There’s Still Tomorrow (C’è Ancora Domani) Review
In her directorial debut There’s Still Tomorrow (C’è Ancora Domani), Paola Cortellesi manages to speak to generations of Italian women and establishes herself as a strong voice in Italian cinema.
The Iron Claw: Film Review
The Iron Claw plays out as a conventional biopic, but it’s an emotionally effective one thanks to strong thematic throughlines of finding purpose amidst tragedy.
A Thousand and One: A.V. Rockwell Film Review
Teyana Taylor gives a powerhouse performance in A Thousand and One, A.V. Rockwell’s heartfelt drama about motherhood in a gentrified New York City.
Merry Little Batman: Film Review
Mike Roth’s Merry Little Batman does a great job capturing the warmth and magic of Christmas, even if it does feel like it’s been stretched a little thin.
Renaissance: A Film by Beyoncé Review
Renaissance: A Film by Beyoncé is a showstopping visual experience that showcases all sides of Beyoncé, proving that she is the greatest working live performer we have.
Monica (2023): Film Review
Monica is an extraordinary, delicate story of acceptance and healing that takes a fresh look at a marginalised community.
Wonka: Film Review
As heartwarming as a box of chocolate, Wonka is a delightful film, perfect for the Christmas holidays with its musical numbers and dreamy visuals.
Tarrac (2023): Film Review
Shot in a beautiful setting, Tarrac is a moving and heartwarming tale of grief, family, and community when challenges arise.
Earth Mama: Film Review
Savanah Leaf’s feature film debut, Earth Mama, is an exquisitely rendered, quietly powerful portrait of a young mother trying to navigate a broken system and cruel world.
Anselm (Wim Wenders): Film Review
Wim Wenders introduces the artist Anselm Keifer to a broader audience in Anselm, an insightful portrait of a most unconventional creative.