Wildcat is a difficult watch, trying to capture the mind of one of the 20th century’s most frustrating writers in equally frustrating fashion.
Taika Waititi’s Next Goal Wins scores with its laughs but misfires on its story, leaving a flawed but fun final product.
Robot Dreams is an unexpected but appropriate career change for director Pablo Berger, who captures the art of silent cinema brilliantly.
Pictures of Ghosts is a nostalgic, poignant reflection of a loss of community, taking nothing for granted in its presentation.
Estonia is the perfect hook for the planned miniseries, providing honest, heart-pounding coverage of an underexplored event in history.
The Critic has immaculate production design and a promising start but takes a shocking swerve to distract from its initial messaging.
Tautuktavuk (What We See) incorporates some strong themes but falls short in others, making for an uneven but intriguing piece.
Seven Veils is a spellbinding, surreal view into the mind of a director, showing a chilling portrait of how far one can go for their own art.
The End We Start From shows how not even the end of the world is all gloom and doom; life goes on as long as we keep trying.
The Peasants (Chłopi) builds upon Hugh and DK Welchman’s influences and is interesting if it feels a bit incomplete.