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Cherry: Tom Holland Captivates with a Career-Best Performance (Review)
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The United States vs Billie Holiday: Dull, but Day Delivers (Review)
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“We Have to Go Back”: All Six Seasons of Lost, Ranked
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It’s A Sin – The Euphoria and Heartbreak of 1980s Britain (Review)
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TIFF
Pieces of a Woman: Vanessa Kirby Shines as the Film Flounders (Review)
Summer of 85 (Été 85): Raw, Wise and Heart-Wrenchingly Good (Review)
The Father: Hopkins Ages Like a Nice Chianti (Review)
Another Round (Druk): A Boozy Joy Highlighted By A Splendid Mads Mikkelsen
(Review)
One Night in Miami: “It’s Been A Long Time Coming, But A Change Is Gonna Come” (Review)
Akilla’s Escape: Classic Noir Style Melds Beautifully with Modern Themes (Review)
Penguin Bloom: Naomi Watts elevates a formulaic drama (Review)
Nomadland: Frances McDormand Anchors an American Odyssey for the Ages (Review)
Get the Hell Out: A Riotous, Albeit Unfocused Zombie Comedy (TIFF 2020 Review)
TIFF 2020: 20 Films to Watch at the Toronto International Film Festival
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