Unicorns: LFF Film Review
Beautifully shot and visually daring, Unicorns is a film that questions identity and labels in the gaysian London queer scene.
Taylor Swift: The Eras Tour: Film Review
Taylor Swift: The Eras Tour is as electrifying as it is intimate. It captures Taylor Swift’s crowning achievement with first-class quality in every frame.
Red Rooms: Brooklyn Horror Film Review
Red Rooms’ understated yet effective approach to storytelling produces one of the most compelling, psychological fictional crime thrillers to-date.
The Kitchen (Netflix): LFF Film Review
Closing this year’s London Film Festival, The Kitchen is a remarkable portrayal of gentrification in a futuristic, dystopian London, but one that is eerily accurate to the capital’s current state.
Bad Living (Mal Viver) Rio Film Review
Bad Living is a bleak family portrait framed in loneliness and despair, where a family of women find themselves in complete isolation yet constantly drawn to each other’s misery in the vast hotel they run.
How to Have Sex Film Review: Uncomfortably Familiar
Exploring consent, adulthood, and party culture, How to Have Sex does exactly what its title sets out to do: show us the difference between sex and rape.
Four Daughters: LFF Film Review
Four Daughters delivers its powerful and timely story with a brilliant use of the documentary form at its best.
The Holdovers Review: A Complete Joy from Start to Finish
Featuring a winning trio of actors all giving scintillating performances, The Holdovers marks a stunning return to form for Alexander Payne.
The Taste of Things (The Pot Au Feu): Film Review
Starring Juliette Binoche and Benoît Magimel, Tran Anh Hung’s The Taste of Things (The Pot Au Feu) is a French foodie period drama that is simply magnifique.
Janet Planet Review: Complex & Gripping
Annie Baker’s directorial debut, Janet Planet, is a lovely and delicate portrait of the co-dependency between a mother and a daughter.