Director Youssef Chebbi blends the crime thriller and neo-noir genres in Ashkal, a gorgeous yet unfocused investigative tale set in Tunis.
Revolving around the Trial of the Juntas Argentina, 1985 tells its true story with wit and heart, resulting in a gripping film that will surprise you more than once.
Dead for a Dollar is an enjoyable enough film with a talented cast, but a predictable script prevents it from being the great western it could have been.
In this Venice 2022 interview, we speak with director Santiago Mitre and stars Ricardo Darín and Alejandra Flechner about their film Argentina, 1985.
In this Venice Film Festival interview, we speak with director David Wagner about his poignant movie Eismayer, telling the true story of a sergeant who falls in love with a recruit.
The Son is another superb film from Florian Zeller, tackling mental health, family dynamics, generational trauma, and the choices we face as parents.
It was love at first sight with Keisuke Itoh’s Typeman, a gorgeous, fun and meaningful virtual reality work that will make you experience multiple emotions.
Florence Pugh shines in Don’t Worry Darling, a film that favours message over storytelling but that’s still an enjoyable, gripping watch.
Venice interview: Director Florent Gouëlou and stars Pablo Pauly and Romain Eck talk about Three Nights A Week, the opening film of the International Critics’ Week.
Revolving around a sergeant who falls in love with an openly gay recruit, David Wagner’s Eismayer tells the true story of a man who learns that there’s nothing wrong with being who he is.