While it might move at a tediously slow pace, dividing audiences along the way, Netflix’s Copenhagen Cowboy is an entrancing and illusory venture into the neon void of Nicolas Winding Refn’s mind.
Now showing at the Metrograph as a new 4k restoration, Hou Hsiao-Hsien’s Millennium Mambo is a dreamlike look into the past and the decisions we make in our journey to self-discovery.
While Christmas Bloody Christmas doesn’t come close to reinventing the Holiday horror film subgenre, it does deliver delightful exploitation cinema-like kills and stylistic tendencies.
While the animation remains top-notch, the other facets of Strange World lack vivacity and emotional connection due to its cookie-cutter procedure in its narrative development.
All Jacked Up and Full of Worms has proper amounts of enjoyable sleaze but ends up being too restrained and foolish to achieve cult status.
Terrifier 2 ’snarrative may be nonsensical, but the film is a bloody feast for gore hounds, thanks to its great practical effects and homages to B-horror pictures.
Please Baby Please is an imaginative and visually entrancing feature by Amanda Kramer, who showcases her directorial playfulness and genre-bending antics in full effect.
Ticket to Paradise may be held down by its lazy formulaic rom-com procedure, but George Clooney and Julia Roberts are very charming and entertaining.
Claire Denis dominates the balance of tenderness and civil restlessness in Stars at Noon, a sweaty and dreamlike political thriller.
Paul Schrader’s third installment in the “man in a room” trilogy, Master Gardener, is ultimately unfulfilling, even with an excellent Joel Edgerton attached.