Girl (2023): Film Review
Girl, from writer/director Adura Onashile, is a poignant, hopeful character study that prioritises the importance of ‘self’ in a mother/daughter relationship.
Slow: Sundance Film Review
From Lithuania, Marija Kavtaradze’s sophomore feature Slow is an asexual romantic drama showing the creation of a relationship – and a different way to love.
When It Melts: Sundance Film Review
When it Melts is a powerful debut feature from Veerle Baetens all about revisiting childhood trauma and holding people accountable for their actions.
Missing Film Review: Better than Searching
While Missing isn’t necessarily closely related to Searching, the film’s multiple twists and turns will keep the audience on edge from beginning to end.
Alice, Darling (2023): Film Review
Alice, Darling allows Anna Kendrick to give a career-best performance playing a woman who’s trying to survive a psychologically abusive relationship.
Against the Tide: Sundance Film Review
Against the Tide shows the effects that climate change has on the Koli fishing community in Bombay as two friends navigate the ever changing waters.
January (2023) Film Review
January is a bit too vague with its themes to be a modern classic, but its striking imagery makes up for the lulls in pacing.
Noise (Ruido) Film Review: Speaking Out Against Violence
Noise (Ruido) looks at crime and violence from the perspective of its victims’ loved ones, before urging everyone to speak against the corruption that lets it happen.
The Departed Review: Crime Has Never Felt So Fun
Nobody makes a crime drama quite like Martin Scorsese, and The Departed (2006) sees his talent firing on all cylinders. Since the very beginning of his career, Martin Scorsese has been making a name for himself as the king of the crime drama. Ruling the ‘80s and ‘90s with classic movies such as Raging Bull, […]
Copenhagen Cowboy (Netflix) Review
While it might move at a tediously slow pace, dividing audiences along the way, Netflix’s Copenhagen Cowboy is an entrancing and illusory venture into the neon void of Nicolas Winding Refn’s mind.