I Used to Be Funny Review: Fantastic Comedy Drama
Rachel Sennott takes a dramatic turn in writer/director Ally Pankiw’s I Used to Be Funny, which effectively touches on trauma in a different way.
The Seed of the Sacred Fig: Cannes Film Review
Mohammad Rasoulof’s latest film, The Seed of the Sacred Fig is an impressive work of the utmost importance.
Eric (Netflix) Series Review: Compelling Mystery
Benedict Cumberbatch stars in Netflix’s dark mystery series Eric, which features a missing children’s investigation and a fuzzy blue monster, set in 1980s New York City.
Eephus Review: Out with the Old, but One More Game First
With humour and insight, Carson Lund paints a vivid portrait of Americana in flux in baseball gem Eephus.
All We Imagine As Light: Film Review
Cannes Grand Prix winner All We Imagine as Light is a passionate story of what life and love look like in modern-day Mumbai.
Anora Film review: “The Greatest Day of Our Lives”
Telling the hilarious, delirious, surprisingly sweet story of a sex worker and a rich Russian teenager, Anora is, without a doubt, Sean Baker’s best work to date.
The Shrouds Review: A Howl of Grief from Cronenberg
Even if the plotting could be tighter, the ideas at work in The Shrouds mark it as Cronenberg’s most personal feature.
Universal Language Review: Perfect Connection
Matthew Rankin’s Universal Language is a perfect film about the power of connection, full of absurdist humour, Iranian culture and snowy Canadian landscapes.
Furiosa: A Mad Max Saga Review – Visceral Storytelling
Furiosa: A Mad Max Saga is the kind of film that reminds us why we love movies, delivering a satisfying, epic journey that needs to be experienced rather than analyzed.
Kinds of Kindness Review: Lanthimos Returns to his Roots
Kinds of Kindness feels like a return to pre-The Favourite Yorgos Lanthimos: a haunting, clever watch that will enthral you with infectious weirdness throughout.
