (Review)
Little Girl (Review): This Film Should Not Have Been Made
Saint Frances (Review): “You Can Have Faith in People Too”
A White, White Day (Review): How Ghosts Still Echo
Last and First Men: A Chilly Facade and an Intriguing History (Review)
Fanny Lye Deliver’d: Kind of Clever, but Ultimately a Bit Weird (Review)
Anthropocene: The Human Epoch Review
The Dead Don’t Die (Review): That Film You Grow to Love & You Don’t Know Why
I See You Film Review: Hauntingly Good Horror Thriller
Miranda de Pencier on The Grizzlies (Interview)
Love Type D: Sasha Collington on Infectiously Enjoyable Rom-Com (Interview)
Ode To Joy Review: Martin Freeman Shines
Schemers: Interview with Dave McLean & Conor Berry (Edinburgh Film Festival)
The Captor: “absurd but true” Stockholm Syndrome story is not so absurd after all (Review)
Anna and the Apocalypse: Film Review
Steel Country (Review): Andrew Scott Excels in Clever Crime Drama
Unicorn Store (Netflix) Film Review