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Final Cut (Coupez!) Cannes Review: Un Cut of the Dead
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Downton Abbey: A New Era (Review): Familiar, But In a Good Way
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Firestarter (2022) Review: Zac Efron Shines, While the Rest Burns
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Vortex (Review): The Suffocating Mortality of Humans
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genre: crime
The Tax Collector: LaBeouf is Great, the Film is Not (Review)
The Spook Who Sat by the Door: Revolution in Action (Review)
The Girl with a Bracelet: Smart French Legal Drama Focuses on the Details (Review)
Calm With Horses (Review): Sentimental Education, Irish-Style
The Last Days of American Crime: a Timely Premise Wasted by Poor Filmmaking
(Review)
Bad Education: Hugh Jackman shines in a smart dramedy (Review)
The Lovebirds: Nanjiani and Rae’s spark makes for a worthwhile watch (Review)
Capone takes neurosyphillis to the extreme as Tom Hardy indulges his worst impulses
(Review)
The Best Guest Stars in The Good Wife, Ranked
Arkansas, or The Cursed Blessing of Bland Beauty (Review)
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