Erik White’s new rom-com The Plus One has great comedic acting but fails to truly engage its audience, only really picking up in its third act.
Netflix’s newest rom-com, Love at First Sight, is a sweet, funny, and at times even emotional film.
With its reflection on the past, Keat Aun Chong’s Snow in Midsummer delivers a painful portrayal of injustice.
Matthew López’s charming and sweet Prime Video movie Red, White & Royal Blue is a glorious win for romantic comedies.
Witty but sometimes painstakingly slow, The Owners (Vlastníci) is a clever political satire on the failures of democracy.
With some structural flaws in the narrative, The Monkey King tells an action-packed tale of self-acceptance.
With Lola, Andrew Ledge creates an eerie portrayal of an alternate version of history we thankfully never got to see.
With his brilliant and powerful film Oppenheimer, Christopher Nolan once again establishes himself as a visionary director.
We sit down with Celine Song, writer and director of Past Lives, for an interview as part of this year’s Sundance London Film Festival.
With its powerful performances and high-stakes plot, Mutt is a timely and necessary film in today’s world.