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Films
Elemental: Cannes Film Review
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Cannes Film Festival
Asteroid City: Cannes Film Review
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The Little Mermaid (2023): Film Review
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Cannes Film Festival
Indiana Jones and the Dial of Destiny: Review
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Meg 2 has the Makings of a Summer Blockbuster

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Films
Elemental: Cannes Film Review
by Clotilde Chinnici
  • May 30, 2023
TV
Barry Season 4 Review
by Emma Vine
  • May 29, 2023
Cannes Film Festival
Perfect Days: Cannes Film Review
by Clotilde Chinnici
  • May 29, 2023
Films
Amanda Film Review: Complete Comfort
by Bethany Lola
  • May 29, 2023
Cannes Film Festival
Goodbye Julia: Cannes Film Review
by Cameron Fairchild
  • May 28, 2023
Films
You Hurt My Feelings: Film Review
by Jonathan Vargas
  • May 27, 2023
Films
Yellowjackets: Season 2 Review
by Branyan Towe
  • May 26, 2023
Films
Reality (2023): Film Review
by William Stottor
  • May 26, 2023
Cannes Film Festival
Rien à Perdre: Cannes Film Review
by Bethany Lola
  • May 25, 2023
Films
Are You There God? It’s Me, Margaret: Review
by Tom Spoors
  • May 24, 2023
Cannes Film Festival
Légua: Cannes Film Festival Review
by Hector A. Gonzalez
  • May 24, 2023
Cannes Film Festival
The Zone of Interest: Cannes Film Review
by Serena Seghedoni
  • May 23, 2023
Cannes Film Festival
Omen (2023): Cannes Film Review
by Hector A. Gonzalez
  • May 22, 2023
Films
Afghan Dreamers: Film Review
by Claire Fulton
  • May 22, 2023
Cannes Film Festival
Killers of the Flower Moon: Cannes Review
by Serena Seghedoni
  • May 21, 2023
Cannes Film Festival
The Animal Kingdom: Cannes Film Review
by Serena Seghedoni
  • May 19, 2023
Cannes Film Festival
Inshallah A Boy: Cannes Film Review
by Serena Seghedoni
  • May 18, 2023
Cannes Film Festival
Strange Way of Life: Cannes Film Review
by Serena Seghedoni
  • May 17, 2023
Films
Fast X (Review): A Load of Carnage
by Bethany Lola
  • May 17, 2023
Films
Under the Fig Trees (2023): Film Review
by William Stottor
  • May 15, 2023
Films
Sanctuary (2023): Film Review
by Hector A. Gonzalez
  • May 15, 2023
TV
Queer Eye Season 7 Review
by Emma Vine
  • May 14, 2023
Films
Still: A Michael J. Fox Movie – Review
by William Stottor
  • May 8, 2023
Films
Guardians of the Galaxy Vol 3: Review
by Serena Seghedoni
  • May 4, 2023
Must Watch
American Born Chinese: Season 1 Review
by Branyan Towe
  • May 2, 2023
Films
Riceboy Sleeps (2023): Film Review
by Tom Spoors
  • May 1, 2023
Films
Peter Pan & Wendy: Film Review
by Hector A. Gonzalez
  • May 1, 2023
Films
Love According to Dalva: Film Review
by Bethany Lola
  • April 24, 2023
Films
Love & Death (HBO Max) Series Review
by Branyan Towe
  • April 20, 2023
TV
Slip: Series Review (The Roku Channel)
by Bethany Lola
  • April 17, 2023
Films
Swallowed (Film Review): Queer Trepidation
by Bethany Lola
  • April 17, 2023
Films
How to Blow Up a Pipeline: Film Review
by William Stottor
  • April 14, 2023
Films
Other People’s Children: Film Review
by Daniel Allen
  • April 13, 2023
TV
Beef: Netflix Series Review
by Isabella Liistro
  • April 11, 2023
Films
Everything Went Fine: Film Review
by Joe Flockhart
  • April 10, 2023
Films
The Texas Chain Saw Massacre: 1974 Film Review (4K UHD)
by Bethany Lola
  • April 8, 2023
Films
Lewis Capaldi: How I’m Feeling Now – Film Review
by Claire Fulton
  • April 6, 2023
Films
Blue Bag Life: Film Review
by Claire Fulton
  • April 3, 2023
Films
Rye Lane (2023): Film Review
by Daniel Allen
  • March 31, 2023
Film Festivals
Miranda’s Victim: GIFF Film Review
by Jonathan Vargas
  • March 28, 2023
Films
Fist of the Condor (2023): Film Review
by Wesley Hunt
  • March 27, 2023
Films
Smoking Causes Coughing: Film Review
by Hector A. Gonzalez
  • March 27, 2023
Films
John Wick: Chapter 4 – Film Review
by Justin Kim
  • March 24, 2023
Film Festivals
Egghead & Twinkie: BFI Flare Film Review
by Daniel Allen
  • March 20, 2023
Film Festivals
Kokomo City: BFI Flare Film Review
by William Stottor
  • March 18, 2023
Film Festivals
Big Boys (2023): BFI Flare Film Review
by William Stottor
  • March 18, 2023
Films
Swarm: Prime Video Series Review
by Jonathan Vargas
  • March 18, 2023
SXSW
Bloody Hell: SXSW Film Review
by Joseph Tomastik
  • March 16, 2023
Films
Shadow and Bone (Netflix) Season 2 Review
by Serena Seghedoni
  • March 16, 2023
SXSW
Louder Than You Think: SXSW Review
by Serena Seghedoni
  • March 14, 2023
Films
The Last of Us: HBO Series Review
by Aaron Murray
  • March 13, 2023
SXSW
Flamin’ Hot: SXSW Film Review
by Joseph Tomastik
  • March 13, 2023
SXSW
Going Varsity in Mariachi: SXSW Film Review
by Daniel Allen
  • March 13, 2023
SXSW
With Love and a Major Organ: SXSW Review
by Serena Seghedoni
  • March 12, 2023
Films
Money Shot: The Pornhub Story, Netflix Film Review
by Thaddeus Buttrey
  • March 11, 2023
SXSW
Dungeons & Dragons: Honor Among Thieves Review
by Joseph Tomastik
  • March 11, 2023
SXSW
Only The Good Survive: SXSW Film Review
by Tom Spoors
  • March 11, 2023
Film Festivals
Our Father, The Devil: Glasgow Film Festival Review
by Claire Fulton
  • March 10, 2023
Film Festivals
A Letter From Helga: Glasgow Review
by Claire Fulton
  • March 8, 2023
Film Festivals
Band: Glasgow Film Festival Review
by Claire Fulton
  • March 8, 2023
Films
Scream VI (2023): Film Review
by Branyan Towe
  • March 8, 2023
Films
Therapy Dogs: Film Review
by Aaron Murray
  • March 7, 2023
Films
Mayday (2021): Film Review
by Kei Ryan
  • March 5, 2023
Film Festivals
The Five Devils: Film Review
by Hector A. Gonzalez
  • March 4, 2023
Film Festivals
Lakelands: Film Review
by Claire Fulton
  • March 4, 2023
Film Festivals
God’s Creatures: Glasgow Film Festival Review
by Claire Fulton
  • March 2, 2023
TV
Daisy Jones & The Six: Prime Video Series Review
by Jonathan Vargas
  • March 1, 2023
Films
Lunana: A Yak in the Classroom: Film Review
by William Stottor
  • March 1, 2023
Films
Palm Trees and Power Lines (2023): Film Review
by Joshua Stevens
  • February 27, 2023
Films
Boyz N The Hood: Film Review
by Aaron Murray
  • February 26, 2023
Films
Cocaine Bear: Film Review
by Thaddeus Buttrey
  • February 25, 2023
Films
We Have A Ghost (Netflix): Film Review
by Daniel Allen
  • February 24, 2023
Berlinale
Passages: Berlin Film Festival Review
by Serena Seghedoni
  • February 22, 2023
Berlinale
Remembering Every Night: Berlin Film Festival Review
by William Stottor
  • February 21, 2023
Berlinale
Tótem: Berlin Film Festival Review
by William Stottor
  • February 20, 2023
Berlinale
Seven Winters in Tehran: Berlin Review
by Olivia Savage
  • February 20, 2023
Berlinale
Samsara: Berlin Film Festival Review
by William Stottor
  • February 20, 2023
Films
Creature (2023): Film Review
by William Stottor
  • February 20, 2023
Berlinale
Disco Boy: Berlin Film Festival Review
by William Stottor
  • February 19, 2023
Berlinale
Past Lives: Berlin Film Festival Review
by William Stottor
  • February 19, 2023
Berlinale
Silver Haze: Berlin Film Festival Review
by Olivia Savage
  • February 19, 2023
Berlinale
Delegation (Ha’Mishlahat): Berlin Film Festival Review
by Hector A. Gonzalez
  • February 19, 2023
Berlinale
Drifter: Berlin Film Festival Review
by Serena Seghedoni
  • February 19, 2023
Berlinale
BlackBerry: Berlin Film Festival Review
by Olivia Savage
  • February 18, 2023
Berlinale
The Quiet Migration (Stille Liv): Berlin Review
by Claire Fulton
  • February 17, 2023
Berlinale
The Echo: Berlin Film Festival Review
by William Stottor
  • February 17, 2023
Films
Harley Quinn: A Very Problematic Valentine’s Day Special: Review
by Branyan Towe
  • February 8, 2023
Films
Town of Strangers (2023): Film Review
by Claire Fulton
  • February 7, 2023
TV
Bocchi the Rock!: Anime Series Review
by Wesley Hunt
  • February 5, 2023
Films
Signs (Film Review): No Coincidences
by Jack Walters
  • February 2, 2023
Films
After Hours (1985) Film Review
by Bethany Lola
  • January 31, 2023
Films
You Resemble Me (Review): A Devastating & Spellbinding Character Drama
by Maxance Vincent
  • January 28, 2023
Films
The Wolf of Wall Street (2013 Film): 10 Years Later
by Branyan Towe
  • January 25, 2023
Sundance Film Festival
Girl (Sundance Review): What My Mother Told Me
by Claire Fulton
  • January 23, 2023
Sundance Film Festival
Slow (Sundance Review): A Different Way to Love
by Daniel Allen
  • January 22, 2023
Sundance Film Festival
When It Melts (Sundance Review): Revisiting Childhood Demons
by Bethany Lola
  • January 22, 2023
Films
Missing (Film Review): A Superior Film to Searching
by Maxance Vincent
  • January 21, 2023
Films
Alice, Darling (2023): Film Review
by Jonathan Vargas
  • January 20, 2023
Sundance Film Festival
Against the Tide (Sundance Review): No More Fish in the Sea
by Bethany Lola
  • January 20, 2023
Films
January (Film Review): A Hypnotic Mystery That Encourages Analysis
by Ethan Hill
  • January 20, 2023
Films
Noise (Ruido) Film Review: Speaking Out Against Violence
by Joseph Tomastik
  • January 13, 2023
Films
The Departed (2006) Review: Crime Has Never Felt So Fun
by Jack Walters
  • January 12, 2023
TV
Copenhagen Cowboy: Netflix Series Review
by Hector A. Gonzalez
  • January 10, 2023
Films
Beautiful Beings (Film Review): Boys Will Beat Boys
by Claire Fulton
  • January 9, 2023
Films
The Pale Blue Eye (Netflix) Review: More Poe Mystery Films, Please!
by Joseph Tomastik
  • January 8, 2023
Films
Millennium Mambo (2001 Film): 4K Restoration Review
by Hector A. Gonzalez
  • January 6, 2023
Films
The King of Comedy (Film Review): Scorsese’s Satirical Masterpiece
by Olivia Savage
  • January 5, 2023
TV
Kaleidoscope (Review): Netflix’s Latest Gamble Pays Off
by Maxance Vincent
  • January 1, 2023
Films
Piranha II: The Spawning (1981) Film Review: Piranha Galore
by Bethany Lola
  • December 29, 2022
Films
The Other Final (2003) Film Review: Togetherness over Competition
by Wesley Hunt
  • December 27, 2022
Films
Babylon (2022) Movie Review: Ain’t Life Grand
by Branyan Towe
  • December 23, 2022
Films
Puss in Boots: The Last Wish Review: Our Favorite Fearless Hero Returns
by Maxance Vincent
  • December 22, 2022
TV
Treason Review (Netflix Series): Secrets, Lies and Death
by Bethany Lola
  • December 22, 2022
Films
Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles: Film Review
by Joe Flockhart
  • December 11, 2022
Films
Violent Night (Review): David Harbour’s Santa Claus Saves The Day
by Laney Gibbons
  • December 4, 2022
Films
Hidden Letters (Film Review): Paralleling the Past and Present
by William Stottor
  • December 1, 2022
Films
The Territory (Film Review): ‘The Battle for Home’
by Daniel Allen
  • November 29, 2022
Films
Nocebo (2022) Film Review: The Conundrum of Motherhood
by Bethany Lola
  • November 29, 2022
Films
The Guardians of The Galaxy Holiday Special: Review
by Aaron Murray
  • November 25, 2022
Films
Devotion (Film Review): “You Can’t Always Do What You’re Told”
by Jonathan Vargas
  • November 23, 2022
Film Festivals
Where Life Begins: UK Jewish Film Festival Review
by Claire Fulton
  • November 19, 2022
Film Festivals
Bootlegger : Film Review (2022 Native Cinema Showcase)
by Wesley Hunt
  • November 19, 2022
TV
Wednesday (Netflix): Season 1 Review
by Branyan Towe
  • November 18, 2022
Film Festivals
Plaza Catedral: UK Jewish Film Festival Review
by Claire Fulton
  • November 12, 2022
Film Festivals
Gyeong-ah’s Daughter (LKFF Review)
by Claire Fulton
  • November 12, 2022
Films
My Father’s Dragon (Netflix) Review: Old Story Feels New
by Wesley Hunt
  • November 12, 2022
Films
Bad Axe (Film Review): Breaking The Silence of Ignorance
by Aaron Murray
  • November 11, 2022
Film Festivals
Seire (LKFF Review): The Sins of the Father
by Claire Fulton
  • November 10, 2022
Films
Wakanda Forever Review: The King is Dead but Black Panther Lives
by Serena Seghedoni
  • November 9, 2022
Films
One Piece Film: RED (Movie Review): The Most Emotional One Piece Film Yet
by Maxance Vincent
  • November 8, 2022
Films
Return to Dust (Review): A tough Yet Tender Life Together
by Claire Fulton
  • November 1, 2022
Films
Lyra (2022) Film Review: The Fragility of Peacetime
by Claire Fulton
  • October 31, 2022
TV
Young Royals Season 2 Review: Second Term Success
by Claire Fulton
  • October 28, 2022
Films
All Quiet on the Western Front (2022) Review: Death Begets Death
by Jack Walters
  • October 27, 2022
Films
Barbarian (Film Review): Stay The Night If You Dare
by Bethany Lola
  • October 27, 2022
Films
Terrifier 2 (Film Review): A Bloody Feast for Gore Hounds
by Hector A. Gonzalez
  • October 26, 2022
Films
Please Baby Please (Film Review): Leatherbound & Campy Pleasures
by Hector A. Gonzalez
  • October 24, 2022
Films
Confetti (2022) Film Review: Learning Differently
by Claire Fulton
  • October 20, 2022
Films
Stars at Noon (Review): Dreamlike & Erotic Political Thriller
by Hector A. Gonzalez
  • October 18, 2022
London Film Festival
The Stranger (Netflix) 2022 Film: LFF Review
by Serena Seghedoni
  • October 15, 2022
London Film Festival
Guillermo del Toro’s Pinocchio (Film Review): Far From Wooden
by Daniel Allen
  • October 15, 2022
London Film Festival
My Policeman (Film Review): Cast Shines in Riveting Adaptation - LFF
by Serena Seghedoni
  • October 15, 2022
London Film Festival
More Than Ever (Film Review): “Everything We Will Never Be Again”
by Daniel Allen
  • October 12, 2022
London Film Festival
Brother (LFF Review): A Perfect Literary Adaptation
by William Stottor
  • October 12, 2022
London Film Festival
Close (Film Review): The Bone Breaks; It Grows Back Stronger
by Serena Seghedoni
  • October 10, 2022
Films
The Redeem Team (Review): Reliving Recent Sports History
by Wesley Hunt
  • October 10, 2022
Film Festivals
Showing Up: Film Review
by Hector A. Gonzalez
  • October 9, 2022
London Film Festival
Holy Spider: Film Review
by Daniel Allen
  • October 9, 2022
London Film Festival
Blue Jean (Review): An Exceptional Debut Film
by Daniel Allen
  • October 8, 2022
London Film Festival
Bardo, False Chronicle of a Handful of Truths: LFF Review
by William Stottor
  • October 8, 2022
London Film Festival
Causeway (LFF Review): Lawrence & Henry Excel in Indie Drama
by Daniel Allen
  • October 8, 2022
London Film Festival
Nanny (LFF Review): Psychological Horror Grounded in Realism
by William Stottor
  • October 7, 2022
London Film Festival
Lynch/Oz (Film Review): “There’s No Place Like Home”
by Daniel Allen
  • October 7, 2022
London Film Festival
All That Breathes: Film Review
by Daniel Allen
  • October 7, 2022
London Film Festival
White Noise (Film Review): The Sound of Existential Dread
by Serena Seghedoni
  • October 7, 2022
London Film Festival
Sick of Myself (Film Review): A Squirm-Inducing Wonder
by William Stottor
  • October 6, 2022
Films
Naked Zombie Girl is Back (Review): She Fights Zombies… NAKED
by Thaddeus Buttrey
  • October 4, 2022
Films
Deadstream (Shudder) Review: The Horrors of Online Desperation
by Aaron Murray
  • October 3, 2022
Films
Bros (2022 Film) Review: Undeniably Iconic
by Jonathan Vargas
  • October 1, 2022
Film Festivals
Butterfly in the Sky (Nashville Review): Why Storytelling Matters
by Edgar Ortega
  • October 1, 2022
Films
Sissy (Shudder) Film Review: Leaving The Safe Space
by Aaron Murray
  • September 26, 2022
Films
Teknolust (2002) Film Review: Digital Love and Desire
by Nils Gollersrud
  • September 24, 2022
Film Festivals
Something You Said Last Night: Film Review
by Olivia Savage
  • September 20, 2022
Films
Mona Lisa and the Blood Moon (Film Review): A Hypnotic Horror
by Daniel Allen
  • September 19, 2022
Films
Do Revenge (Review): Two Girls, a Bearded Dragon, and Payback
by Branyan Towe
  • September 16, 2022
TIFF
Women Talking (Film Review): “The Sun is Setting, and Our Light is Fading”
by Hector A. Gonzalez
  • September 15, 2022
Films
Clerks III (Film Review): Welcome Back to The Quick-Stop
by Branyan Towe
  • September 15, 2022
Films
The Whale (Film Review): Fraser Excels In Heartbreaking Tale
by Joseph Tomastik
  • September 14, 2022
Venice Film Festival
No Bears (Khers Nist) Review: Great Guerrilla Storytelling
by Claire Fulton
  • September 14, 2022
TIFF
All the Beauty and the Bloodshed: Film Review
by Hector A. Gonzalez
  • September 14, 2022
TIFF
Decision to Leave: Film Review
by Hector A. Gonzalez
  • September 13, 2022
TIFF
Moonage Daydream (Film Review): The Prettiest Star
by Hector A. Gonzalez
  • September 13, 2022
TIFF
Joyland (Film Review): Repressed Desires & Gender Roles
by Hector A. Gonzalez
  • September 13, 2022
TIFF
Viking (TIFF Review): An Ambiguous Space Character Study
by Joseph Tomastik
  • September 13, 2022
TIFF
The Blue Caftan (Film Review): Beautifully Restrained, Delicate & Intimate
by Hector A. Gonzalez
  • September 12, 2022
TIFF
Corsage (Film Review): Polished Drama with Fragility & Forte
by Hector A. Gonzalez
  • September 12, 2022
Films
Silent Land (Film Review): An Expansive Kind of Claustrophobia
by Harry Solomons
  • September 12, 2022
TIFF
The Woman King (TIFF Review): An Epic, Emotional Powerhouse
by Joseph Tomastik
  • September 11, 2022
TIFF
R.M.N. (Film Review): Hatred Deteriorates the Mind
by Hector A. Gonzalez
  • September 11, 2022
TIFF
De Humani Corporis Fabrica (TIFF Review): The Unflinching Wonders of Our Bodies
by Hector A. Gonzalez
  • September 11, 2022
TIFF
Weird: The Al Yankovic Story (TIFF 2022): Film Review
by Joseph Tomastik
  • September 10, 2022
TIFF
Pacifiction (Film Review): Political Paranoia & the Inevitability of Evil
by Hector A. Gonzalez
  • September 10, 2022
TIFF
Return to Seoul (Film Review): In Search for a Place to Call Home
by Hector A. Gonzalez
  • September 9, 2022
Venice Film Festival
The Banshees of Inisherin (Film Review): It’s Not Me, It’s You
by Claire Fulton
  • September 8, 2022
Venice Film Festival
Dreamin’ Wild (Venice Review): Second Chances Sound Sweet
by Claire Fulton
  • September 7, 2022
Venice Film Festival
The Son (Film Review): Superb Storytelling
by Serena Seghedoni
  • September 7, 2022
Films
Hold Me Tight (Review): Subtle Art Drama Lets Krieps Shine
by Ethan Hill
  • September 5, 2022
Films
Three Thousand Years of Longing: Film Review
by Arthur Goyaz
  • September 4, 2022
Films
Servants (Film Review): Blurring the line of church and state
by Ethan Hill
  • September 3, 2022
Venice Film Festival
Living (Film Review): Storytelling at its Best
by Serena Seghedoni
  • September 1, 2022
Venice Film Festival
TÁR (Venice Review): The Downfall of a Narcissist
by Serena Seghedoni
  • September 1, 2022
Venice Film Festival
Three Nights A Week (Film Review): Love, in All Its Forms
by Serena Seghedoni
  • September 1, 2022
Films
Kaepernick & America (Review): The Power of a Kneel
by Joseph Tomastik
  • August 29, 2022
Films
Who Invited Them (Shudder) Review: One Too Many Nightcaps
by Aaron Murray
  • August 29, 2022
Films
Dragon Ball Super: Super Hero (Review): A Spectacular Fusion of Two Animation Styles
by Maxance Vincent
  • August 20, 2022
Films
Luzzu (Film Review): Tradition Versus Modernisation
by William Stottor
  • August 9, 2022
Films
Boy (2010) Film Review: Taika’s Familial Thriller
by Claire Fulton
  • July 28, 2022
Films
Vengeance (Film Review): B.J. Novak Takes America to Task
by Zoe Rose Bryant
  • July 25, 2022
Films
Medusa (Film Review): Modernised Mythology in Brazil
by William Stottor
  • July 25, 2022
Films
This is Gwar (Review): The History of Metal’s Zaniest Collective
by Thaddeus Buttrey
  • July 18, 2022
Films
The Quiet Girl (Film Review): An Exquisite, Delicate Drama
by William Stottor
  • July 16, 2022
Films
Paws of Fury: The Legend of Hank (Review) Ferocious Family Fun
by Jonathan Vargas
  • July 13, 2022
Films
Stranger Things 4 Vol. 2 (Review): Wins and Losses
by Branyan Towe
  • July 1, 2022
Films
Flux Gourmet: Film Review
by Hector A. Gonzalez
  • June 22, 2022
Films
Spiderhead (Review): Joseph Kosinski Does It Again
by Maxance Vincent
  • June 19, 2022
TV
The Responder (Review): In The Heat of The Night
by Aaron Murray
  • June 18, 2022
Tribeca Film Festival
Pink Moon (Tribeca Review): A Bizarre & Honest Exploration of Mortality
by Edgar Ortega
  • June 17, 2022
Tribeca Film Festival
A Love Song (Film Review): Expert Minimalism
by Joseph Tomastik
  • June 17, 2022
Film Festivals
Cherry (Film Review): A Charming Comedy About Embracing Adulthood
by Edgar Ortega
  • June 12, 2022
Tribeca Film Festival
My Love Affair with Marriage (Tribeca Review): The Truth About Love
by Serena Seghedoni
  • June 11, 2022
Films
Hustle (Review): Sandler Delivers in Stellar Sports Dramedy
by Zoe Rose Bryant
  • June 9, 2022
Cannes Film Festival
Metronom (Cannes Review): “The Time to Hesitate is Through”
by Hector A. Gonzalez
  • June 7, 2022
Films
Fire Island (Review): The Perfect Movie to Kick Off Pride Month
by Zoe Rose Bryant
  • June 4, 2022
Cannes Film Festival
Falcon Lake (Film Review): A Ghostly Tale of Young Love
by Hector A. Gonzalez
  • June 4, 2022
TV
Stranger Things 4 (Vol. 1) Review: Terror in and Beyond Hawkins
by Branyan Towe
  • May 29, 2022
Films
Top Gun: Maverick (Review): Tom Cruise’s Long-Awaited Legacyquel Soars
by Zoe Rose Bryant
  • May 27, 2022
Cannes Film Festival
El Agua (Cannes Review): Mythology & Naturalism Through the River Creeks
by Hector A. Gonzalez
  • May 26, 2022
Films
E.T. the Extra-Terrestrial (Review): Still Fab at Forty
by Claire Fulton
  • May 26, 2022
Cannes Film Festival
Aftersun (Film Review): Sun, Sea & Melancholy
by Daniel Allen
  • May 25, 2022
Cannes Film Festival
Scarlet (L’Envol): Film Review
by Hector A. Gonzalez
  • May 24, 2022
Cannes Film Festival
One Fine Morning (Film Review): Finding Unexpected Love
by Daniel Allen
  • May 24, 2022
Films
A Chiara (2022): Film Review
by Hector A. Gonzalez
  • May 23, 2022
Cannes Film Festival
Armageddon Time: Film Review
by Daniel Allen
  • May 20, 2022
Films
The Lost World: Jurassic Park: An Underrated Sequel
by Joseph Tomastik
  • May 19, 2022
Films
Ex Machina (Review): Crossing the Threshold of Humanity
by Joseph Tomastik
  • May 14, 2022
Films
Pleasure (Review): A Powerful and Humanistic Exposition on Porn
by Hector A. Gonzalez
  • May 10, 2022
Films
The Innocents (Review): Do You Know Where Your Kids Are?
by Aaron Murray
  • May 9, 2022
Films
Montana Story (Review): An Intimate Drama That Stands Out
by Branyan Towe
  • May 9, 2022
Films
Pompo the Cinephile (Review): A Touching Tribute to Film
by Joseph Tomastik
  • May 6, 2022
Films
This Much I Know to Be True (Review): A Sonorous Reunion of Brilliant Minds
by Hector A. Gonzalez
  • May 6, 2022
TV
Heartstopper (Review): The Show Queer Youth Need Now More Than Ever
by Zoe Rose Bryant
  • April 25, 2022
Films
Ennio (Film Review): Meet the Maestro
by Nils Gollersrud
  • April 19, 2022
Films
We’re All Going to the World’s Fair: Film Review
by Daniel Allen
  • April 18, 2022
Films
Ghost Dog: The Way of the Samurai (Review): The Importance of Art
by Jack Gross
  • April 14, 2022
Films
The Northman (Review): Robert Eggers’ Epic is a Filmmaking Feat
by Zoe Rose Bryant
  • April 14, 2022
Films
Rope (Review): Hitchcock ’s Understated Examination of Murder
by Jack Walters
  • April 14, 2022
Films
Sonic The Hedgehog 2 (Review): The Best Video Game Movie Ever
by Maxance Vincent
  • April 12, 2022
TV
The Dropout (Review): Seyfried Steals the Show
by Jonathan Vargas
  • April 10, 2022
Films
RRR (Film Review): Blockbuster Cinema Is Back
by Anthony Bowmer
  • April 10, 2022
Films
Death Game (Review): An Exploitation Cinema Gem Restored
by Hector A. Gonzalez
  • April 9, 2022
Films
Saint-Narcisse (Review): A One-Of-A-Kind Modern Fairy Tale
by Serena Seghedoni
  • April 8, 2022
Films
Vertigo (Review): Hitchcock’s Perfect Descent into Madness
by Joseph Tomastik
  • April 3, 2022
Films
Swiss Army Man (Review): “Maybe Everyone’s A Little Ugly”
by Jack Walters
  • March 28, 2022
Film Festivals
TRAMPS! (BFI Flare Review): All Hail The New Romantics!
by Daniel Allen
  • March 26, 2022
Film Festivals
The Novice (BFI Flare Review): First or Last
by William Stottor
  • March 26, 2022
Film Festivals
The Sound of Scars (BFI Flare Review): A Truly Powerful Watch
by Daniel Allen
  • March 25, 2022
Film Festivals
Cop Secret (BFI Flare Review): Reykjavík Vice
by Daniel Allen
  • March 21, 2022
SXSW
To Leslie (SXSW Review): Riseborough & Maron Anchor Affecting Drama
by Zoe Rose Bryant
  • March 19, 2022
SXSW
Soft & Quiet (SXSW Review): The Sickening Horrors of Reality
by Joseph Tomastik
  • March 18, 2022
Films
Windfall (Review): Not Everyone Works for You
by Aaron Murray
  • March 18, 2022
Films
X (Review): Ti West’s A24 Slasher is a Terrifying and Thrilling Treat
by Zoe Rose Bryant
  • March 17, 2022
Film Festivals
Girls Girls Girls (Film Review): The Thrill of Teenage Discovery
by William Stottor
  • March 16, 2022
Films
Bodies Bodies Bodies: Film Review
by Joseph Tomastik
  • March 15, 2022
SXSW
Apollo 10 1/2: A Space Age Childhood: SXSW Review
by Joseph Tomastik
  • March 14, 2022
Films
The Outfit (Review): Refreshingly Sophisticated
by Yehuda Siegel
  • March 14, 2022
SXSW
Watcher (SXSW Review): Maika Monroe Makes Her Return to Horror
by Zoe Rose Bryant
  • March 14, 2022
Film Festivals
Murina (Glasgow Review): Chilling Parental Control
by William Stottor
  • March 13, 2022
Film Festivals
Happening (Glasgow Review): The Ugliness of Law
by William Stottor
  • March 12, 2022
SXSW
Everything Everywhere All At Once (Film Review): Loving Insanity
by Joseph Tomastik
  • March 12, 2022
Films
Turning Red (Review): Pixar Tackles Puberty with Poignant Results
by Zoe Rose Bryant
  • March 12, 2022
Films
The Florida Project (Review): Childhood Innocence Runs Free
by Bethany Lola
  • March 11, 2022
Film Festivals
Prayers for the Stolen (Film Review): A Haunting Masterwork
by William Stottor
  • March 10, 2022
Films
After Yang (Film Review): A Tranquil Reminder of Our Humanity
by Joseph Tomastik
  • March 6, 2022
Films
Fire (Both Sides of the Blade) Review: An Incendiary Love Triangle
by Hector A. Gonzalez
  • March 5, 2022
Films
Stay Awake (Review): A Heartbreaking Story of Addiction
by Bethany Lola
  • March 2, 2022
Films
Great Freedom (Review): Hans Was Here and So Was Viktor
by Atreyo Palit
  • February 25, 2022
Films
Kimi (Review): Soderbergh ’s Compelling Technology Thriller
by Daniel Allen
  • February 24, 2022
TV
This is Going to Hurt (Review): Brutality, Bravery and a Broken System
by Isobel Nutbrown
  • February 22, 2022
Films
Cow (Review): A Strong Addition to the Farmyard Animal Canon
by William Stottor
  • February 12, 2022
Films
Jackass Forever (Review): The First Masterpiece of 2022 is Here
by Maxance Vincent
  • February 9, 2022
Films
Jules et Jim (Review): François Truffaut ’s Triangle Amoureux
by Daniel Allen
  • February 3, 2022
Films
Cure (Review): A Hauntingly Mesmerizing Exploration into the Human Psyche
by Jack Gross
  • January 28, 2022
Sundance Film Festival
Sharp Stick (Sundance Review): “Be Proud of Your F*ing Scars”
by Serena Seghedoni
  • January 27, 2022
Sundance Film Festival
Resurrection (2022) Film Review: Unhinged Motherhood Drama
by Edgar Ortega
  • January 25, 2022
Sundance Film Festival
Good Luck to You, Leo Grande (Review): An Ode to Self-Love
by Serena Seghedoni
  • January 23, 2022
Sundance Film Festival
Call Jane (Film Review): Banks & Weaver Deliver in Abortion Drama
by Zoe Rose Bryant
  • January 22, 2022
Films
Compartment No. 6 (Review): Midnight Train to Murmansk
by Daniel Allen
  • January 20, 2022
TV
After Life Season 3 (Review): A Heartfelt Tale of Moving On
by Jack Walters
  • January 18, 2022
Films
Beyond the Infinite Two Minutes (Review): Infinitely Clever
by Joseph Tomastik
  • January 16, 2022
Films
What Do We See When We Look At The Sky? (Film Review): Metamorphic Love
by Daniel Allen
  • January 6, 2022
Films
A Hero (Film Review): Asghar Farhadi Hits Another Home Run
by Zoe Rose Bryant
  • January 3, 2022
Films
Spider-Man: No Way Home (Review): Heroes, Villains & Second Chances
by Serena Seghedoni
  • December 15, 2021
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