Mistura Review: Betrayal, Identity, and Culture

A wealthy woman’s fall from grace leads her to rediscover Peru through its diverse cuisine and communities in Mistura, a vivid tale of self-discovery and change.

Amidst her personal upheaval, Norma finds herself drawn to the people and communities she once dismissed, and through them, she discovers a richer side of Peru, one defined by love, culinary tradition, and the complex nature of identity.

De Montreuil paints this transformation against the beautiful backdrop of Peru, with breathtaking cinematography that captures every detail, from bustling street markets to quiet mountain villages. These visuals are more than just beautiful; they feel alive, showcasing Peru in a way that feels both intimate and grand. The food, too, is a star in Mistura, with mouth-watering depictions that highlight Peru’s eclectic cuisine. Watching the dishes come together on screen is bound to make audiences hungry; I felt myself wanting to go out to a nice dinner after watching the film!  It serves as a perfect symbol for Norma’s journey: a blending of ingredients, cultures, and perspectives that ultimately redefines her.

Bárbara Mori shines as Norma, bringing warmth and complexity to a woman who begins as privileged and disconnected but soon faces the uncomfortable truths of her own prejudices. Mori’s portrayal was very compelling and relatable, grounding Norma’s shift in a vulnerability that feels earned. The script presents Norma not as a flawless heroine but as a woman struggling with her new reality, forced to confront parts of herself she’s long ignored. Watching her grapple with leaving her bubble and stepping into spaces she once considered “beneath” her, such as the bustling markets, this adds a layer of depth to her character, making her growth all the more satisfying.

Adding to the film’s charm is César Ballumbrosio as Oscar Lara, who, as Norma’s butler, serves as her guide and moral compass. Ballumbrosio’s performance brings a warmth and flair to the movie, grounding Norma’s journey with humor and heart. His character challenges her assumptions and gently nudges her toward change, becoming a voice of reason and a steady presence throughout her journey.

Yet, while Mistura succeeds in many areas, the pacing occasionally falters, particularly in its handling of conflict resolution. Some challenges arise only to be resolved a bit too quickly and neatly, which undercuts the tension. Moments that could have added layers to Norma’s struggle instead feel a bit rushed, losing some of their potential impact. It’s a minor flaw, but it’s noticeable, especially as the film nears its conclusion.

As for the ending, while it wraps up Norma’s story, it may leave some viewers wanting more. After the movie’s careful build-up of Norma’s transformation and her deeper connection to Peru’s people and culture, the final scenes feel somewhat abrupt, lacking the emotional punch one might expect from such a journey.

Ultimately, Mistura is a visually stunning and heartfelt story of self-discovery and cultural appreciation, bolstered by Mori’s compelling performance and Ballumbrosio’s grounding presence. De Montreuil crafts a story that celebrates Peru’s beauty, food, and people, inviting viewers into a world rich in tradition and change. Despite a few minor missteps, it’s a film that’s sure to leave a lasting impression, resonating with those who appreciate stories of personal growth and the power of connection. Highly recommended for a cinematic experience that celebrates both food and the human spirit.

Mistura had its Latin American premiere at 22nd Morelia International Film Festival on October 22, 2024.