Night of the Juggler Review: Restored Crime Classic
An ex-cop goes on the hunt for his daughter’s kidnapper in Night of the Juggler, a white-knuckled action flick set in NYC’s sleaziest era.
Together Film Review: Co-Dependency Can Kill
Together manages to capture the absurdity and anxiety of relationship co-dependency through off-putting body horror, sparking a dark sense of humor.
Lurker Fantasia Review: Shifting power dynamics
Highlighting the dangers of fame and power, Alex Russell’s dazzling feature debut, Lurker, is one of the biggest surprises of the year.
AJ Goes to the Dog Park: Film Review
As a low-budget comedy, AJ Goes to the Dog Park has a surplus of puns and wacky jokes. It cleverly embraces limitations, though its third act is weakly written.
Il Dono Review: Corrupted Country Living
Michelangelo Frammartino’s debut film Il Dono returns to cinemas, with time only accentuating its capacity to surprise.
Folktales Review: Finding answers in the past
In Folktales, students travel north of the Arctic Circle to learn skills passed down by their ancestors and escape modern living.
Dying Film Review: Death Is A Family Affair
Dying, a complex and confident tale of a family grappling with death in all its forms, sees writer-director Matthias Glasner working at the peak of his powers.
I Know What You Did Last Summer (2025) Review
I Know What You Did Last Summer (2025) mixes wicked kills with a great cast to make this goofy slasher legacy sequel worth the watch.
Network (1976) Film Review: Still Mad As Hell
Backed by an outstanding cast, Sidney Lumet’s Network (1976) remains an excellent indictment of TV news and corporate power.
Apocalypse in the Tropics: Film Review
Petra Costa’s Apocalypse in the Tropics examines the symbiosis of Evangelical Christianity and Brazilian politics throughout the presidency of Jair Bolsonaro.
