In her documentary Broadway Rising, Amy Rice shows us how covid affected the theatre community, and how the show eventually “went on” and improved itself thanks to their resilience.
Though a little too crammed with themes and ideas, Spirited is a heartwarming Christmas musical about love, redemption, and possibility.
Wakanda Forever is the best Black Panther sequel it could have been, acting both as a tribute to Boseman and a poignant story about change and rebirth.
Jeremy Pope elevates Elegance Bratton’s autobiographical film The Inspection, a movie that perhaps works best as a story within a story.
Coming soon to Netflix, Thomas M. Wright’s film The Stranger is both a distressing true crime drama inspired by actual events and a gripping, irresistible character study.
Brainwashed: Sex-Camera-Power won’t be revolutionary to those acquainted with Laura Mulvey’s work on the male gaze, but it’s a good introduction on the subject.
Great performances elevate My Policeman, a wholly absorbing film about love, loss and prejudice, revolving around three people who unwittingly destroy one another.
Emma Corrin and Jack O’ Connell shine in Netflix ‘s Lady Chatterley’s Lover, Laure de Clermont-Tonnerre’s steamy, stunning, though a little too male-centric adaptation of D.H. Lawrence’s novel.
In his beautiful, poignant film Close, Lukas Dhont teaches us about love, grief, masculinity and healing through the haunting story of a friendship.
Noah Baumbach ‘s White Noise is unlike anything you’ve seen before: an utterly bonkers, stunning film about survival, death, consumerism, and the meaning of life in today’s America.