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The Man Who Sold His Skin: A Reflection on Human Exploitation (Edinburgh Review)
The Road Dance: Hope and Grief in the Hebrides (Edinburgh Review)
Ballad of a White Cow: Fighting Injustice (Edinburgh Review)
Annette: Bizarrely Out-of-Tune (Edinburgh Film Festival Review)
The Beta Test (Review): Some-Strings-Attached Sex
Mad God (Film Review): A Slice of Prophetic Delirium
Walk with Angels: Post-Apartheid Injustices (Edinburgh Film Festival Review)
Europa: Fear and Determination in Migration (Edinburgh Review)
The Justice of Bunny King: Drama Done Right (Edinburgh Review)
Prince of Muck: A Life of Farming, Family and Cows (Edinburgh Review)
Rebuilding Paradise: Ron Howard’s Crisp Next Step as a Documentarian (Review)
Little Girl: This Film Should Not Have Been Made (Review)
Saint Frances (Review): “You Can Have Faith in People Too”
A White, White Day (Review): How Ghosts Still Echo
Last and First Men: A Chilly Facade and an Intriguing History (Review)
Fanny Lye Deliver’d: Kind of Clever, but Ultimately a Bit Weird (Review)
Anthropocene: The Human Epoch – How humans are changing the Earth’s face for the worst (Review)
The Dead Don’t Die (Review): That Film You Grow to Love & You Don’t Know Why
I See You: Helen Hunt stars in Hauntingly Good Horror Thriller (Review)
The Grizzlies: Miranda de Pencier on her extraordinary true story of acceptance and resilience (Interview)
Love Type D: Sasha Collington on Infectiously Enjoyable Rom-Com (Interview)
Ode To Joy: Martin Freeman Shines in Heartwarming Rom-com (Review)
Schemers: Interview with Dave McLean & Conor Berry (Edinburgh Film Festival)
The Captor: “absurd but true” Stockholm Syndrome story is not so absurd after all (Review)
Anna and the Apocalypse and the Rise of the Genre Hybrid (Review)
Steel Country (Review): Andrew Scott Excels in Clever Crime Drama
Unicorn Store: Kit in Unicornland (Edinburgh Film Festival Review)