Stephen Frears’ The Lost King embellishes the truth a little, but is ultimately a warm, gently amusing tale of determination and unlikely discoveries.
Despite style and a strong start, Pippo Mezzapesa’s Burning Hearts doesn’t fulfil its ‘Romeo and Juliet’ ambitions or stay compelling.
A personal movie from Antonio Lukich, Luxembourg, Luxembourg is a sweet, moving film about present and absent familial ties.
Despite terrific performances and impactful commentary, Saint Omer’s languid and somewhat indulgent style might alienate some.
No Bears (Khers Nist) is a film that, much like director Jafar Panahi, is committed to telling stories of truth and showing the raw, emotional side to living in fear.
Hanging Gardens (Janain Mualaqa) is a poignant film about a sweet boy with a surprising business idea, tackling subjects its Iraqi culture often finds taboo.
Andrew Dominik wants to make a bold statement with Blonde, and Ana de Armas’ astonishing performance as Marilyn Monroe does exactly that.
Ostensibly a ‘black comedy’, Martin McDonagh’s The Banshees of Inisherin is a poignant, sharp film that delves into male friendships, pride and the tribulations of island life.
Bill Pohlad’s Dreamin’ Wild is a film about second chances that sounds great, looks great, packs an emotional punch and is imbued with love and warmth.
Joanna Hogg’s The Eternal Daughter is a ghost story wherein the scares mostly come from the questions it asks, anchored by an affective Tilda Swinton in dual roles.