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Netflix’s Shadow and Bone: Different, in All the Right Ways (Review)
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Here Are the Young Men: Nihilistic Irish Teens Renegade (Review)
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National Theatre’s Romeo & Juliet: Stage on Screen (Review)
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Coded Bias: AI Will Not Save Us (Review)
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Elizabeth Debicki
The Burnt Orange Heresy: Intriguing Pretentiousness (Review)
Tenet: Christopher Nolan’s Time-Bending Thriller is Magnificent (Review)
The Great Gatsby: An Iconic Narrative in Baz Luhrmann’s Signature Style (Review)
Top 50: The Most Anticipated Films of 2020
2019 Venice Film Festival: 25 films you need to watch
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