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New York Film Festival

Valeria Bruni Tedeschi in Duse

Duse NYFF Film Review: A Fading Star

  • Hayley Croke
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Harry Melling and Alexander Skarsgård in Pillion

Pillion Movie Review: In the Name of Love

  • Hayley Croke
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A still from the film Levers

Levers NYFF Film Review: We Are All Levers

  • Hayley Croke
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Maren Eggert and Jean-Christophe Folly in a still from the film Gavagai

Gavagai Film Review: An Impossible Translation

  • Hayley Croke
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A young woman sits by the lake in the film Fire of Wind

Fire of Wind Review: Stillness in Beautiful Imagery

  • Hector A. Gonzalez
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Susan Chardy, as Schula, drives a car at night, wearing sunglasses and a sparkly hat but with a stern expression, in On Becoming a Guinea Fowl

On Becoming a Guinea Fowl NYFF Film Review

  • Hayley Croke
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A woman soldier holds a rifle and looks to her left in a still from the Roberto Minervini film The Damned

The Damned Film Review: Disarming Genre Bender

  • Hayley Croke
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Two stills of A Real Pain and When You Finish Saving the World with the outline of director Jesse Eisenberg in between them

A Real Pain Cements Jesse Eisenberg’s Creative Focus

  • Hayley Croke
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Afternoons of Solitude

Afternoons of Solitude Film Review: Price of Glory  

  • Hayley Croke
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Lázaro at Night

Lázaro at Night NYFF Film Review: Absurdist Fable

  • Hayley Croke
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