The Last Days of American Crime Film Review
In The Last Days of American Crime, Olivier Megaton’s brand of shoddy action direction tanks another good premise.
Wonder Woman: DC’s 2017 Runaway Success
Wonder Woman is fierce feminist filmmaking at its finest, preserving its power and progressivism even three years after its initial release.
Shirley Review: Neither Human nor Horror Enough to Fully Succeed
Shirley sees Elisabeth Moss go big as the titular author in a horror-tinged take on Who’s Afraid of Virginia Woolf?, but it’s Michael Stuhlbarg who steals the show. I want to begin this review with a prediction. Someday Michael Stuhlbarg (The Shape of Water) is going to win an Oscar in a leading role. Upon […]
