We interview writer-director-star Pietro Castellitto on Enea, his Venice-premiering film about characters who “make up a war in order to feel life.”
With Evil Does Not Exist, Ryūsuke Hamaguchi delivers the ultimate revenge thriller disguised as a quiet environmental drama.
We interview writer-director Luna Carmoon and stars Saura Lightfoot Leon & Joseph Quinn on Hoard, a film about love, trauma, and motherhood.
In The Killer (Netflix), David Fincher subverts the revenge neo-noir genre with the ironic character study of a tedious, sociopathic hit man.
Sara Montpetit shines in Humanist Vampire Seeking Consenting Suicidal Person, a stunning film that’s full of personality but suffers from an unfocused plot.
Roman Polanski’s Alps-set “eat-the-rich” satire The Palace spends its entire runtime setting up a grand finale that never comes.
In Luna Carmoon’s Hoard, a teenager comes to terms with the abuse and love she experienced as a child, and ultimately discovers who she is when the two things are combined.
Yorgos Lanthimos’ Poor Things is an exquisitely layered ode to our inner ‘monsters’, revolving around a woman who dares to be free in a society dominated by men.
Pablo Larraín’s El Conde is neither as funny nor as original as it thinks it is, but it will still satisfy fans of the director’s trademarks.
Both hysterically funny and surprisingly moving, Season 2 of Good Omens will make fans very happy, even if it ends where it should have begun.