German reunification forms the backdrop to Someday We’ll Tell Each Other Everything, Emily Atef’s swooning but uneven romance drama.
Set in a tiny village in the Mexican highlands, Tatiana Huezo’s The Echo is a mesmerising mosaic of a group of children growing up.
We sat down with director Jerzy Skolimowski for an interview about EO, his Oscar-nominated film about a donkey traversing across Europe.
James Cameron’s long-awaited blockbuster sequel, Avatar: The Way of Water, is a big, boisterous, beautiful return to Pandora.
We look back at what has been a thoroughly moving, frequently mysterious, often action-packed year for original film scores and rank the 10 best to emerge from 2022.
The highly immersive Onoda: 10000 Nights in the Jungle depicts the fascinating story of a soldier for whom World War Two ended decades after 1945.
Violet Du Feng’s documentary, Hidden Letters, is a carefully considered, fiercely potent snapshot of a country and society in flux.
The Belgium-based, immigration-centred Tori and Lokita is a vintage piece of Dardenne cinema, but its naturalistic power falters in comparison to their previous films.
The mesmerising, rustic and sometimes darkly comic You Won’t Be Alone impressively deals in both grotesque gore and Malickian philosophical grandeur.
Chinonye Chukwu’s third feature, Till, is an angry and inspirational story surrounding racism in America, a film as much about the 1950s as it is the present day.