The Royal Hotel: TIFF Film Review
Through smartly restrained directing that keeps you hooked on the potential for danger, The Royal Hotel breathes new life into its familiar themes.
Cassandro (2023): Film Review
Gael García Bernal gives a great performance in Cassandro, the often entertaining lucha libre biopic about an inspirational exótico.
Monster (2023): Kore-eda Film Review
Monster uses its multiple perspectives to paint a masterfully subdued picture of childhood, acceptance, and the longing for freedom.
Robot Dreams Review: The Art of Silent Cinema
Robot Dreams is an unexpected but appropriate career change for director Pablo Berger, who captures the art of silent cinema brilliantly.
Pictures of Ghosts: TIFF Film Review
Pictures of Ghosts is a nostalgic, poignant reflection of a loss of community, taking nothing for granted in its presentation.
Estonia (2023): TIFF Series Review
Estonia is the perfect hook for the planned miniseries, providing honest, heart-pounding coverage of an underexplored event in history.
Boy Kills World: TIFF Film Review
Boy Kills World smashes a wide range of genres together to create a wonderfully crazy mosaic of action, gore, and imagination.
Seven Veils Film Review: Spellbinding
Seven Veils is a spellbinding, surreal view into the mind of a director, showing a chilling portrait of how far one can go for their own art.
The End We Start From: Film Review
The End We Start From shows how not even the end of the world is all gloom and doom; life goes on as long as we keep trying.
Woman of the Hour: TIFF Film Review
With its clever structure and sobering story, Woman of the Hour shows director Anna Kendrick is just as sharp behind the camera as she is in front of it.
